Chapter I. |
Ben Jonson |
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By ASHLEY H. THORNDIKE, M.A., Ph.D. (Harvard), Professor of English in Columbia University, New York
- Ben Jonson’s character and friendships
- Early life
- Production of Every Man in His Humour
- Maturity; Prosperity
- Later years
- Eminence in letters
- Epigrams; The Forest
- Underwoods
- The Sad Shepherd
- Early Plays
- His Programme of Reform; Every Man in His Humour
- Every Man out of His Humour
- His Tragedies
- Volpone; Epicoene
- The Alchemist
- Bartholomew Fayre
- His later Comedies
- His place in Literature
BIBLIOGRAPHY |
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II. |
Chapman, Marston, Dekker |
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By W. MACNEILE DIXON, M.A. (Dublin), Litt.D. (Glasgow), Professor of English Language and Literature in the University of Glasgow
- Chapman’s life
- Shakespeare and the “Rival Poet”
- Didactic nature of Chapman’s Poetry
- His Comedies
- His Historic Tragedies; Bussy D’Ambois; The Revenge
- Chapman’s Homer
- Marston’s life
- His prominence in the War of the Theatres
- Quarrel with Jonson: Assaults and Counter-assaults
- End of the quarrel
- Marston’s Tragedies; Antonio and Mellida
- The Malcontent
- Eastward Hoe
- The Fawne
- His other Plays; Withdrawal from theatrical life
- Dekker’s early activities; Value of his work; His Comedies: The Shomakers Holiday; Old Fortunatus; The Honest Whore
- His Collaborators
- His place as a Dramatist
- Importance of his prose work
BIBLIOGRAPHY |
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III. |
Middleton and Rowley |
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By ARTHUR SYMONS
- Biographical details
- Middleton’s non-dramatic work
- His first Plays: The Mayor of Quinborough
- The Old Law
- Blurt Master-Constable
- His farcical Comedies: their character and material
- His realism
- Fluency and naturalness of his work
- His Collaborators
- Plays by Rowley alone; their sincerity and nobility of aim
- Rowley’s influence on Middleton
- A Faire Quarrell
- The World tost at Tennis
- The Changeling
- Later Plays by Middleton
- His dramatic genius
BIBLIOGRAPHY |
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IV. |
Thomas Heywood |
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By A. W. WARD, Litt.D., F.B.A., Master of Peterhouse
- Thomas Heywood as the servant of public taste
- His special work in Domestic Drama
- His life: London and Court associations
- His point of view as a Playwright
- His non-dramatic works
- The Apology for Actors
- His Plays
- A Woman Kilde with Kindnesse
- Elizabethan Domestic Drama
- Early attempts at realistic treatment
- The Murder Plays
- Changes in the social system and their effect on the Drama
- Heywood’s picture of English country life
- The Royall King, and The Loyall Subject
- The Fair Maid Of The West
- Other Plays
- His work in collaboration with others
- His qualities as a Dramatist
BIBLIOGRAPHY |
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V. |
Beaumont and Fletcher |
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By G. C. MACAULAY, M.A., late Fellow of Trinity College, University Lecturer in English
- New influences on the Drama
- Abandonment of Tragedy for Tragi-comedy; Lowering of moral standards
- Contemporary appreciation of Beaumont and Fletcher’s work
- Biographies and early intimacy of the two Dramatists; Individual characteristics
- Evidence as to authorship
- Fletcher’s Metrical Style: comparison with that of Shakespeare
- Features assignable to Beaumont
- Massinger’s collaboration with Fletcher
- Excellence of Fletcher’s stage effects
- His weakness in characterisation
- Sources of his plays
- Rapidity of production; Classification of the Plays
- Tragedies; Romantic Dramas
- Comedies
- Qualities of language and style in Beaumont and Fletcher’s plays
BIBLIOGRAPHY |
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VI. |
Philip Massinger |
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By EMIL KOEPPEL, Professor of English Philology in the University of Strassburg
- Massinger’s life
- Biographical value of his Dedications
- His relations with the Herberts
- Literary friends
- Joint workmanship with Fletcher and others
- His independent Dramas
- Some Political Dramas of the time
- Massinger’s political opinions
- His religious sympathies
- His literary models: Shakespeare, Fletcher, Jonson
- His constructive art
- Typical situations
- His women
- His lovers
- His villains
- His comical figures
- His style: preponderance of the rhetorical element
- His repetitions
- Contemporary and posthumous reputation
- Massinger in Germany
BIBLIOGRAPHY |
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VII. |
Tourneur and Webster |
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By C. E. VAUGHAN, M.A., Balliol College, Oxford, Professor of English Literature in the University of Leeds
- Meagreness of biographical details
- Tourneur’s two Tragedies
- John Webster: periods of his literary activity
- Collaboration with Dekker and Marston
- West-Ward Hoe and North-Ward Hoe
- Webster’s original work
- The White Divel: question of its sources; possibility of originality in the plot
- Advance on his earlier work
- The theme of Revenge as handled by Elizabethan Dramatists
- The Dutchesse Of Malfy: its source and date; advance in representation and motif
- The last period
- Appius and Virginia
- The Devils Law-case: influence of Fletcher
- Secret of Webster’s genius: his profound knowledge of human character and sense of tragic issues
- His imagination and poetic power
BIBLIOGRAPHY |
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VIII. |
Ford and Shirley |
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By W. A. NEILSON, M.A. (Edinburgh), Ph.D. (Harvard), Professor of English in Harvard University
- Commencement of the literary period of English Drama
- Ford’s life and early work
- Romantic character of his non-dramatic work
- His collaboration with Dekker
- His independent Dramas
- His lost Plays
- Ford as typical of the period of decadence
- His merits
- Shirley’s life and career
- His Poems
- His Tragedies
- His Comedies of Manners and Romantic Comedies
- His Entertainments
- Originality of his plots
- Conventionality of his style
- Comparison of Shirley with Ford
BIBLIOGRAPHY |
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IX. |
Lesser Jacobean and Caroline Dramatists |
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By the Rev. RONALD BAYNE, M.A., University College, Oxford
- General characteristics of the Jacobean and Caroline Drama; the central position of Jonson
- Belated Elizabethans: John Day’s later comedies; The Ile of Guls; evolution of The Parliament of Bees; its merits and characteristics
- Armin’s Two Maids of More-clacke
- Sharpham’s two Plays; The single Plays of Barry, Cooke and Tailor
- The Pupils of Jonson: Nathaniel Field: his life and training
- A Woman is a Weather-cocke
- Field’s debt to Jonson; his romantic tendency and collaboration with Massinger
- Richard Brome’s life and training: his fifteen extant Plays
- The Northern Lasse
- Brome’s debt to Dekker; The Sparagus Garden
- The City Witt; its briskness and humour
- A Joviall Crew, Brome’s best Play
- His romantic experiments; partial success of The Queen and Concubine
- Thomas Randolph’s University training; His Aristippus and The Conceited Pedler
- Aristotle’s Ethics dramatised in The Muses Looking-Glasse
- Originality of Randolph
- May’s Comedies; The anonymous Nero
- Davenport’s Revisions of older Plays
- Thomas Nabbes’s virtuous heroines
- Comedies of Cartwright, and Mayne
- Sir John Suckling’s Plays: Aglaura, The Goblins, Brennoralt
- Marmion’s The Antiquary
- Tragicomedy as exemplified in the Plays of Lodowick Carlell, Henry Glapthorne and Sir William D’Avenant
BIBLIOGRAPHY |
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X. |
The Elizabethan Theatre |
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By HAROLD CHILD, sometime Scholar of Brasenose College, Oxford
- Early Companies of Players
- Triumph of the Professional Actor and Patronised Company over the Stroller
- Grounds of objection to the Drama
- Royal patronage and its effect
- Increasing control of the production of Plays by the Master of the Revels
- The Chamberlain’s Company
- The Queen’s and Admiral’s Companies
- Places of performance
- Site and architectural features of the Theater
- The Curtain
- The Newington Butts Playhouse
- The Rose
- The Globe
- The Blackfriars
- The Swan
- Other Playhouses
- Differences between the Elizabethan and the Modern Stage
- Value of John de Witt’s drawing of the Swan
- The Alternation Theory
- Differences in Construction
- Stage Appliances and Properties
- Performances at private Playhouses and at Court
- Costumes
- The Audience
- The Author and his Company
- Financial arrangements
- Social position of the Actor
BIBLIOGRAPHY |
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XI. |
The Children of the Chapel Royal and their Masters |
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By J. M. MANLY, M.A., Ph.D. (Harvard), Professor of English in the University of Chicago
- Early history of the Chapel Children
- Early Masters: John Plummer, Henry Abyndon, William Newark, William Cornish and others
- Histrionic activity of the Children; Dramatic work of the Masters
- Plays of the University Wits acted by the Children
- The Children at the Blackfriars: profitable nature of the undertaking
- The Child-actors
- Causes of their success
- Royal patronage
BIBLIOGRAPHY |
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XII. |
University Plays |
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By F. S. BOAS, M.A., Balliol College, Oxford, LL.D. (St. Andrews), late Professor of English Literature in Queen’s College, Belfast, and late Clark Lecturer, Trinity College
- Medieval Drama at the Universities
- The Senecan School of dramatists; Grimald’s Christus Redivivus and Archipropheta
- Kirchmayer’s Pammachius
- Gammer Gurtons Nedle
- Effect of Queen Elizabeth’s visits to the Universities
- Halliwell’s Dido and Udall’s Ezechias
- Edwards’s Palamon and Arcyte
- Rickets’s Byrsa Basilica; Legge’s Richardus Tertius
- Perfidus Hetruscus
- Gager’s Meleager and Dido
- Fraunce’s Victoria; Academic Comedies
- Hymenaeus; Laelia
- Pedantius
- Attack on Academic Personages and on the Civic Authorities
- Club-Law
- The Parnassus Trilogy
- Tomkin’s Lingua
- Narcissus
- King James at Oxford
- Daniel’s The Queenes Arcadia
- Thomas Tucker, the Christmas Prince
- King James at Cambridge; Ruggle’s Ignoramus
- Barten Holiday’s Technogamia; Allegorical and satirical character of the later Plays
- King Charles at Cambridge and Oxford
- Influence of the University Drama
BIBLIOGRAPHY |
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XIII. |
Masque and Pastoral |
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By the Rev. RONALD BAYNE, M.A.
- Popularity of the Masque in the age of Elizabeth
- Its early history
- Mummings and Disguisings: development of these into the Masque
- The Masque in Spenser
- Ben Jonson’s Masques
- Introduction of the Antimasque
- Development of the Presenter
- Campion’s Masques
- Chapman and Beaumont as Masque-writers
- Rapid increase of dramatic elements in Jonson’s Masques
- Jonson’s later work in this field
- Pastoral Poetry: its history and development
- Pastoral drama of the University Wits
- Daniel’s Pastorals
- Fletcher’s The Faithful Shepheardesse
- Ben Jonson’s The Sad Shepherd
- Randolph’s Amyntas
BIBLIOGRAPHY |
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XIV. |
The Puritan Attack upon the Stage |
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By J. DOVER WILSON, M.A., Gonville and Caius College, Lecturer in English Literature at the Goldsmiths’ College, University of London
- The attitude of the Reformers towards the Stage
- Theological and moral objections
- Beginnings of Puritan opposition in England
- Attitude of the Civic Authorities in London
- Systematic persecution of Actors
- Royal Patronage
- Attacks on the Stage from the Pulpit
- Work of Pamphleteers
- Gosson’s Schoole of Abuse
- Lodge’s Defence
- Stubbes’s Anatomie of Abuses
- Waning interest in the struggle
- The Controversy at the Universities
- Effects of changes introduced under the Stewarts
- Heywood’s Apology for Actors
- Prynne’s Histriomastix
- General aspects of the Controversy
BIBLIOGRAPHY |