Alfred H. Miles, ed. The Sacred Poets of the Nineteenth Century. 1907.
By Critical and Biographical Essay by Alfred H. MilesWilliam Walsham How (18231897)
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An anonymous volume of verse, published many years ago, was Mr. How’s first appeal to the public as a poet. Of this a new and enlarged edition appeared in 1886, which volume, with a book of fifty-four hymns, published while Bishop of Bedford, forms the main substance of his poetic work. The Bishop’s poems show a true feeling for nature, a keen sympathy with suffering and sorrow, power of pathos, and sense of humour. The first is abundantly demonstrated in “Shelsley Beauchamp and the First Spring Day,” the second in “Poetry and the Poet,” the third in “The Boy Hero” and “Gentleman John,” and the fourth in “The Three Prelates” and “A Puzzling Question.” Of the shorter poems which are alone available for quotation in a work like this, “Converse,” shows the observation of the poet’s eye; “Stars and Graves,” the poet’s mind grappling with the problems of life and death; “Pasce Verbo, Pasce Vita,” the practical nature of his religion; and “A Starlit Night by the Sea-Shore,” his sense of the brotherhood of human relationships. Some of the Bishop’s hymns have become universal favorites, and others deserve much wider use than they have received. He died on August the 10th, 1897.