The Cambridge History of English and American Literature in 18 Volumes (1907–21).
Volume XI. The Period of the French Revolution.
§ 5. The Parish Register
At length, in October, 1807, at the age of nearly fifty-three, he published another volume, which contained, besides reprints of The Library, The Village and The Newspaper, some new poems. Of these, the longest and most important, The Parish Register, develops the theme of The Village and first brings Crabbe into prominence as a teller of stories. A country clergyman (such is the scheme of the poem) is looking through his registers, and utters the reflections and memories stirred in him, in turn, by the entries of births, marriages and deaths. Crabbe’s desire to be just is evident from his inclusion of certain happy scenes (suggested, probably, rather by his own parishes than by his recollections of Aldeburgh) and of fortunate people; but the bent of his mind is equally evident in his manner of turning away from the description of the charming cottage, with its pictures, its books and its garden,
As in all his poetry, the moral purpose is made very clear. Most of the unhappiness related is ascribed to the ungoverned passions or the weaknesses of the characters, to the lack of that prudence, moderation and self-control which he consistently advocated, in matters temporal and spiritual. He desires to warn all who might find themselves in like circumstances, and, at the same time, to rouse pity in the minds of his readers for sinning and suffering humanity. The first requisite for a poet with these aims is a sympathetic understanding; and Crabbe, later, was to show, even more clearly than he shows in The Parish Register, his mastery of what novelists know as psychology.