The Struggle Of Control And Women

When Joe “Jody” Starks appears out of nowhere, Janie feels like her dreams have finally come true. But after a while, the marriage turns out to be little more than the stint with Killicks. Starks, like Killicks, treats her as property and not as someone he actually loves. One example is how Jody makes Janie put her hair up in a wrap while working in the store, rather than leave it down. Another is when he publicly criticizes her appearance, saying she is starting to show her age, when he is clearly at least ten years older: “’ You ain’t no young courtin’ gal. You’se uh old woman, nearly fourty’” (Hurston 79). Joe feels the need to tear down Janie, in order to make himself feel more important, which was an important part of being a man during this time.

Joe constantly felt the need to make Janie feel horrible about herself. He would take control of everything she would do and Janie couldn’t do anything but feel sad. Hurston says, “The years took all the fight out of Janie’s face. For a while she thought it was gone from her soul. No matter what Jody did she said nothing” Saying nothing showed her husband that she let this mistreatment happen to her without speaking up for her rights. Being gone from her sole shows that Janie didn’t even know who she was anymore because she couldn’t even make simple choices for herself. This becomes a problem because Janie couldn’t even find happiness in her relationship, which is far from self-actualizing. These two quotes both show Janie’s passivity through silence and the feeling of worthlessness. This may be an example from Janie’s life, but this became a problem for many women whose husbands follow gender hierarchies to feel like they have more power over their wife. Society always views men to have more power and to be a more powerful figure than women which causes uncomfort in relationships. This strive of power stops people from reaching self-actualization because they are always looking for others to be better than instead of looking to reach their fullest potential. Reaching self-actualization is a big goal for many people because you

One of Janie’s most prominent features is her long hair. As a sign of Joe’s possessive nature, he makes Janie tie her hair up “lak some ole ‘oman round de store” (Hurston, Pg 49.) He fears the other men being attracted to Janie. The men in town feel that Joe makes her do it because he fears “some de rest of [the] men’s might touch it” (Hurston, Pg 50.) Joe views Janie as something that belongs to him, and he does not want other men desiring his possessions.

“It's so easy to make yo’self out God Almighty when you ain't got nodiin' tuh strain against but women and chickens." (75) In this statement, Janie highlights the real issue of lust for power within the men of her town, and even directs her words to those men. By comparing them to God and women to chickens, she manages to create a perfect metaphor for the power dynamic of their reality. “Janie did what she had never done before, that is, thrust herself into the conversation.” (75) Though submissive at heart, Janie somehow musters up enough courage to challenge the status quo. However, Janie’s forthright approach to addressing sexism falls on deaf ears, and she is ridiculed by the townsfolk and her husband alike. Though idealistic and courageous at times, the fact that she allows the harassment to get to her is a sign that she lacks

After years of quiet suffering, Janie finds the strength to confront Jody on his deathbed, " ‘But you wasn’t satisfied wid me de way Ah was. Naw! Mah own mind had tuh be squeezed and crowded out tuh make room for yours in me’ ” (86). Angry and finally motivated to speak her mind, Janie articulates her value as a woman and a wife, blaming Jody for being too self-involved and egotistical to appreciate her worth. Ironically, Joe’s attempts to stifle Janie during their marriage only serve to amplify her voice at its end. In stark contrast, Hurston’s heroine comes full circle to discover a peaceful inner-voice with soul mate Tea Cake who treats Janie as an equal and encourages her to express herself. Reminiscing with Phoeby, Janie explains, “ ‘Talkin’ don’t amount tuh a hill uh beans...you got tuh go there tuh know there...find out about livin’ fuh themselves’ “ (192). Janie had to endure the unhappiness and abuse of two failed marriages to discover her voice and find the courage to use it, eventually leading her to love and happiness with Tea Cake. Certainly each of Janie’s relationships, whether a failure and success, lends clarity and volume to her voice over the course of her

Janie refuses to succumb to her husband’s slight suggestions of helping out with farm work. Janie changes the subject instead; obviously dismissing Killicks idea that Janie should work for him (Hurston, 27). Janie avoids this mildly suppressive relationship by leaving Killicks and marrying another man.

Initially Janie was raised in a impecunious African American household by her grandmother. She was taught from a young age that marriage equals love and that women depend on men for financial security. Janie wanted a love “sweet…lak when you sit under a pear tree” (29) but instead receives Logan, a man who wants her to “chop and tote wood” and calls her “spoilt rotten.” (31) Janie was stuck to succumb to these expectations when she was with Logan. However, Janie’s second marriage begins with a personal choice that Janie makes to leave Logan and follow Jody, a man whose plan was to build “a town all outa colored folks” and become a leader in the new city. Just the fact that she left her first husband was a very bold move, but the profound point is that Janie chooses to get together with another man. Janie expresses her true feelings and voice by leaving Logan and telling him that he “ain’t done [her] no favor by marryin’ [her.]” This displays that Janie’s views on marital expectations have took a turn and she will no longer be put under this illusion of a perfect woman during this time period. However this newly acquired confidence that Janie had gained

Janie, the main character, marries three times throughout the novel. Her marriages do not contain unconditional love and because of this, do not last. Her first husband, Joe Starks, belittles Janie as a person including her intellect. "Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves." (119). Joe shows his dominance over Janie by being the breadwinner in the relationship. Janie’s next marriage is with a man named Joe Starks. He tries to show his dominance over Janie by controlling her. “Janie! "Come help me move dis manure pile befo’ de sun gits hot. You don’t take a bit of interest in dis place. ‘Tain’t no use in foolin’ round in dat kitchen all day long…" (42). Joe belittles the

In the novel "Their Eyes were Watching God," the main character, Janie, faces an inner battle in her three marriages, to speak or not to speak, which manifests itself differently with Logan, Joe, and Tea Cake. In her first marriage to Logan Killicks, Janie has her idea of what a marriage should look like shattered, as she failed to fall into the romantic idea of love that she held dear (Myth and Violence in Zora Hurston’s Their Eyes Were Watching God). In her second marriage, to Joe “Jody” Starks, Janie buried her fight and spirit within herself, as she attempted to fit into the mold of the “perfect wife” Joe imagined (In Search Of Janie). Finally, in her marriage to Tea Cake, she feels the love she has longed for, and is accepted as the strong, independent woman she is (Janie Crawford Character Analysis). In every marriage, Janie feels the various effects of each man, as they either encourage or diminish her voice and inner spark.

Janie, again, finds herself in a loveless marriage. Unlike her first, however, the lack of affection is reciprocal. “Again with Jody [as with Logan], Janie has money and respectability, but Jody's objectification - of her and his demand for her submission stifles any desire

“Dere wuz uh knotty head gal name Mayrella dat useter git mad every time she look at me. Mis’ Washburn useter dress me up in all de clothes her gran’ chillun didn’t need no mo’ which wuz better’n whut de rest uh de colored chillum had” (Hurston 9). Janie experiences this conflict early in life, but she really struggles with it in her second marriage to Joe

Hurston’s main way of inspiring a sense of feminism in her novel, is through the relationships of Janie including her Nanny, Logan Killicks, Joe Starks, and Tea Cake. She addresses Janie’s role differently in each of these relationships using motifs and stereotypes. Janie begins her journey of self-discovery following the dreams of her Nanny to becoming a strong, independent woman who makes her own decisions. All of the roles that Janie obtains stem from the distinct

While Janie yearns for “idyllic union” and emotional fulfillment, Nanny maintains the “prevailing sexual and racial milieu” by arranging her marriage with wealthy landowner Logan Killicks (Meese 264). Hurston purposefully compares Janie’s progressive ideals to those of feminists who were coined as “New Women” who sought marriages based on equality. She directly relates this contrast in beliefs to feminist’s dreams of and efforts towards success and equality through female autonomy rather than material wealth and security under a man’s control. Furthermore, as Janie settles in her second marriage with Jody Starks, she becomes increasingly dissatisfied. Janie’s feelings of confinement and entrapment steadily rise as Jody orders her to remain introverted and shuttle between the general store and home (Moss and Wilson 3). He forces Janie to play the role of a beautiful and submissive wife and “does not allow her to articulate her feelings or ideas [although she] longs to participate in everyday town life” (Moss and Wilson 3). Accordingly, Hurston scorns Jody for believing “She’s uh woman and her place is in de home” (43) and utilizes his chauvinistic outlook to promote women to establish importance outside of homemaking and caregiving. Hurston’s proposal directly reflects and supports Catharine Beecher’s influential efforts to “reconcile women to the limitations of the domestic sphere” (Cott 40) and expand women’s ability to excel in a multitude of different

The main character, Janie Woods, is unlike any other character throughout the novel, being 75% white and 25% black. For this she was not only looked up to but also looked down upon. She was an outsider within her own community while from the male perspective, she was a prized possession to anyone that could gain her affection. It is important that Hurston told the story about how Janie reached her full potential because it clearly demonstrates how anyone can gain happiness if they simply try. The women on the porch who judge her have hopes and dreams like anyone else. However, Janie is different than them by the way she risks everything she has to chase after her dreams. She encountered many difficulties with this approach at first, involving her marriages with Logan and Joe. Although, she overcame such challenges stronger than ever. Her ending may seem melancholy with the death of Tea Cake, but it is actually tragically perfect. Everything Janie dreamed of as a child was true love and this is exactly what she ended up with. She gained a voice in her life which was masked in her previous relationships. At the end of the novel, Janie is quite content with where her life stands and it is clear to the reader that the problems she endured were actually quite necessary. Although it was sorrowful to see Janie grappling for her dreams, Hurston uses each obstacle to

Hurston ultimately provides powerful personal closure for herself. Through Janie’s story, Hurston highlights that worldly success does not define personal fulfillment. Perhaps Janie’s marriage to Jody placed her in the lap of wealth and power, but it also thrust her into the hands of misery and voicelessness, and even in relationships that are supposedly blissful, such Janie’s marriage to Tea Cake, there lies a darker side that cannot be ignored. It is true that Tea Cake allows Janie to have fun, but he also takes pains to prove his dominance, going so far as to beat Janie because “being able to whip her reassured him in possession” (147). Whichever way the story is examined, one cannot claim that Janie reaches true freedom, if at all, until the very end of her story. Unlike, Hurston, who spent her entire life talking and writing and researching the power of the spoken word, Janie fails to use her voice until after Tea Cake dies, finally able to return to Eatonville on her own accord and place herself, not her grandmother or Joe or Tea Cake, as the main protagonist of the story.