The Cambridge History of English and American Literature in 18 Volumes (1907–21).
Volume IV. Prose and Poetry: Sir Thomas North to Michael Drayton.
§ 2. Classical influence in the Italian Drammi Mescidati
The composition of an Italian tragedy in the vernacular after the classical model was preceded by a number of plays called by literary historians mescidati, in which a secular subject was developed in rimed measures, on a multiple stage, with a hesitating division into acts and scenes. The connection of these with the sacre rappresentazioni is obvious; but they show traces of classical influence. For instance, Antonio Cammelli’s Filostrato e Panfila (1499), founded upon the first novel of the fourth day of the Decameron, is opened by a prologue or argument spoken by Seneca, and divided into five acts by choruses. In these, Love (end of act