The Cambridge History of English and American Literature in 18 Volumes (1907–21).
VOLUME XVI. Early National Literature, Part II; Later National Literature, Part I.
§ 1. Two Forms of American Humour: Classical and Native
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The great period of American humorous writing has been the last three quarters of the nineteenth century. For all the preceding periods a very brief sketch must here suffice. In the seventeenth century the conditions of colonial life were not propitious to any sort of writing, humorous or other. To secure the means of a livelihood was a practical problem which left little time for the cultivation of the more genial side of life. In bleak surroundings where there was little physical comfort, and under the gloom of Puritanism, most writers were practical and serious. But there are a few exceptions. New England’s Annoyances (1630), a piece of anonymous doggerel, shows that even the Puritans could smile as they regarded some of their discomforts. Nathaniel Ward wrote The Simple Cobler of Aggawam in America (1647), which Moses Coit Tyler called “the most eccentric and amusing book that was produced in America during the colonial period,” although Ward insisted that it should be accepted as a trust-worthy account of the spiritual state of New England. John Josselyn, who wrote New England’s Rareties (1672), declared that most of what he wrote was true; he admits that some things which he recorded he had heard but not seen: for example, that “Indians commonly carry on their discussions in perfect hexameter verse, extempore,” and that “in New England there is a species of frog which chirps in the spring like swallows and croaks like toads in autumn, some of which when they sit upon their breech are a foot high, while up in the country they are as big as a child of a year old.”