| Voices of the Night |
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Prelude |
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Hymn to the Night |
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A Psalm of Life |
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The Reaper and the Flowers |
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The Light of Stars |
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Footsteps of Angels |
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Flowers |
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The Beleaguered City |
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Midnight Mass for the Dying Year |
| Earlier Poems |
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An April Day |
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Autumn |
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Woods in Winter |
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Hymn of the Moravian Nuns of Bethlehem |
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Sunrise on the Hills |
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The Spirit of Poetry |
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Burial of the Minnisink |
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L’Envoi |
| Ballads and Other Poems |
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The Skeleton in Armor |
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The Wreck of the Hesperus |
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The Village Blacksmith |
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Endymion |
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It is not always May |
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The Rainy Day |
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God’s-Acre |
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To the River Charles |
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Blind Bartimeus |
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The Goblet of Life |
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Maidenhood |
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Excelsior |
| Poems on Slavery |
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To William E. Channing |
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The Slave’s Dream |
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The Good Part, that shall not be taken away |
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The Slave in the Dismal Swamp |
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The Slave Singing at Midnight |
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The Witnesses |
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The Quadroon Girl |
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The Warning |
| The Spanish Student |
| The Belfry of Bruges and Other Poems |
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Introductory Note |
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Carillon |
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The Belfry of Bruges |
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A Gleam of Sunshine |
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The Arsenal at Springfield |
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Nuremberg |
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The Norman Baron |
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Rain in Summer |
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To a Child |
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The Occultation of Orion |
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The Bridge |
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To the Driving Cloud |
| Songs |
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The Day is done |
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Afternoon in February |
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To an Old Danish Song Book |
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Walter von der Vogelweid |
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Drinking Song |
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The Old Clock on the Stairs |
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The Arrow and the Song |
| Sonnets |
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Mezzo Cammin |
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The Evening Star |
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Autumn |
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Dante |
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Curfew |
| Evangeline: A Tale of Acadie |
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Introductory Note |
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Evangeline |
| The Seaside and the Fireside |
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Introductory Note |
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Dedication |
| By the Seaside |
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The Building of the Ship |
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Seaweed |
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Chrysaor |
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The Secret of the Sea |
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Twilight |
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Sir Humphrey Gilbert |
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The Lighthouse |
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The Fire of Drift-Wood |
| By the Fireside |
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Resignation |
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The Builders |
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Sand of the Desert in an Hour-Glass |
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The Open Window |
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King Witlaf’s Drinking-Horn |
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Gaspar Becerra |
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Pegasus in Pound |
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Tegnér’s Drapa |
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Sonnet, on Mrs. Kemble’s Readings from Shakespeare |
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The Singers |
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Suspiria |
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Hymn for my Brother’s Ordination |
| The Song of Hiawatha |
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Introductory Note |
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Introduction |
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I. |
The Peace-Pipe |
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II. |
The Four Winds |
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III. |
Hiawatha’s Childhood |
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IV. |
Hiawatha and Mudjekeewis |
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V. |
Hiawatha’s Fasting |
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VI. |
Hiawatha’s Friends |
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VII. |
Hiawatha’s Sailing |
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VIII. |
Hiawatha’s Fishing |
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IX. |
Hiawatha and the Pearl-Feather |
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X. |
Hiawatha’s Wooing |
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XI. |
Hiawatha’s Wedding-Feast |
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XII. |
The Son of the Evening Star |
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XIII. |
Blessing the Cornfields |
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XIV. |
Picture-Writing |
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XV. |
Hiawatha’s Lamentation |
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XVI. |
Pau-Puk-Keewis |
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XVII. |
The Hunting of Pau-Puk-Keewis |
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XVIII. |
The Death of Kwasind |
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XIX. |
The Ghosts |
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XX. |
The Famine |
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XXI. |
The White Man’s Foot |
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XXII. |
Hiawatha’s Departure |
| The Courtship of Miles Standish |
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Introductory Note |
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I. |
Miles Standish |
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II. |
Love and Friendship |
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III. |
The Lover’s Errand |
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IV. |
John Alden |
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V. |
The Sailing of the Mayflower |
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VI. |
Priscilla |
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VII. |
The March of Miles Standish |
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VIII. |
The Spinning-Wheel |
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IX. |
The Wedding-Day |
| Birds of Passage |
| Flight the First |
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Birds of Passage |
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Prometheus, or the Poet’s Forethought |
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Epimetheus, or the Poet’s Afterthought |
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The Ladder of St. Augustine |
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The Phantom Ship |
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The Warden of the Cinque Ports |
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Haunted Houses |
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In the Churchyard at Cambridge |
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The Emperor’s Bird’s-Nest |
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The Two Angels |
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Daylight and Moonlight |
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The Jewish Cemetery at Newport |
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Oliver Basselin |
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Victor Galbraith |
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My Lost Youth |
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The Ropewalk |
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The Golden Mile-Stone |
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Catawba Wine |
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Santa Filomena |
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The Discoverer of the North Cape |
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Daybreak |
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The Fiftieth Birthday of Agassiz |
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Children |
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Sandalphon |
| Flight the Second |
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The Children’s Hour |
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Enceladus |
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The Cumberland |
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Snow-Flakes |
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A Day of Sunshine |
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Something Left Undone |
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Weariness |
| Tales of a Wayside Inn |
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|
Introductory Note |
| Part First |
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|
Prelude |
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The Landlord’s Tale: Paul Revere’s Ride |
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Interlude |
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The Student’s Tale: The Falcon of Ser Federigo |
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Interlude |
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The Spanish Jew’s Tale: The Legend of Rabbi Ben Levi |
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Interlude |
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The Sicilian’s Tale: King Robert of Sicily |
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Interlude |
| The Musician’s Tale: The Saga of King Olaf |
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I. |
The Challenge of Thor |
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II. |
King Olaf’s Return |
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III. |
Thora of Rimol |
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IV. |
Queen Sigrid the Haughty |
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V. |
The Skerry of Shrieks |
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VI. |
The Wraith of Odin |
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VII. |
Iron-Beard |
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VIII. |
Gudrun |
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IX. |
Thangbrand the Priest |
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X. |
Raud the Strong |
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XI. |
Bishop Sigurd of Salten Fiord |
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XII. |
King Olaf’s Christmas |
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XIII. |
The Building of the Long Serpent |
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XIV. |
The Crew of the Long Serpent |
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XV. |
A Little Bird in the Air |
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XVI. |
Queen Thyri and the Angelica Stalks |
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XVII. |
King Svend of the Forked Beard |
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XVIII. |
King Olaf and Earl Sigvald |
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XIX. |
King Olaf’s War-Horns |
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XX. |
Einar Tamberskelver |
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XXI. |
King Olaf’s Death-Drink |
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XXII. |
The Nun of Nidaros |
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Interlude |
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The Theologian’s Tale: Torquemada |
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Interlude |
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The Poet’s Tale: The Birds of Killingworth |
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Finale |
| Part Second |
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Prelude |
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The Sicilian’s Tale: The Bell of Atri |
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Interlude |
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The Spanish Jew’s Tale: Kambalu |
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|
Interlude |
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The Student’s Tale: The Cobbler of Hagenau |
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|
Interlude |
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The Musician’s Tale: The Ballad of Carmilhan |
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|
Interlude |
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The Poet’s Tale: Lady Wentworth |
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|
Interlude |
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The Theologian’s Tale: The Legend Beautiful |
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|
Interlude |
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The Student’s Second Tale: The Baron of St. Castine |
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Finale |
| Part Third |
|
|
Prelude |
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The Spanish Jew’s Tale: Azrael |
|
|
Interlude |
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The Poet’s Tale: Charlemagne |
|
|
Interlude |
|
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The Student’s Tale: Emma and Eginhard |
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|
Interlude |
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The Theologian’s Tale: Elizabeth |
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|
Interlude |
|
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The Sicilian’s Tale: The Monk of Casal-Maggiore |
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|
Interlude |
|
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The Spanish Jew’s Second Tale: Scanderbeg |
|
|
Interlude |
|
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The Musician’s Tale: The Mother’s Ghost |
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|
Interlude |
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The Landlord’s Tale: The Rhyme of Sir Christopher |
|
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Finale |
| Flower-de-Luce |
|
|
Flower-de-Luce |
|
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Palingenesis |
|
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The Bridge of Cloud |
|
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Hawthorne |
|
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Christmas Bells |
|
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The Wind over the Chimney |
|
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The Bells of Lynn |
|
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Killed at the Ford |
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Giotto’s Tower |
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To-morrow |
|
|
Divina Commedia |
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Noël |
| Birds of Passage |
| Flight the Third |
|
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Fata Morgana |
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The Haunted Chamber |
|
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The Meeting |
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Vox Populi |
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The Castle-Builder |
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Changed |
|
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The Challenge |
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The Brook and the Wave |
|
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Aftermath |
| The Masque of Pandora |
|
|
Introductory |
|
I. |
The Workshop of Hephæstus |
|
II. |
Olympus |
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III. |
Tower of Prometheus on Mount Caucasus |
|
IV. |
The Air |
|
V. |
The House of Epimetheus |
|
VI. |
In the Garden |
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VII. |
The House of Epimetheus |
|
VIII. |
In the Garden |
| The Hanging of the Crane |
| Morituri Salutamus |
| A Book of Sonnets |
|
|
Three Friends of Mine |
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|
Chaucer |
|
|
Shakespeare |
|
|
Milton |
|
|
Keats |
|
|
The Galaxy |
|
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The Sound of the Sea |
|
|
A Summer Day by the Sea |
|
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The Tides |
|
|
A Shadow |
|
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A Nameless Grave |
|
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Sleep |
|
|
The Old Bridge at Florence |
|
|
Il Ponte Vecchio di Firenze |
|
|
Nature |
|
|
In the Churchyard at Tarrytown |
|
|
Eliot’s Oak |
|
|
The Descent of the Muses |
|
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Venice |
|
|
The Poets |
|
|
Parker Cleaveland |
|
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The Harvest Moon |
|
|
To the River Rhone |
|
|
The Three Silences of Molinos |
|
|
The Two Rivers |
|
|
Boston |
|
|
St. John’s, Cambridge |
|
|
Moods |
|
|
Woodstock Park |
|
|
The Four Princesses at Wilna |
|
|
Holidays |
|
|
Wapentake |
|
|
The Broken Oar |
|
|
The Cross of Snow |
| Birds of Passage |
| Flight the Fourth |
|
|
Charles Sumner |
|
|
Travels by the Fireside |
|
|
Cadenabbia |
|
|
Monte Cassino |
|
|
Amalfi |
|
|
The Sermon of St. Francis |
|
|
Belisarius |
|
|
Songo River |
| Kéramos |
| Birds of Passage |
| Flight the Fifth |
|
|
The Herons of Elmwood |
|
|
A Dutch Picture |
|
|
Castles in Spain |
|
|
Vittoria Colonna |
|
|
The Revenge of Rain-in-the-Face |
|
|
To the River Yvette |
|
|
The Emperor’s Glove |
|
|
A Ballad of the French Flee |
|
|
The Leap of Roushan Beg |
|
|
Haroun al Raschid |
|
|
King Trisanku |
|
|
A Wraith in the Mist |
|
|
The Three Kings |
|
|
Song: “Stay, stay at home my heart, and rest” |
|
|
The White Czar |
|
|
Delia |
| Ultima Thule |
|
|
Dedication |
| Poems |
|
|
Bayard Taylor |
|
|
The Chamber over the Gate |
|
|
From my Arm-Chair |
|
|
Jugurtha |
|
|
The Iron Pen |
|
|
Robert Burns |
|
|
Helen of Tyre |
|
|
Elegiac |
|
|
Old St. David’s at Radnor |
| Folk-Songs |
|
|
The Sifting of Peter |
|
|
Maiden and Weathercock |
|
|
The Windmill |
|
|
The Tide rises, the Tide falls |
| Sonnets |
|
|
My Cathedral |
|
|
The Burial of the Poet |
|
|
Night |
| L’Envoi |
|
|
The Poet and his Songs |
| In the Harbor |
|
|
Becalmed |
|
|
The Poet’s Calendar |
|
|
Autumn Within |
|
|
The Four Lakes of Madison |
|
|
Victor and Vanquished |
|
|
Moonlight |
|
|
The Children’s Crusade |
|
|
Sundown |
|
|
Chimes |
|
|
Four by the Clock |
|
|
Auf Wiedersehen |
|
|
Elegiac Verse |
|
|
The City and the Sea |
|
|
Memories |
|
|
Hermes Trismegistus |
|
|
To the Avon |
|
|
President Garfield |
|
|
My Books |
|
|
Mad River |
|
|
Possibilities |
|
|
Decoration Day |
|
|
A Fragment |
|
|
Loss and Gain |
|
|
Inscription on the Shanklin Fountain |
|
|
The Bells of San Blas |
| Fragments |
|
|
“Neglected Record of a Mind Neglected” |
|
|
“O Faithful, Indefatigable Tides” |
|
|
“Soft Through the Silent Air” |
|
|
“So from the Bosom of Darkness” |
| Christus: A Mystery |
|
|
Introductory Note |
|
|
Introitus |
| Part I. The Divine Tragedy |
| The First Passover |
|
I. |
Vox Clamantis |
|
II. |
Mount Quarantania |
|
III. |
The Marriage in Cana |
|
IV. |
In the Cornfields |
|
V. |
Nazareth |
|
VI. |
The Sea of Galilee |
|
VII. |
The Demoniac of Gadara |
|
VIII. |
Talitha Cumi |
|
IX. |
The Tower of Magdala |
|
X. |
The House of Simon the Pharisee |
| The Second Passover |
|
I. |
Before the Gates of Machærus |
|
II. |
Herod’s Banquet-Hall |
|
III. |
Under the Walls of Machærus |
|
IV. |
Nicodemus at Night |
|
V. |
Blind Bartimeus |
|
VI. |
Jacob’s Well |
|
VII. |
The Coasts of Cæsarea Philippi |
|
VIII. |
The Young Ruler |
|
IX. |
At Bethany |
|
X. |
Born Blind |
|
XI. |
Simon Magus and Helen of Tyre |
| The Third Passover |
|
I. |
The Entry into Jerusalem |
|
II. |
Solomon’s Porch |
|
III. |
Lord, is it I? |
|
IV. |
The Garden of Gethsemane |
|
V. |
The Palace of Caiaphas |
|
VI. |
Pontius Pilate |
|
VII. |
Barabbas in Prison |
|
VIII. |
Ecce Homo |
|
IX. |
Aceldama |
|
X. |
The Three Crosses |
|
XI. |
The Two Maries |
|
XII. |
The Sea of Galilee |
|
|
Epilogue: Symbolum Apostolorum |
|
|
First Interlude: The Abbot Joachim |
| Part II. The Golden Legend |
|
|
Prologue: The Spire of Strasburg Cathedral |
|
I. |
The Castle of Vautsberg on the Rhine |
|
|
Court-Yard of the Castle |
|
II. |
A Farm in the Odenwald |
|
|
A Room in the Farm-House |
|
|
Elsie’s Chamber |
|
|
The Chamber of Gottlieb and Ursula |
|
|
A Village Church |
|
|
A Room in the Farm-House |
|
|
In the Garden |
|
III. |
A Street in Strasburg |
|
|
Square in Front of the Cathedral |
|
|
In the Cathedral |
| The Nativity: A Miracle-Play. Introitus |
|
I. |
Heaven |
|
II. |
Mary at the Well |
|
III. |
The Angels of the Seven Planets Bearing the Star of Bethlehem |
|
IV. |
The Wise Men of the East |
|
V. |
The Flight into Egypt |
|
VI. |
The Slaughter of the Innocents |
|
VII. |
Jesus at Play with His Schoolmates |
|
VIII. |
The Village School |
|
IX. |
Crowned with Flowers |
|
|
Epilogue |
|
IV. |
The Road to Hirschau |
|
|
The Convent of Hirschau in the Black Forest |
|
|
The Scriptorium |
|
|
The Cloisters |
|
|
The Chapel |
|
|
The Refectory |
|
|
The Neighboring Nunnery |
|
V. |
A Covered Bridge at Lucerne |
|
|
The Devil’s Bridge |
|
|
The St. Gothard Pass |
|
|
At the Foot of the Alps |
|
|
The Inn at Genoa |
|
|
At Sea |
|
VI. |
The School of Salerno |
|
|
The Farm-House in the Odenwald |
|
|
The Castle of Vautsberg on the Rhine |
|
|
Epilogue: The Two Recording Angels Ascending |
|
|
Second Interlude: Martin Luther |
| Part III. The New England Tragedies |
| John Endicott |
|
|
Prologue |
|
|
Act I |
|
|
Act II |
|
|
Act III |
|
|
Act IV |
|
|
Act V |
| Giles Corey of the Salem Farms |
|
|
Prologue |
|
|
Act I |
|
|
Act II |
|
|
Act III |
|
|
Act IV |
|
|
Act V |
|
|
Finale: St. John |
| Judas Maccabæus |
|
|
Act I. The Citadel of Antiochus at Jerusalem |
|
|
Act II. The Dungeons in the Citadel |
|
|
Act III. The Battle-Field of Beth-Horon |
|
|
Act IV. The Outer Courts of the Temple at Jerusalem |
|
|
Act V. The Mountains of Ecbatana |
| Michael Angelo: A Fragment |
|
|
Dedication |
| Part First |
|
I. |
Prologue at Ischia |
|
|
Monologue: The Last Judgment |
|
II. |
San Silvestro |
|
III. |
Cardinal Ippolito |
|
IV. |
Borgo delle Vergine at Naples |
|
V. |
Vittoria Colonna |
| Part Second |
|
I. |
Monologue |
|
II. |
Viterbo |
|
III. |
Michael Angelo and Benvenuto Cellini |
|
IV. |
Fra Sebastiano del Piombo |
|
V. |
Palazzo Belvedere |
|
VI. |
Palazzo Cesarini |
| Part Third |
|
I. |
Monologue |
|
II. |
Vigna di Papa Giulio |
|
III. |
Bindo Altoviti |
|
IV. |
In the Coliseum |
|
V. |
Macello de’ Corvi |
|
VI. |
Michael Angelo’s Studio |
|
VII. |
The Oaks of Monte Luca |
|
VIII. |
The Dead Christ |
|
|
Introductory Note |
| Translations |
|
|
Prelude |
| From the Spanish |
|
|
Coplas de Manrique |
| Sonnets |
|
I. |
The Good Shepherd |
|
II. |
To-morrow |
|
III. |
The Native Land |
|
IV. |
The Image of God |
|
V. |
The Brook |
| Ancient Spanish Ballads |
|
I. |
Rio Verde, Rio Verde |
|
II. |
Don Nuno, Count of Lara |
|
III. |
The peasant leaves his plough afield |
|
|
Vida de San Millan |
|
|
San Miguel, the Convent |
|
|
Song: She is a maid of artless grace |
|
|
Santa Teresa’s Book-Mark |
| From the Cancioneros |
|
I. |
Eyes so tristful, eyes so tristful |
|
II. |
Some day, some day |
|
III. |
Come, O Death, so silent flying |
|
IV. |
Glove of black in white hand bare |
| From the Swedish and Danish |
|
|
Introductory Note |
| Passages from Frithiof’s Saga |
|
I. |
Frithiof’s Homestead |
|
II. |
A Sledge-ride on the Ice |
|
III. |
Frithiof’s Temptation |
|
IV. |
Frithiof’s Farewell |
|
|
The Children of the Lord’s Supper |
|
|
King Christian |
|
|
The Elected Knight |
|
|
Childhood |
| From the German |
|
|
The Happiest Land |
|
|
The Wave |
|
|
The Dead |
|
|
The Bird and the Ship |
|
|
Whither? |
|
|
Beware! |
|
|
Song of the Bell |
|
|
The Castle by the Sea |
|
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The Black Knight |
|
|
Song of the Silent Land |
|
|
The Luck of Edenhall |
|
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The Two Locks of Hair |
|
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The Hemlock Tree |
|
|
Annie of Tharaw |
|
|
The Statue over the Cathedral Door |
|
|
The Legend of the Crossbill |
|
|
The Sea hath its Pearls |
|
|
Poetic Aphorisms |
|
|
Silent Love |
|
|
Blessed are the Dead |
|
|
Wanderer’s Night-Songs |
|
|
Remorse |
|
|
Forsaken |
|
|
Allah |
| From the Anglo-Saxon |
|
|
The Grave |
|
|
Beowulf’s Expedition to Heort |
|
|
The Soul’s Complaint against the Body |
| From the French |
|
|
Song: Hark! Hark! |
|
|
Song: And whither goest thou, gentle sigh |
|
|
The Return of Spring |
|
|
Spring |
|
|
The Child Asleep |
|
|
Death of Archbishop Turpin |
|
|
The Blind Girl of Castèl Cuillè |
|
|
A Christmas Carol |
|
|
Consolation |
|
|
To Cardinal Richelieu |
|
|
The Angel and the Child |
|
|
On the Terrace of the Aigalades |
|
|
To my Brooklet |
|
|
Barréges |
|
|
Will ever the dear days come back again? |
|
|
At La Chaudeau |
|
|
A Quiet Life |
|
|
The Wine of Jurançon |
|
|
Friar Lubin |
|
|
Rondel |
|
|
My Secret |
| From the Italian |
|
|
The Celestial Pilot |
|
|
The Terrestrial Paradise |
|
|
Beatrice |
|
|
To Italy |
| Seven Sonnets and a Canzone |
|
I. |
The Artist |
|
II. |
Fire |
|
III. |
Youth and Age |
|
IV. |
Old Age |
|
V. |
To Vittoria Colonna |
|
VI. |
To Vittoria Colonna |
|
VII. |
Dante |
|
VIII. |
Canzone |
|
|
The Nature of Love |
| From the Portuguese |
|
|
Song: If thou art sleeping, maiden |
| From the Eastern Sources |
|
|
The Fugitive |
|
|
The Siege of Kazan |
|
|
The Boy and the Brook |
|
|
To the Stork |
| From the Latin |
|
|
Virgil’s First Eclogue |
|
|
Ovid in Exile |
| Appendix |
| I. Juvenile Poems |
|
|
The Battle of Lovell’s Pond |
|
|
To Ianthe |
|
|
Thanksgiving |
|
|
Autumnal Nightfall |
|
|
Italian Scenery |
|
|
The Lunatic Girl |
|
|
The Venetian Gondolier |
|
|
The Angler’s Song |
|
|
Lover’s Rock |
|
|
Dirge over a Nameless Grave |
|
|
A Song of Savoy |
|
|
The Indian Hunter |
|
|
Ode written for the Commemoration at Fryeburg, Maine, of Lovewell’s Fight |
|
|
Jeckoyva |
|
|
The Sea-Diver |
|
|
Musings |
|
|
Song |
|
|
Song of the Birds |
| II. Unacknowledged and Uncollected Translations |
|
|
Let me go warm |
|
|
The Nativity of Christ |
|
|
The Assumption of the Virgin |
|
|
The Disembodied Spirit |
|
|
Ideal Beauty |
|
|
The Lover’s Complaint |
|
|
Art and Nature |
|
|
The Two Harvests |
|
|
Clear Honor of the Liquid Element |
|
|
Praise of Little Women |
|
|
Milagros de Nuestra Señora |
|
|
Song of the Rhine |
|
|
Elegy written in the Ruins of an Old Castle |
|
|
The Stars |
|
|
Rondel |
|
|
The Banks of the Cher |
|
|
To the Forest of Gastine |
|
|
Fontenay |
|
|
Pray for Me |
|
|
Vire |
|
|
A Florentine Song |
|
|
A Neapolitan Canzonet |
|
|
Christmas Carol |
|
|
A Soldier’s Song |
|
|
Tell me, tell me, thou pretty bee |
|
|
Sicilian Canzonet |
|
|
The Gleaner of Sapri |
| III. Notes and Illustrations |
| IV. A Chronological List of Mr. Longfellow’s Poems |
