The Cambridge History of English and American Literature in 18 Volumes (1907–21).>br>Volume I. From the Beginnings to the Cycles of Romance.
XV. Pearl, Cleanness, Patience and Sir Gawayne§ 2. Cleanness and Patience
The second poem in the MS., Cleanness, relates, in epic style, three great subjects from scriptural history, so chosen as to enforce the lesson of purity. After a prologue, treating of the parable of the Marriage Feast, the author deals in characteristic manner with the Flood, the destruction of Sodom and Gomorrah, and the fall of Belshazzar. The poem is written in long lines, alliterative and rimeless, and is divided into thirteen sections of varying length, the whole consisting of 1812 lines.
The third poem is a metrical rendering of the story of Jonah, and its subject, too, as in the case of Cleanness, is indicated by its first word, Patience. Though, at first sight, the metre of the two poems seems to be identical throughout, it is to be noted that the lines of Patience divide into what may almost be described as stanzas of four lines; towards the end of the poem, there is a three-line group, either designed so by the poet or due to scribal omission. The same tendency towards the four-lined stanza is to be found in parts of Cleanness, more especially at the beginning and end of the poem. Patience consists of 531 lines; it is terser, more vivid and more highly finished, than the longer poem Cleanness. It is a masterly paraphrase of Scripture, bringing the story clearly and forcibly home to English folk of the fourteenth century. The author’s delight in his subject is felt in every line. In Cleanness, especially characteristic of the author is the description of the holy vessels—the basins of gold, and the cups, arrayed like castles with battlements, with towers and lofty pinnacles, with branches and leaves portrayed upon them, the flowers being white pearl, and the fruit flaming gems. The two poems, Cleanness and Patience, judged by the tests of vocabulary, richness of expression, rhythm, descriptive power, spirit and tone, delight in nature, more especially when agitated by storm and tempest, are manifestly by the same author as Pearl, to which poem, indeed, they may be regarded as pendants, dwelling more definitely on its two main themes— purity and submission to the Divine will. The link that binds Cleanness to Pearl is unmistakable. The pearl is there again taken as the type of purity:
If there were any doubt of identity of authorship in respect of the two poems, it would be readily dispelled by a comparison of the Deluge in Cleanness with the sea-storm in Patience. Cleanness and Patience place their author among the older English epic poets. They show us more clearly than Pearl that the poet is a “Cbackward link” to the distant days of Cynewulf; it is with the Old English epic poets that he must be compared if the special properties of these poems are to be understood. But in one gift he is richer than his predecessors—the gift of humour. Earlier English literature cannot give us any such combination of didactic intensity and grim fancy as the poet displays at times in these small epics. One instance may be quoted, namely, the description of Jonah’s abode in the whale: