Contents -BIBLIOGRAPHIC RECORD

Harriet Beecher Stowe (1811–1896). Uncle Tom’s Cabin. 1852.

Preface

THE SCENES of this story, as its title indicates, lie among a race hitherto ignored by the associations of polite and refined society; an exotic race, whose ancestors, born beneath a tropic sun, brought with them, and perpetuated to their descendants, a character so essentially unlike the hard and dominant Anglo-Saxon race, as for many years to have won from it only misunderstanding and contempt.

But, another and better day is dawning; every influence of literature, of poetry and of art, in our times, is becoming more and more in unison with the great master chord of Christianity, “good will to man.”

The poet, the painter, and the artist now seek out and embellish the common and gentler humanities of life, and, under the allurements of fiction, breathe a humanizing and subduing influence, favorable to the development of the great principles of Christian brotherhood.

The hand of benevolence is everywhere stretched out, searching into abuses, righting wrongs, alleviating distresses, and bringing to the knowledge and sympathies of the world the lowly, the oppressed, and the forgotten.

In this general movement, unhappy Africa at last is remembered; Africa, who began the race of civilization and human progress in the dim, gray dawn of early time, but who, for centuries, has lain bound and bleeding at the foot of civilized and Christianized humanity, imploring compassion in vain.

But the heart of the dominant race, who have been her conquerors, her hard masters, has at length been turned towards her in mercy; and it has been seen how far nobler it is in nations to protect the feeble than to oppress them. Thanks be to God, the world has at last outlived the slave-trade!

The object of these sketches is to awaken sympathy and feeling for the African race, as they exist among us; to show their wrongs and sorrows, under a system so necessarily cruel and unjust as to defeat and do away the good effects of all that can be attempted for them, by their best friends, under it.

In doing this, the author can sincerely disclaim any invidious feeling towards those individuals who, often without any fault of their own, are involved in the trials and embarrassments of the legal relations of slavery.

Experience has shown her that some of the noblest of minds and hearts are often thus involved; and no one knows better than they do, that what may be gathered of the evils of slavery from sketches like these, is not the half that could be told, of the unspeakable whole.

In the northern states, these representations may, perhaps, be thought caricatures; in the southern states are witnesses who know their fidelity. What personal knowledge the author has had, of the truth of incidents such as here are related, will appear in its time.

It is a comfort to hope, as so many of the world’s sorrows and wrongs have, from age to age, been lived down, so a time shall come when sketches similar to these shall be valuable only as memorials of what has long ceased to be.

When an enlightened and Christianized community shall have, on the shores of Africa, laws, language and literature, drawn from among us, may then the scenes of the house of bondage be to them like the remembrance of Egypt to the Israelite,—a motive of thankfulness to Him who hath redeemed them!

For, while politicians contend, and men are swerved this way and that by conflicting tides of interest and passion, the great cause of human liberty is in the hands of one, of whom it is said: