Henry Wadsworth Longfellow (1807–1882). Complete Poetical Works. 1893.
AppendixIV. A Chronological List of Mr. Longfellows Poems
I
1820. | The Battle of Lovell’s Pond. | |
1824. | To Ianthe. | |
Thanksgiving. | ||
Antumnal Nightfall. | ||
Italian Scenery. | ||
An April Day. | ||
Autumn. | ||
Woods in Winter. | ||
1825. | The Lunatic Girl. | |
The Venetian Gondolier. | ||
The Angler’s Song. | ||
Sunrise on the Hills. | ||
Hymn of the Moravian Nuns of Bethlehem. | ||
Lover’s Rock. | ||
Dirge over a Nameless Grave. | ||
A Song of Savoy. | ||
The Indian Hunter. | ||
Ode written for the Commemoration at Fryeburg, Maine, of Lovewell’s Fight. | ||
Jeckoyva. | ||
The Sea-Diver. | ||
Musings. | ||
The Spirit of Poetry. | ||
Burial of the Minnisink. | ||
1826. | Song: “Where, from the eye of day.” | |
Song of the Birds. | ||
1830. | Song: “Hark, hark!” | |
Song: “And whither goest thou, gentle sigh.” | ||
The Return of Spring. | ||
Rondel: “Hence away, begone, begone.” | ||
Spring. | ||
The Child Asleep. | ||
Friar Lubin. | ||
1831. | * Let me go warm. | |
* The Disembodied Spirit. | ||
* Ideal Beauty. | ||
* The Lover’s Complaint. | ||
The Nativity of Christ. | ||
The Assumption of the Virgin. | ||
1832. | A Florentine Song. | |
A Neapolitan Canzonet. | ||
Christmas Carol. | ||
A Soldier’s Song. | ||
Tell me, tell me, thou pretty Bee. | ||
Sicilian Canzonet. | ||
Coplas de Manrique. | ||
The Good Shepherd. | ||
To-Morrow. | ||
The Native Land. | ||
The Image of God. | ||
The Brook. | ||
* Vida de San Millan. | ||
* San Miguel, The Convent. | ||
Death of Archbishop Turpin. | ||
Art and Nature. | ||
The Two Harvests. | ||
1833. | * Ancient Spanish Ballads. | |
* Clear Honor of the Liquid Element. | ||
* Praise of Little Women. | ||
* Milagros de Nuestra Señora. | ||
1834. | * Song of the Rhine. | |
1835. | * King Christian. | |
* Song: “She is a maid of artless grace.” | ||
1836. | Song of the Bell. | |
The Castle by the Sea. | ||
Song of the Silent Land. | ||
1837. | Passages from Frithiof’s Saga. | |
Flowers. | ||
1838. | A Psalm of Life. | |
The Reaper and the Flowers. | ||
The Light of Stars. | ||
“Neglected record of a mind neglected.” | ||
The Grave. | ||
The Soul’s Complaint against the Body. | ||
Beowulf’s Expedition to Heort. | ||
1839. | The Wreck of the Hesperus. | |
The Village Blacksmith. | ||
Prelude. | ||
Hymn to the Night. | ||
Footsteps of Angels. | ||
The Beleaguered City. | ||
Midnight Mass for the Dying Year. | ||
L’Envoi to Voices of the Night. | ||
* The Celestial Pilot. | ||
* The Terrestrial Paradise. | ||
* Beatrice. | ||
* The Happiest Land. | ||
* The Wave. | ||
* The Dead. | ||
* The Bird and the Ship. | ||
* Whither. | ||
* Beware. | ||
* The Black Knight. | ||
1840. | It is not always May. | |
The Spanish Student. | ||
The Skeleton in Armor. | ||
1841. | Endymion. | |
The Rainy Day. | ||
God’s Acre. | ||
To the River Charles. | ||
Blind Bartimeus. | ||
The Goblet of Life. | ||
Maidenhood. | ||
Excelsior. | ||
The Children of the Lord’s Supper. | ||
The Luck of Edenhall. | ||
The Two Locks of Hair. | ||
* The Elected Knight. | ||
1842. | To William E. Channing. | |
The Slave’s Dream. | ||
The Good Part, that shall not be taken away. | ||
The Slave in the Dismal Swamp. | ||
The Slave singing at Midnight. | ||
The Witnesses. | ||
The Quadroon Girl. | ||
* The Warning. | ||
The Belfry of Bruges. | ||
Mezzo Cammin. | ||
1843. | Translation of Dante, begun. | |
The Statue over the Cathedral Door. | ||
The Legend of the Cross-Bill. | ||
The Sea hath its Pearls. | ||
1844. | A Gleam of Sunshine. | |
The Arsenal at Springfield. | ||
Nuremberg. | ||
The Norman Baron. | ||
Rain in Summer. | ||
Sea Weed. | ||
The Day is Done. | ||
The Hemlock Tree. | ||
Annie of Tharaw. | ||
* Childhood. | ||
* Elegy: “Silent in the veil of evening twilight.” | ||
1845. | To a Child. | |
The Occultation of Orion. | ||
The Bridge. | ||
To the Driving Cloud. | ||
Carillon. | ||
Afternoon in February. | ||
To an Old Danish Song-Book. | ||
Walter von der Vogelweid. | ||
Drinking Song. | ||
The Old Clock on the Stairs. | ||
The Arrow and the Song. | ||
The Evening Star. | ||
Autumn. | ||
* Dante. | ||
Curfew. | ||
Birds of Passage. | ||
The Haunted Chamber. | ||
Evangeline, begun. | ||
* Poetic Aphorisms. | ||
* Silent Love. | ||
* Blessed are the Dead. | ||
Wanderer’s Night Songs. | ||
* The Nature of Love. | ||
* Song: “If thou art sleeping, maiden.” | ||
* Rondel. | ||
1846. | The Builders. | |
Pegasus in Pound. | ||
Twilight. | ||
1847. | Tegnér’s Drapa. | |
Evangeline, finished. | ||
“O faithful, indefatigable tides.” | ||
“Soft through the silent air.” | ||
1848. | Hymn for my Brother’s Ordination. | |
The Secret of the Sea. | ||
* Sir Humphrey Gilbert. | ||
The Fire of Drift-Wood. | ||
The Castle-Builder. | ||
Resignation. | ||
Sand of the Desert. | ||
The Open Window. | ||
King Witlaf’s Drinking-Horn. | ||
1849. | Dedication: The Seaside and the Fireside. | |
The Building of the Ship. | ||
Chrysaor. | ||
The Challenge of Thor (Tales of a Wayside Inn). | ||
The Lighthouse. | ||
Gaspar Becerra. | ||
Sonnet on Mrs. Kemble’s Readings from Shakespeare. | ||
Children. | ||
The Singers. | ||
The Brook and the Wave. | ||
Suspiria. | ||
The Blind Girl of Castèl-Cuillè. | ||
A Christmas Carol. | ||
1850. | The Golden Legend, begun. | |
Michael Angelo: portion of III., iv. | ||
The Ladder of St. Augustine. | ||
The Phantom Ship. | ||
1851. | In the Churchyard at Cambridge. | |
The Golden Legend, finished. | ||
1852. | The Warden of the Cinque Ports. | |
Haunted Houses. | ||
The Emperor’s Bird’s-Nest. | ||
Daylight and Moonlight. | ||
The Jewish Cemetery at Newport. | ||
1853. | The Two Angels. | |
1854. | The Rope Walk. | |
The Golden Mile-Stone. | ||
Catawba Wine. | ||
Prometheus. | ||
Epimetheus. | ||
Hiawatha, begun. | ||
1855. | Hiawatha, finished. | |
Oliver Basselin. | ||
Victor Galbraith. | ||
My Lost Youth. | ||
1856. | John Endicott, begun. | |
So from the Bosom of Darkness. | ||
1857. | John Endicott, finished. | |
Santa Filomena. | ||
The Discoverer of the North Cape. | ||
Daybreak. | ||
The Fiftieth Birthday of Agassiz. | ||
Sandalphon. | ||
The Courtship of Miles Standish, begun. | ||
1858. | The Courtship of Miles Standish, finished. | |
1859. | The Children’s Hour. | |
Enceladus. | ||
Snow-Flakes. | ||
The Bells of Lynn. | ||
* My Secret. | ||
1860. | Paul Revere’s Ride (Tales of a Wayside Inn). | |
The Saga of King Olaf, excepting The Challenge of Thor (Tales of a Wayside Inn). | ||
A Day of Sunshine. | ||
1861. | Interlude: A strain of music closed the tale (Tales of a Wayside Inn). | |
1862. | Prelude: The Wayside Inn. | |
The Legend of Rabbi Ben Levi (Tales of a Wayside Inn). | ||
King Robert of Sicily (Tales of a Wayside Inn). | ||
Torquemada (Tales of a Wayside Inn). | ||
The Cumberland. | ||
1863. | * Five Interludes to First Part of Tales of a Wayside Inn. | |
The Falcon of Ser Federigo (Tales of a Wayside Inn). | ||
The Birds of Killingworth (Tales of a Wayside Inn). | ||
* Finale to Part First of Tales of a Wayside Inn. | ||
* Something left Undone. | ||
* Weariness. | ||
1864. | Palingenesis. | |
The Bridge of Cloud. | ||
Hawthorne. | ||
Christmas Bells. | ||
The Wind over the Chimney. | ||
Divina Commedia: Sonnets, I., II. | ||
Noël. | ||
Kambalu (Tales of a Wayside Inn). | ||
1865. | Divina Commedia: Sonnet III. | |
To Italy. | ||
1866. | Flower-de-Luce. | |
Killed at the Ford. | ||
Giotto’s Tower. | ||
To-Morrow. | ||
Divina Commedia: Sonnets V., VI. | ||
Translation of Dante, finished. | ||
1867. | Divina Commedia: Sonnet IV. | |
1868. | Giles Corey of the Salem Farms. | |
1869. | The Gleaner of Sapri. | |
1870. | Prelude to Part Second of Tales of a Wayside Inn. | |
The Bell of Atri (Tales of a Wayside Inn). | ||
Fata Morgana. | ||
The Meeting. | ||
Vox Populi. | ||
Prelude to Translations. | ||
The Divine Tragedy, begun. | ||
Consolation. | ||
* To Cardinal Richelieu. | ||
The Angel and the Child. | ||
Wanderer’s Night Songs. | ||
The Fugitive. | ||
* The Siege of Kazan. | ||
The Boy and the Brook. | ||
* To the Stork. | ||
* Santa Teresa’s Book-Mark. | ||
Remorse. | ||
1871. | The Cobbler of Hagenau (Tales of a Wayside Inn). | |
The Ballad of Carmilhan (Tales of a Wayside Inn). | ||
Lady Wentworth (Tales of a Wayside Inn). | ||
The Legend Beautiful (Tales of a Wayside Inn). | ||
The Baron of St. Castine (Tales of a Wayside Inn). | ||
Judas Maccabæus. | ||
The Abbot Joachim: First Interlude to Christus. | ||
Martin Luther: Second Interlude to Christus. | ||
St. John: Finale to Christus. | ||
The Divine Tragedy, finished. | ||
1872. | * Introitus to Christus. | |
* Interludes and Finale to Part Second of Tales of a Wayside Inn. | ||
Michael Angelo, first draft. | ||
Azrael (Tales of a Wayside Inn). | ||
Charlemagne (Tales of a Wayside Inn). | ||
Emma and Eginhard (Tales of a Wayside Inn). | ||
1873. | * Prelude, Interludes and Finale to Part Third of Tales of a Wayside Inn. | |
Elizabeth (Tales of a Wayside Inn). | ||
The Monk of Casal-Maggiore (Tales of a Wayside Inn). | ||
Scanderbeg (Tales of a Wayside Inn). | ||
The Mother’s Ghost(Tales of a Wayside Inn). | ||
The Rhyme of Sir Christopher (Tales of a Wayside Inn). | ||
Michael Angelo: Monologue, The Last Judgment; Monologue, Part Second. | ||
Palazzo Cesarini; The Oaks of Monte Luca. | ||
* The Challenge. | ||
* Aftermath. | ||
The Hanging of the Crane. | ||
Chaucer. | ||
Shakespeare. | ||
Milton. | ||
Keats. | ||
* From the Cancioneros. | ||
1874. | Charles Summer. | |
Travels by the Fireside. | ||
Cadenabbia. | ||
Autumn Within. | ||
Monte Cassino. | ||
Morituri Salutamus. | ||
Three Friends of Mine. | ||
The Galaxy. | ||
The Sound of the Sea. | ||
A Summer Day by the Sea. | ||
The Tides. | ||
A Nameless Grave. | ||
The Old Bridge at Florence. | ||
Il Ponte Vecchio di Firenze. | ||
Michael Angelo: Vittoria Colonna; | ||
Palazzo Belvedere; Bindo Altoviti; | ||
In the Coliseum. | ||
Seven Sonnets and a Canzone. | ||
1875. | Amalfi. | |
The Sermon of St. Francis. | ||
Belisarius. | ||
Songo River. | ||
The Masque of Pandora. | ||
* A Shadow. | ||
Sleep. | ||
Parker Cleaveland. | ||
1876. | The Herons of Elmwood. | |
To the Avon. | ||
A Dutch Picture. | ||
The Revenge of Rain-in-the-Face. | ||
To the River Yvette. | ||
A Wraith in the Mist. | ||
Nature. | ||
In the Churchyard at Tarrytown. | ||
Eliot’s Oak. | ||
The Descent of the Muses. | ||
Venice. | ||
The Poets. | ||
The Harvest Moon. | ||
To the River Rhone. | ||
The Two Rivers. | ||
Boston. | ||
St. John’s, Cambridge. | ||
Moods. | ||
Woodstock Park. | ||
The Four Princesses at Wilna. | ||
The Broken Oar. | ||
The Four Lakes of Madison. | ||
Victor and Vanquished. | ||
On the Terrace of the Aigalades. | ||
To my Brooklet. | ||
Barréges. | ||
1877. | Kéramos. | |
Castles in Spain. | ||
Vittoria Colonna. | ||
A Ballad of the French Fleet. | ||
The Leap of Roushan Beg. | ||
Haroun al Raschid. | ||
King Trisanku. | ||
The Three Kings. | ||
Song: “Stay, stay at home, my heart, and rest.” | ||
The Three Silences of Molinos. | ||
Holidays. | ||
Wapentake. | ||
* The Banks of the Cher. | ||
* To the Forest of Gastine. | ||
* Fontenay. | ||
* Pray for me. | ||
* Vire. | ||
1878. | * The Emperor’s Glove. | |
The Poet’s Calendar: March. | ||
The White Czar. | ||
* Delia. | ||
Bayard Taylor. | ||
The Chamber over the Gate. | ||
Moonlight. | ||
* Forsaken. | ||
* Virgil’s First Eclogue. | ||
* Ovid in Exile. | ||
1879. | The Cross of Snow. | |
From my Arm Chair. | ||
Jugurtha. | ||
The Iron Pen. | ||
Robert Burns. | ||
Helen of Tyre. | ||
The Sifting of Peter. | ||
The Tide rises, the Tide falls. | ||
My Cathedral. | ||
The Burial of the Poet. | ||
Night. | ||
The Children’s Crusade. | ||
Sundown. | ||
Chimes. | ||
A Quiet Life. | ||
1880. | Dedication to Ultima Thule. | |
* Elegiac. | ||
Old St. David’s at Radnor. | ||
Maiden and Weathercock. | ||
The Windmill. | ||
L’Envoi to Ultima Thule. | ||
The Poet’s Calendar, January, February, April-December. | ||
Four by the Clock. | ||
1881. | Michael Angelo: Viterbo. | |
Auf Wiedersehen. | ||
Elegiac Verse. | ||
The City and the Sea. | ||
Memories. | ||
Hermes Trismegistus. | ||
President Garfield. | ||
My Books. | ||
* Song for the Masque of Pandora. | ||
1882. | * Becalmed. | |
Mad River. | ||
Possibilities. | ||
Decoration Day. | ||
* A Fragment. | ||
* Loss and Gain. | ||
Inscription on the Shanklin Fountain. | ||
The Bells of San Blas. | ||
* Will ever the dear days come back again! | ||
* At La Chaudeau. | ||
* The Wine of Jurançon. | ||
(Undetermined) The Stars. |