The Cambridge History of English and American Literature in 18 Volumes (1907–21).
Volume X. The Age of Johnson.
§ 13. James Hervey
The first to be mentioned after Whitefield was almost a complete contrast to him. There can be no doubt that the most popular writer among those who were influenced by the earlier stages of the methodist movement was James Hervey, who was at Lincoln college, Oxford, as an undergraduate when John Wesley was a fellow and, after serving in Cornwall, became rector of two parishes, not adjoining each other, Collingtree and Weston Favell, in Northamptonshire. He was a most excellent man and an exemplary parish priest, but he escaped controversy as little as did any other of the evangelical company. His disputes with Wesley are of no importance in literary history, and his curious dialogues, on his favourite doctrine of “imputed righteousness” and other opinions which he extracted from the Gospels, entitled Theron and Aspasia, have long ceased to interest even the most assiduous student. But his Meditations Among the Tombs, Reflections on a Flower-garden and Contemplations on the Night, which met with extraordinary success in their day, illustrate most effectively the fantastic and affected style which the most sincere writers of the time, save the robust John Wesley himself, seemed to assume with their “pulpit manner,” till it became a second nature to them. A passage from Hervey’s Contemplations on the Night may be quoted here, since it would be difficult to find a more striking example of the descent of popular taste in the darkest period of English letters. The thoughts might be found in Jeremy Taylor; but how different is the pompous and posturing performance with which Hervey seeks to impress the reader from the plangent feeling which inspires Taylor even in his richest and most gorgeous prose! In Hervey, the ideas are impoverished and the expression is at once affected and commonplace.