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Upton Sinclair, ed. (1878–1968). rn The Cry for Justice: An Anthology of the Literature of Social Protest. 1915.

Acknowledgments

THE EDITOR has used his best efforts to ascertain what material in the present volume is protected by copyright. In all such cases he has obtained the permission of author and publisher for the use of the material. Such permission applies only to the present volume, and no one should assume the right to make any other use of it without seeking permission in turn. If there has been any failure upon the editor’s part to obtain a necessary consent, it is due solely to oversight, and he trusts that it may be overlooked. The following publishers have to be thanked for the permissions which they have kindly granted; the thanks applying also to the authors of the works.

MITCHELL KINNERLEY

Patrick MacGill, “Songs of the Dead End.” Harry Kemp, “The Cry of Youth.” Charles Hanson Towne, “Manhattan.” Hjalmar Bergström, “Lynggaard & Co.” Donald Lowrie, “My Life in Prison.” John G. Neihardt, “Cry of the People.” Frank Harris, “The Bomb.” Vachel Lindsay, “The Eagle that is Forgotten” and “To the United States Senate.” Frederik van Eeden, “The Quest.” Edwin Davies Schoonmaker, “Trinity Church.” Walter Lippman, “A Preface to Politics.” L. Andreyev, “Savva.” J. C. Underwood, “Processionals.” Bliss Carman, “The Rough Rider.” Percy Adams Hutchison, “The Swordless Christ.”

DOUBLEDAY, PAGE & CO.

Frank Norris, “The Octopus.” Helen Keller, “Out of the Dark.” Frederik van Eeden, “Happy Humanity.” Bouck White, “The Call of the Carpenter.” Alexander Irvine, “From the Bottom Up.” John D. Rockefeller, “Random Reminiscences.” G. Lowes Dickinson, “Letters from a Chinese Official.” Ben B. Lindsey and Harvey J. O’Higgins, “The Beast.” Franklin P. Adams, “By and Large.” Edwin Markham, “The Man with the Hoe and Other Poems.” Gerald Stanley Lee, “Crowds.” Woodrow Wilson, “The New Freedom.”

HOUGHTON MIFFLIN CO.

William Vaughn Moody, “Poems.” Vida D. Scudder, “Social Ideals.” Florence Wilkinson Evans, “The Ride Home.” Peter Kropotkin, “Mutual Aid” and “Memoirs of a Revolutionist.” Helen G. Cone, “Today.” T. B. Aldrich, “Poems.” T. W. Higginson, “Poems.”

CHARLES SCRIBNER’S SONS

H. G. Wells, “A Modern Utopia.” Björnstjerne Björnson “Beyond Human Power.” Edith Wharton, “The House of Mirth.” John Galsworthy, “A Motley.” Maxim Gorky, “Fóma Gordyéeff.” J. M. Barrie, “Farm Laborers.” Walter Wyckoff, “The Workers.”

THE MACMILLAN CO.

John Masefield, “Dauber” and “A Consecration.” Jack London, “The People of the Abyss” and “Revolution.” Robert Herrick, “A Life for a Life.” Israel Zangwill, “Children of the Ghetto.” Albert Edwards, “A Man’s World” and “Comrade Yetta.” Walter Rauschenbusch, “Christianity and the Social Crisis.” Winston Churchill, “The Inside of the Cup.” Rabindranath Tagore, “Gitanjali.” Thorstein Veblen, “The Theory of the Leisure Class.” Edward Alsworth Ross, “Sin and Society.” W. J. Ghent, “Socialism and Success.” Vachel Lindsay, “The Congo.” Wilfrid Wilson Gibson, “Fires.” Percy Mackaye, “The Present Hour.” Robert Hunter, “Violence and the Labor Movement.” Ernest Poole, “The Harbor.”

THE CENTURY CO.

Louis Untermeyer, “Challenge.” Richard Whiteing, “No. 5 John Street.” George Carter, “Ballade of Misery and Iron.” James Oppenheim, “Songs for the New Age.” H. G. Wells, “In the Days of the Comet.” Alex. Irvine, “My Lady of the Chimney Corner.” Edwin Björkman, “Dinner à la Tango.”

SMALL, MAYNARD & CO.

Charlotte P. Gilman, “In this Our World” and “Women and Economics.” Finley P. Dunne, “Mr. Dooley.”

BRENTANO

G. Bernard Shaw, “Preface to Major Barbara” and “The Problem Play.” Eugene Brieux, “The Red Robe.” W. L. George, “A Bed of Roses.”

DUFFIELD & CO.

Elsa Barker, “The Frozen Grail.” H. G. Wells, “Tono-Bungay.”

B. W. HUEBSCH

James Oppenheim, “Pay Envelopes.” Gerhart Hauptmann, “The Weavers.” Maxim Gorky, “Tales of Two Countries.”

G. P. PUTNAM SONS

Antonio Fogazzaro, “The Saint.” J. L. Jaurès, “Studies in Socialism.”

GEORGE H. DORAN CO.

Will Levington Comfort, “Midstream.” Charles E. Russell, “These Shifting Scenes.”

FREDERICK A. STOKES CO.

Robert Tressall, “The Ragged Trousered Philanthropists.” Wilhelm Lamszus, “The Human Slaughter House.” Olive Schreiner, “Woman and Labor.” Alfred Noyes, “The Wine Press.”

MCCLURE PUBLISHING CO.

Dana Burnet, “A Ballad of Dead Girls.” Lincoln Steffens, “The Dying Boss” and “The Reluctant Grafter.”

THE “MASSES”

John Amid, “The Tail of the World.” Dana Burnet, “Sisters of the Cross of Shame.” Carl Sandburg, “Buttons.” J. E. Spingarn, “Heloise sans Abelard.” Louis Untermeyer, “To a Supreme Court Judge.”

JAMES POTT & CO.

David Graham Phillips, “The Reign of Gilt.”

BARSE & HOPKINS

R. W. Service, “The Spell of the Yukon.”

UNIVERSITY OF CHICAGO PRESS

August Bebel, “Memoirs.”

CHARLES H. SERGEL CO.

Verhaeren, “The Dawn: Translation by Arthur Symons.”

ALBERT AND CHARLES BONI

Horace Traubel, “Chants Communal.”

A. C. MCCLURG & CO.

W. E. B. du Bois, “The Souls of Black Folk.”

MOTHER EARTH PUBLISHING CO.

A. Berkman, “Prison Memories of an Anarchist.” Voltairine de Cleyre, “Works.” Emma Goldman, “Anarchism.”

MOFFAT, YARD & CO.

Reginald Wright Kauffman, “The House of Bondage.”

JOHN LANE

Anatole France; “Penguin Island.” William Watson, “Poems.”

BOBBS-MERRILL CO.

Brand Whitlock, “The Turn of the Balance.”

E. P. DUTTON & CO.

Patrick MacGill, “Children of the Dead End.”

CHARLES H. KERR CO.

“When the Leaves Come Out.”

HILLACRE BOOKHOUSE

Arturo Giovannitti, “The Walker.”

HENRY HOLT & CO.

Romain Rolland, “Jean-Christophe.”

RICHARD G. BADGER (Poet Lore)

Andreyev, “King Hunger.” Gorky, “A Night’s Lodging.”

MRS. ARTHUR UPSON

Poems by Arthur Upson.

New York Times

Elsa Barker, “Breshkovskaya.”

Collier’s Weekly

Herman Hagedorn, “Fifth Avenue, 1915.”

Poetry: A Magazine of Verse

F. Kiper Frank, “A Girl Strike Leader.”

Life

Max Eastman, “To a Bourgeois Litterateur.”

WALTER SCOTT PUBLISHING CO.
(P. P. SIMMONS CO., New York)

Joseph Skipsey, “Mother Wept.” Jethro Bithell’s translation of Verhaeren in “Contemporary Belgian Poetry” and of Dehmel in “Contemporary German Poetry.” Rimbaud’s “Waifs and Strays” in “Contemporary French Poetry.”

ELKIN MATHEWS & CO.

William H. Davies, “Songs of Joy.”

CONSTABLE & CO.

Harold Monro, “Impressions.”

DUCKWORTH & CO.

Hilaire Belloc, “The Rebel.”

SWAN, SONNENSCHEIN & CO.

Edward Carpenter, “Towards Democracy.”

Acknowledgments have also to be made to the following artists, who have kindly consented to have their works used in the volume: Mahonri Young, Wm. Balfour Ker, Ryan Walker, Charles A. Winter, Abastenia Eberle, John Mowbray-Clarke, Isidore Konti, Walter Crane, and Will Dyson. Also to Life Publishing Co. and the New Age, London, for permission to use a drawing from their files.