Brander Matthews (1852–1929). The Short-Story. 1907.
Notes to The Fall of the House of Usher By Edgar Allan Poe
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In none of his short-stories has Poe been more successful than in this in centering the interest of the reader upon a single theme and in giving to his narrative the unity of impression that he aimed at. He achieves this partly by his rigid exclusion of any suggestion, of any word even, which does not help to complete his picture,—which does not lend its own vague detail to the vision he wished to evoke. From the first note to the last, all is in keeping; there is a consummate harmony of tone. What he had determined to do that he did; by the aid of a thousand artifices of phrasing he accomplished an implacable directness. Attention may be called to the fact that this is rather a story of atmosphere, of a special destiny, than of character or incident, and that therefore Poe begins by description and continues with description, to which he keeps incident and character subordinate.