Henry Wadsworth Longfellow, ed. Poems of Places: An Anthology in 31 Volumes.
Spain, Portugal, Belgium, and Holland: Vols. XIV–XV
| Introductory to Spain | ||
| To Spain by Capel Lofft (1751–1824) | ||
| To Spain by José Zorrilla (1817–1893) | ||
| The Wake of the King of Spain by Anna Laetitia Barbauld (1743–1825) | ||
| Recollections of a Day’s Journey in Spain by Robert Southey (1774–1843) | ||
| Spain by Lord Byron (1788–1824) | ||
| Spain by Felicia Hemans (1793–1835) | ||
| The Heart of King Robert Bruce by Lydia Huntley Sigourney (1791–1865) | ||
| The Phantom Horsemen by Magnus Sabiston | ||
| Count Arnaldos by Spanish Ballad | ||
| The Song of the Galley by Spanish Ballad | ||
| The Wandering Knight’s Song by Spanish Ballad | ||
| The Bull-fight by Lord Byron (1788–1824) | ||
| The Bull-fight by Carolina Coronado (1823–1911) | ||
| Spain by George Eliot (1819–1880) | ||
| Castles in Spain by Henry Wadsworth Longfellow (1807–1882) | ||
| Spain: Albuera | ||
| Albuera by Lord Byron (1788–1824) | ||
| For a Monument at Albuera by Robert Southey (1774–1843) | ||
| Epitaph by Robert Southey (1774–1843) | ||
| Albuera by Capel Lofft (1751–1824) | ||
| Spain: Alcocer, the Castle | ||
| The Cid from The Poem of the Cid | ||
| Spain: Alhama | ||
| Romance from the Spanish | ||
| Spain: Andalusia (Andalucia) | ||
| Praise of Andalusia by Luis de Góngora (1561–1627) | ||
| Spain: Arroyo Molinos | ||
| For the Affair at Arroyo Molinos by Robert Southey (1774–1843) | ||
| Spain: Avila | ||
| Santa Teresa by Luis de Góngora (1561–1627) | ||
| Santa Teresa’s Book-mark by Teresa de Jesus | ||
| Spain: Badajoz | ||
| Carolina Coronado by Martha Perry Lowe (1829–1902) | ||
| Spain: Baeza | ||
| Romance from the Spanish | ||
| Spain: Barcelona | ||
| Barcelona by George Croly (1780–1860) | ||
| Barcelona by George Croly (1780–1860) | ||
| Spain: Barrosa | ||
| At Barrosa by Robert Southey (1774–1843) | ||
| Spain: Baza | ||
| The Gypsy Camp by George Eliot (1819–1880) | ||
| Spain: Bedmar | ||
| The Plaza Santiago by George Eliot (1819–1880) | ||
| Spain: Bidasoa, the River | ||
| The Bridge of the Bidasoa by Johann Ludwig Uhland (1787–1862) | ||
| Spain: Biscay (Vizcaya) | ||
| Biscay by William Wordsworth (1770–1850) | ||
| Spain: Burgos | ||
| Recollections of Burgos by Richard Chenevix Trench (1807–1886) | ||
| The Longest Death-watch by Sarah Morgan Bryan Piatt (1836–1919) | ||
| The Cid’s Wedding by Spanish Ballad | ||
| Spain: Cadiz | ||
| The Winning of Cales by Percy’s Reliques | ||
| The Winning of Cales by Miguel de Cervantes (1547–1616) | ||
| The Girl of Cadiz by Lord Byron (1788–1824) | ||
| Home-thoughts, from the Sea by Robert Browning (1812–1889) | ||
| Cadiz by Maria Lowell (1821–1853) | ||
| Cadiz by William Gibson (1826–1887) | ||
| Spain: Calahorra | ||
| Saint Dominic by Dante Alighieri (c. 1265–1321) | ||
| Spain: Cangas de Tineo | ||
| Roderick at Cangas by Robert Southey (1774–1843) | ||
| The Acclamation of Pelayo by Robert Southey (1774–1843) | ||
| Spain: Ciudad Rodrigo | ||
| For the Walls of Ciudad Rodrigo by Robert Southey (1774–1843) | ||
| Spain: Compostella (Santiago) | ||
| The Cid and the Leper by Spanish Ballad | ||
| Spain: Consuegra | ||
| Pedro the Cruel and the Prior of St. John’s by Luis de Góngora (1561–1627) | ||
| Spain: Cordova | ||
| Cordova by Robert Southey (1774–1843) | ||
| Cordova by Conde de Villamediana (1580–1622) | ||
| Praise of Cordova by Luis de Góngora (1561–1627) | ||
| The Cathedral by Magnus Sabiston | ||
| The Cathedral by Joseph Ellis | ||
| Almanzor by Heinrich Heine (1797–1856) | ||
| Spain: Corunna (La Coruña) | ||
| The Burial of Sir John Moore by Charles Wolfe (1791–1823) | ||
| The Muffled Drum by Felicia Hemans (1793–1835) | ||
| At Coruña by Robert Southey (1774–1843) | ||
| Epitaph by Robert Southey (1774–1843) | ||
| Battle of Coruña by William Lisle Bowles (1762–1850) | ||
| Spain: Covadonga | ||
| The Shrine by Robert Southey (1774–1843) | ||
| Spain: Cuenca | ||
| The Highland Maids of Cuenca by Luis de Góngora (1561–1627) | ||
| Hard Fare at Cuenca by Luis de Góngora (1561–1627) | ||
| Spain: Darro, the River | ||
| Moorish Ballad by José Zorrilla (1817–1893) | ||
| Spain: Denia | ||
| The Port of Refuge by Luis de Góngora (1561–1627) | ||
| Spain: Deva, the River | ||
| The River Deva by Robert Southey (1774–1843) | ||
| Spain: Ebro, the River | ||
| Bird That Art Singing on Ebro’s Side by Felicia Hemans (1793–1835) | ||
| Spain: Escurial (Escorial), the | ||
| The Escorial by Luis de Góngora (1561–1627) | ||
| The Escurial by Théophile Gautier (1811–1872) | ||
| The Escorial by Martha Perry Lowe (1829–1902) | ||
| Spain: Esla, the River | ||
| The River Esla by George of Montemayor (1520?–1561) | ||
| Spain: Finojosa | ||
| Serrana by Marques de Santillana (1398–1458) | ||
| Spain: Fuentes de Onoro | ||
| At Fuentes de Onoro by Robert Southey (1774–1843) | ||
| Spain: Galicia | ||
| The Devotee by Johann Ludwig Uhland (1787–1862) | ||
| Spain: Gibraltar | ||
| Gibraltar by Richard Chenevix Trench (1807–1886) | ||
| Gibraltar by Robert Southey (1774–1843) | ||
| The Straits of Gibraltar by William Gibson (1826–1887) | ||
| The Castle of Al Waled by William Gibson (1826–1887) | ||
| Gibraltar by Letitia Elizabeth Landon (1802–1838) | ||
| Spain: Gormaz | ||
| The Knight of Saint George by Johann Ludwig Uhland (1787–1862) | ||
| Spain: Granada | ||
| The Lamentation for Celin by Spanish Ballad | ||
| The Bull-fight of Gazul by Spanish Ballad | ||
| A Very Mournful Ballad by Spanish Ballad | ||
| Auto de la Fé at Granada by Luis de Góngora (1561–1627) | ||
| Granada by Luis de Góngora (1561–1627) | ||
| The Monte Santo at Granada by Luis de Góngora (1561–1627) | ||
| The Muleteers of Granada by Thomas Moore (1779–1852) | ||
| The Alhambra by George Croly (1780–1860) | ||
| The Alhambra by Felicia Hemans (1793–1835) | ||
| The Alhambra by Magnus Sabiston | ||
| The Vega by Magnus Sabiston | ||
| The Alhambra by Francisco Martinez de la Rosa (1787–1862) | ||
| The Cathedral by William Congreve (1670–1729) | ||
| Spain: Guadalete, the River | ||
| The Lamentation of Don Roderick by Spanish Ballad | ||
| Spain: Guadalhorce, the River | ||
| The Guadalhorce by Luis Martín de la Plaza (1577–1625) | ||
| The Lover’s Rock by Robert Southey (1774–1843) | ||
| Spain: Guadalquivir, the River | ||
| The Banks of Guadalquivir by Luis de Góngora (1561–1627) | ||
| To the Guadalquivir by Luis de Góngora (1561–1627) | ||
| The Dying Warrior—Anonymous | ||
| Fidelity from the Spanish | ||
| Spain: Guadarrama, the Mountains | ||
| Guadarrama Pass by Henry Wadsworth Longfellow (1807–1882) | ||
| Spain: Guadiana, the River | ||
| The Guadiana by Lord Byron (1788–1824) | ||
| Spain: Guernica | ||
| The Oak of Guernica by William Wordsworth (1770–1850) | ||
| Spain: Irun | ||
| The Clock by Théophile Gautier (1811–1872) | ||
| Spain: Italica | ||
| The Ruins of Italica by Francisco de Rioja (1583–1659) | ||
| Spain: Leon | ||
| Leon by Robert Southey (1774–1843) | ||
| March of Bernardo del Carpio by Spanish Ballad | ||
| Spain: Lerida (Ilerda) | ||
| Ilerda by Lucan (39–65 A.D.) | ||
| Spain: Lugares | ||
| Lugares by Robert Southey (1774–1843) | ||
| Spain: Madrid | ||
| The Captivity of Francis the First from the French | ||
| The Growth of Madrid by Luis de Góngora (1561–1627) | ||
| Court Life by Luis de Góngora (1561–1627) | ||
| Madrid by Alfred de Musset (1810–1857) | ||
| Madrid by Hans Christian Andersen (1805–1875) | ||
| Calderon’s Tomb by José Zorrilla (1817–1893) | ||
| Spain: Malaga | ||
| Malaga,—The Rest by Martha Perry Lowe (1829–1902) | ||
| Spain: Manzanares, the River | ||
| The Flood of the Manzanares by Luis de Góngora (1561–1627) | ||
| Spain: Marbella | ||
| The Corsair’s Captive by Luis de Góngora (1561–1627) | ||
| Spain: Medina del Campo | ||
| The Death of Queen Blanche by Spanish Ballad | ||
| Spain: Montiel | ||
| The Death of Don Pedro by Spanish Ballad | ||
| Spain: Mountains of Spain | ||
| Mountains of Spain by Robert Southey (1774–1843) | ||
| Spain: Ocaña | ||
| Rodrigo Manrique by Don Jorge Manrique (c. 1440–1479) | ||
| Spain: Oropesa | ||
| Oropesa by Robert Southey (1774–1843) | ||
| Spain: Palos | ||
| Christopher Columbus by Joanna Baillie (1762–1851) | ||
| Spain: Pisuerga, the River | ||
| Romance from the Spanish | ||
| Spain: Plasencia | ||
| Plasencia by Robert Southey (1774–1843) | ||
| Spain: Rio Verde | ||
| The Rio Verde from the Spanish | ||
| The Rio Verde Song by Felicia Hemans (1793–1835) | ||
| Spain: Roncesvalles | ||
| There Are Sounds in the Dark Roncesvalles by Felicia Hemans (1793–1835) | ||
| The Admiral Guarinos by Spanish Ballad | ||
| Spain: Saint Just (San Yuste), the Convent | ||
| San Yuste by Luis Çapata | ||
| Charles the Fifth before the Convent of St. Just, 1556 by August von Platen-Hallermünde (1796–1835) | ||
| The Burial of Charles the Fifth by Count Anton Alexander von Auersperg (Anastasius Grün) (1806–1876) | ||
| Spain: Salamanca | ||
| Columbus before the University of Salamanca by Lydia Huntley Sigourney (1791–1865) | ||
| Spain: Salgueiro, the Mountain | ||
| Salgueiro by Robert Southey (1774–1843) | ||
| Spain: San Miguel, the Convent | ||
| San Miguel de la Tumba by Gonzalo de Berceo (c. 1190–c. 1264) | ||
| Spain: Santa Maria Rábida, the Convent | ||
| Rábida from a Castilian MS | ||
| Spain: Saragossa (Zaragoza; Sansueña) | ||
| Melisendra by Spanish Ballad | ||
| Saragossa by Lord Byron (1788–1824) | ||
| Zaragoza by William Wordsworth (1770–1850) | ||
| Zaragoza by Sir Walter Scott (1771–1832) | ||
| The Maid of Saragossa by Charles Swain (1801–1874) | ||
| Spain: Segovia | ||
| My Soul Is in Madrid by Alonso de Ledesma (c. 1562–1623) | ||
| Spain: Seville | ||
| Seville by Lord Byron (1788–1824) | ||
| In Seville by Lord Byron (1788–1824) | ||
| Seville by Luis de Góngora (1561–1627) | ||
| Sevilla by Joseph Ellis | ||
| To Seville by Clemens Brentano (1778–1842) | ||
| Garcia Perez de Vargas by Spanish Ballad | ||
| In Far Lands by Aubrey Thomas de Vere (1814–1902) | ||
| Spain: Sierra Morena | ||
| Sierra Morena by Lord Byron (1788–1824) | ||
| Spain: Sierra Nevada | ||
| The Death of Don Alonzo of Aguilar by Spanish Ballad | ||
| In the Sierra by Théophile Gautier (1811–1872) | ||
| The Last Sigh of the Moor by Théophile Gautier (1811–1872) | ||
| Spain: Simancas | ||
| From the Vida de San Millan by Gonzalo de Berceo (c. 1190–c. 1264) | ||
| Spain: Tagus (Tajo), the River | ||
| The Flood of the Tagus by Luis de Góngora (1561–1627) | ||
| The Prophecy of Tagus by Luis Ponce de León (1527–1591) | ||
| Spain: Talavera | ||
| Talavera by Lord Byron (1788–1824) | ||
| Talavera by Robert Southey (1774–1843) | ||
| Spain: Toledo | ||
| Toledo by Hans Christian Andersen (1805–1875) | ||
| The Cathedral by José Zorrilla (1817–1893) | ||
| Toledo by José Zorrilla (1817–1893) | ||
| Toledo by Sir Walter Scott (1771–1832) | ||
| Spain: Tordesillas | ||
| For a Monument at Tordesillas by Robert Southey (1774–1843) | ||
| Spain: Toro | ||
| To Luis de Ulloa by Luis de Góngora (1561–1627) | ||
| Spain: Trafalgar | ||
| Trafalgar by Ebenezer Elliott (1781–1849) | ||
| Trafalgar by William Cox Bennett (1820–1895) | ||
| The Death of Nelson by S. J. Arnold (1774–1852) | ||
| Spain: Trocadero | ||
| Stanzas by Thomas Campbell (1777–1844) | ||
| Spain: Trujillo | ||
| For a Column at Trujillo by Robert Southey (1774–1843) | ||
| Spain: Valencia | ||
| The Cid’s Death-bed by Felicia Hemans (1793–1835) | ||
| The Cid’s Funeral Procession by Felicia Hemans (1793–1835) | ||
| Valencia from the French | ||
| Spain: Valladolid | ||
| Valladolid by Spanish Ballad | ||
| Valladolid by Luis de Góngora (1561–1627) | ||
| Bull-fight at Valladolid by Luis de Góngora (1561–1627) | ||
| The Poet’s Troubles at Valladolid by Luis de Góngora (1561–1627) | ||
| How It Strikes a Contemporary by Robert Browning (1812–1889) | ||
| Spain: Valverde | ||
| To the Memory of Sir William Myers by Robert Southey (1774–1843) | ||
| Spain: Vitoria | ||
| The Battle of Vittoria by William Glen (1789–1826) | ||
| Spain: Xerez | ||
| The Pounder by Spanish Ballad | ||
| Romance from the Spanish | ||
| Spain: Zamora | ||
| The Challenge by Henry Wadsworth Longfellow (1807–1882) | ||
| Introductory to Portugal | ||
| Portugal by Lord Byron (1788–1824) | ||
| Lusitania by Luís de Camões (c. 1524–1580) | ||
| The Complaint of Camoens by Luís de Camões (c. 1524–1580) | ||
| Portugal: Alcobaça | ||
| Gonzalo Hermiguez by Robert Southey (1774–1843) | ||
| Portugal: Alemtejo | ||
| Written in Alemtejo by Robert Southey (1774–1843) | ||
| Portugal: Aljubarrota | ||
| The Lord of Butrago by Spanish Ballad | ||
| Portugal: Arrabida, the Mountain | ||
| Arrabida by Fra Agostinho da Cruz (1540–1619) | ||
| Written after Visiting the Convent of Arrabida, near Setubal by Robert Southey (1774–1843) | ||
| The Arrabida Convent by Francisco Manuel | ||
| Portugal: Busaco | ||
| Inscription for the Deserto de Busaco by Robert Southey (1774–1843) | ||
| Portugal: Cintra | ||
| Cintra by Lord Byron (1788–1824) | ||
| Inscription for the Cell of Honorius, at the Cork Convent, near Cintra by Robert Southey (1774–1843) | ||
| Cintra by William Gibson (1826–1887) | ||
| Portugal: Coimbra | ||
| Queen Orraca and the Five Martyrs of Morocco by Robert Southey (1774–1843) | ||
| Ignez de Castro by Luís de Camões (c. 1524–1580) | ||
| The Coronation of Inez de Castro by Felicia Hemans (1793–1835) | ||
| Coimbra by Luís de Camões (c. 1524–1580) | ||
| Portugal: Douro, the River | ||
| Inscription for the Banks of the Douro by Robert Southey (1774–1843) | ||
| Portugal: Lima, the River | ||
| The River Lima by Diogo Bernardes (c. 1530–c. 1605) | ||
| Portugal: Lisbon (Lisboa) | ||
| Lisbon by Luís de Camões (c. 1524–1580) | ||
| The Departure of King Sebastian by Spanish Ballad | ||
| The Bridge of Alcantara by William Julius Mickle (1734–1788) | ||
| The Earthquake of Lisbon, 1755 by Oliver Wendell Holmes (1809–1894) | ||
| Portugal: Mondego, the River | ||
| Mondego by Luís de Camões (c. 1524–1580) | ||
| Mondego by Francisco Rodriguez Lobo (1580–1622) | ||
| Mondego by Antonio Ferreira (1528–1569) | ||
| Mondego by Luís de Camões (c. 1524–1580) | ||
| Portugal: Roliça | ||
| Inscription for a Monument at Rolissa by Robert Southey (1774–1843) | ||
| Portugal: Santarem | ||
| At Santarem by Robert Southey (1774–1843) | ||
| Elegy Written in Banishment at Santarem by Luís de Camões (c. 1524–1580) | ||
| Portugal: Tagus (Tejo), the River | ||
| The River Tagus by Luís de Camões (c. 1524–1580) | ||
| Camoens by William Lisle Bowles (1762–1850) | ||
| The Last Song of Camoens by William Lisle Bowles (1762–1850) | ||
| The Tagus by Francisco Rodriguez Lobo (1580–1622) | ||
| The Tagus by Belchior Manoel Curvo Semedo (1766–1838) | ||
| Portugal: Torres Vedras | ||
| Inscription for the Lines of Torres Vedras by Robert Southey (1774–1843) | ||
| Portugal: Vimeiro | ||
| Inscription for a Monument at Vimeiro by Robert Southey (1774–1843) | ||
| Introductory to Belgium | ||
| Belgium by Edmund Spenser (1552?–1599) | ||
| The Storks by James Thomson (1834–1882) | ||
| Malbrouck from the French | ||
| Belgium: Antwerp | ||
| Antwerp by Edmund Spenser (1552?–1599) | ||
| Antwerp Cathedral by Henry Alford (1810–1871) | ||
| The Carillon of Antwerp Cathedral—Anonymous | ||
| The Antwerp Image-breakers by Walter Thornbury (1828–1876) | ||
| Antwerp by Elizabeth G. Barber | ||
| Belgium: Bruges | ||
| The Frolicksome Duke, or the Tinker’s Good Fortune by Percy’s Reliques | ||
| Bruges by William Wordsworth (1770–1850) | ||
| Incident at Bruges by William Wordsworth (1770–1850) | ||
| Bruges by Robert Southey (1774–1843) | ||
| Carillon by Henry Wadsworth Longfellow (1807–1882) | ||
| The Belfry of Bruges by Henry Wadsworth Longfellow (1807–1882) | ||
| The Nuptials of Maximilian and Mary of Burgundy by Count Anton Alexander von Auersperg (Anastasius Grün) (1806–1876) | ||
| The Heron Chase by Count Anton Alexander von Auersperg (Anastasius Grün) (1806–1876) | ||
| The Guilds by Count Anton Alexander von Auersperg (Anastasius Grün) (1806–1876) | ||
| Belgium: Brussels | ||
| Waterloo by Lord Byron (1788–1824) | ||
| Brussels by Robert Southey (1774–1843) | ||
| Brussels by Henry Alford (1810–1871) | ||
| Belgium: Fontenoy | ||
| Battle of Fontenoy, 1745 by Thomas Davis (1814–1845) | ||
| Belgium: Franchimont | ||
| Franchimont by Sir Walter Scott (1771–1832) | ||
| Belgium: Ghent | ||
| Mary Ambree by Percy’s Reliques | ||
| The Emperor’s Glove by Henry Wadsworth Longfellow (1807–1882) | ||
| Ghent by Robert Southey (1774–1843) | ||
| How They Brought the Good News from Ghent to Aix by Robert Browning (1812–1889) | ||
| The Platform of St. Nicholas’ Church by Sir Henry Taylor (1800–1886) | ||
| A Tomb in Ghent by Adelaide Anne Procter (1825–1864) | ||
| The Great Bell Roland by Theodore Tilton (1835–1907) | ||
| Belgium: Landen | ||
| How Sarsfield Died in Glory by Robert Dwyer Joyce (1830–1883) | ||
| Belgium: Ligny | ||
| Ligny by Robert Southey (1774–1843) | ||
| Belgium: Meuse, the River | ||
| Between Namur and Liége by William Wordsworth (1770–1850) | ||
| Belgium: Namur | ||
| On the Taking of Namur by Nicholas Boileau-Despréaux (1636–1711) | ||
| Belgium: Ostend | ||
| On Landing at Ostend by William Lisle Bowles (1762–1850) | ||
| The Bells of Ostend by William Lisle Bowles (1762–1850) | ||
| Belgium: Oudenarde (Audenarde) | ||
| Jack Frenchman’s Lamentation by Jonathan Swift (1667–1745) | ||
| Belgium: Quatre Bras | ||
| Lines Written on the Field of Quatre Bras, 1821—Anonymous | ||
| Belgium: Waterloo | ||
| Waterloo from the French | ||
| The Field of Waterloo by Sir Walter Scott (1771–1832) | ||
| The Dance of Death by Sir Walter Scott (1771–1832) | ||
| The Field of Battle by Robert Southey (1774–1843) | ||
| On the Drawing of the Elm-tree by George Crabbe (1754–1832) | ||
| Song by Thomas Campbell (1777–1844) | ||
| Battle of Waterloo by Jean-François Casimir Delavigne (1793–1843) | ||
| Verses on the Day of Waterloo by Pierre Jean de Béranger (1780–1857) | ||
| Waterloo by Henry Alford (1810–1871) | ||
| Belgium: Ypres | ||
| The Statue in the Market-place by Walter Thornbury (1828–1876) | ||
| Introductory to Holland | ||
| Holland by James Thomson (1834–1882) | ||
| Holland by James Thomson (1834–1882) | ||
| Holland by Oliver Goldsmith (1730–1774) | ||
| Holland by Bishop Pierre Daniel Huet (1630–1721) | ||
| Love in Winter by Robert Buchanan (1841–1901) | ||
| Holland in the Olden Time by Joost van den Vondel (1587–1679) | ||
| The Leak in the Dike by Phœbe Cary (1824–1871) | ||
| Holland: Amsterdam | ||
| To the Directors of Amsterdam in Their New Stadthouse by Constantijn Huygens (1596–1687) | ||
| The Burgomaster—Anonymous | ||
| Holland: Delft | ||
| Hugo de Groot by Gerard Brandt (1626–1685) | ||
| Holland: Dort (Dortrecht) | ||
| A Dutch Picture by Henry Wadsworth Longfellow (1807–1882) | ||
| Holland: Hoorn | ||
| The Ships of Hoorn by Joost van den Vondel (1587–1679) | ||
| Holland: Leyden | ||
| Robinson of Leyden by Oliver Wendell Holmes (1809–1894) | ||
| Holland: Rotterdam | ||
| To —— by Thomas Hood (1799–1845) | ||
| The Gueux Night-watch by Ferdinand Freiligrath (1810–1876) | ||
| Holland: Stavoren | ||
| The Lady Riberta’s Harvest by Margaret J. Preston (1820–1897) | ||
| Holland: Scheveningen | ||
| The Village of Scheveningen by Charles Swain (1801–1874) | ||
| Holland: Zutphen | ||
| Sir Philip Sidney by Charlotte Fiske Bates (1838–1916) | ||