The Cambridge History of English and American Literature in 18 Volumes (1907–21).
Volume VIII. The Age of Dryden.
§ 14. South and the Controversial Style
But, before we have done with sermons, we must touch on the striking contrast, at once to the ornate and the commonplace, to Taylor and to Tillotson, noticeable in the work of Robert South, who was twenty years younger than the former and died twenty-two years after the latter. South, before all things, was original. He rejected the flowers of Taylor, and followed the simple way before Tillotson. But he followed it with a difference. If he delights not in tropes or figures, he abhors the commonplace and the dull. He revels in humour: he continually shoots shafts of ridicule against vice, be it pride or hypocrisy, ingratitude or anger. He had fixed orthodox opinions and considered orthodoxy important, unlike Tillotson. But he knew how to make beliefs effective without being venomous; he could make home truths stick though the wound did not fester. His writing is as sincere as Tillotson’s, but of quite different quality: while the one maintains a level of plainness from which it is difficult to detach a passage of interest, the other is always vivacious, and the difficulty in quoting from South is to find a passage which will not lose by its separation from a context equally vigorous and emphatic. Many an epigram could be set down by itself; but there was never a time when English prose lacked a maker of epigrams. Part of a longer passage, chosen almost at random, may illustrate at once the characteristic merits of South and the ordinary unaffected language of Charles II’s day. It is from a sermon preached before the university of Oxford, at the beginning of the October term of 1675, on ingratitude. The preacher is approaching his “consequences,” and, after advising that friendships should not be made with the ungrateful, he continues: