Alfred H. Miles, ed. The Sacred Poets of the Nineteenth Century. 1907.
By Poems. III. To the OwlBernard Barton (1784–1849)
B
Thy Poet’s emblem be;
If arms might be the Muses’ dower,
His crest were found in thee:
Though flippant wits thy dulness blame,
And Superstition fondly frame
Fresh omens from thy song;—
With me thou art a favourite bird,
Of habits, hours, and haunts, preferr’d
To day’s more noisy throng.
Thyself beseeming well,
Like hermit’s in his hermitage,
Or nun’s in convent cell?
Secluded as an anchorite,
Thou spend’st the hours of garish light
In silence, and alone:
’Twere well if nuns and hermits spent
Their days in dreams as innocent,
As thine, my bird! have flown.
Those which my bosom thrill?
Evening—whose charms my spirit cheer,
And Night, more glorious still?
I love to see thee slowly glide
Along the dark wood’s leafy side,
On undulating wing,
So noiseless in thy dream-like flight,
Thou seem’st more like a phantom-sprite
Than like a living thing.
At midnight’s solemn hour,
On gusty breezes sweeping by,
And feel its utmost power:
From Nature’s depths it seems to come,
When other oracles are dumb;
And eloquent its sound,
Asserting Night’s majestic sway,
And bearing Fancy far away
To solitudes profound;—
Which hoary eld reveres;
To ivied turret, mould’ring shrine,
Gray with the lapse of years;
To hollow trees by lightning scath’d;
To cavern’d rocks, whose roots are bath’d
By some sequester’d stream;
To tangled wood, and briery brake,
Where only Echo seems awake
To answer to thy scream.
And lofty, blend with thee,
Well mayst thou, bird of night! be prone
To touch thought’s nobler key;
To waken feelings undefin’d,
And bring home to the Poet’s mind,
Who frames his vigil-lay,
Visions of higher musings born,
And fancies brighter than adorn
His own ephem’ral day.