Walter Savage Landor.
(1775–1864). |
Corinna, from Athens, to Tanagra |
The Yacht |
Ianthe |
Her Name |
The Gifts Return’d |
The Maid’s Lament |
The Dragon-fly |
To Miss Arundell |
Rose Aylmer |
On a Child |
To His Verse |
The Kiss |
The Wall-flower |
On the Death of Southey |
On His Own Death |
His Epitaph |
Finis |
Samuel Rogers.
(1763–1855). |
A Wish |
Ebenezer Elliott.
(1781–1849). |
Plaint |
William Stanley Roscoe.
(1782–1843). |
To Spring: On the Banks of the Cam |
Leigh Hunt.
(1784–1859). |
The Nun |
Jenny Kiss’d Me |
Abou Ben Adhem |
John Kenyon.
(1784–1856). |
Champagne Rosée |
Bryan Waller Procter (Barry Cornwall).
(1787–1874). |
Hermione |
For a Fountain |
Richard Harris Barham (Thomas Ingoldsby).
(1788–1845). |
Last Lines |
Sir Aubrey de Vere.
(1788–1846). |
The Right Use of Prayer |
Fitz-Greene Halleck.
(1790–1867). |
On His Friend, Joseph Rodman Drake |
John Keble.
(1792–1866). |
Balaam |
November |
John Clare.
(1793–1864). |
Graves of Infants |
Song: ‘Love lives beyond the tomb’ |
Written in Northampton County Asylum |
John Gibson Lockhart.
(1794–1854). |
Lines: ‘When youthful faith hath fled’ |
William Cullen Bryant.
(1794–1878). |
The Forest Maid |
Thanatopsis |
George Darley.
(1795–1846). |
Song: ‘It is not Beauty I demand’ |
The Phoenix |
Love’s Likeness |
The Lyre, I |
The Lyre, II |
On the Death of a Recluse |
Song: ‘Sweet in her green dell the flower of beauty slumbers’ |
Thomas Carlyle.
(1795–1881). |
The Sower’s Song |
Hartley Coleridge.
(1796–1849). |
Song: ‘She is not fair to outward view’ |
To a Lofty Beauty, from her Poor Kinsman |
May, 1840 |
Thomas Hood.
(1799–1845). |
Ode to the Moon |
Fair Ines |
Time of Roses |
The Death-bed |
Ruth |
The Bridge of Sighs |
The Song of the Shirt |
Thomas Babington, Lord Macaulay.
(1800–1859). |
A Jacobite’s Epitaph |
Sir Henry Taylor.
(1800–1886). |
Elena’s Song |
Song: ‘The bee to the heather’ |
Women Singing |
Caroline Clive.
(1801–1873). |
Conflict |
William Barnes.
(1801–1886). |
Woodlands |
The Oak-tree |
The Old House |
The Turnstile |
The Wife A-lost |
Evening, and Maidens |
The Head-stone |
John Henry Newman.
(1801–1890). |
Rest |
Chorus of the Elements |
Winthrop Mackworth Praed.
(1802–1839). |
The Vicar |
Mater Desiderata |
Sara Coleridge.
(1802–1852). |
The Mother |
Song: ‘He came unlook’d for, undesir’d’ |
Gerald Griffin.
(1803–1840). |
Eileen Aroon |
James Clarence Mangan.
(1803–1849). |
Dark Rosaleen |
The Fair Hills of Eiré, O |
The Karamanian Exile |
The Three Khalandeers |
Gone in the Wind |
To Amine |
Advice against Travel |
The World: A Ghazel |
The Nameless One |
Thomas Lovell Beddoes.
(1803–1849). |
Mariners’ Song |
Dirge |
Dream-Pedlary |
Bridal Song to Amala |
Wolfram’s Song |
Lord Edward Bulwer-Lytton.
(1803–1873). |
Absent Yet Present |
Nydia’s Song |
Charles Swain.
(1801–1874). |
The Field-path |
Ralph Waldo Emerson.
(1803–1882). |
Wood-notes |
Fore-runners |
Days |
Give All to Love |
Brahma |
Richard Henry Hengist Horne.
(1802–1884). |
The Plough |
Solitude and the Lily |
Charles Whitehead.
(1804–1862). |
The Lamp |
Robert Stephen Hawker.
(1803–1875). |
The First Fathers |
The Song of the Western Men |
Death Song |
King Arthur’s Waes-hael |
Lord Beaconsfield.
(1804–1881). |
Wellington |
Edward Walsh.
(1805–1850). |
Lament |
Francis Sylvester Mahony (Father Prout).
(1804–1866). |
The Bells of Shandon |
Thomas Wade.
(1805–1875). |
The True Martyr |
Elizabeth Barrett Browning.
(1806–1861). |
Farewells from Paradise |
Cowper’s Grave |
Praise of Earth |
Confessions |
The Mask |
Grief |
Mystery |
A Musical Instrument |
Sonnets from the Portuguese |
I. ‘Unlike are we, unlike, O princely Heart!’ |
II. ‘What can I give thee back, O liberal’ |
III. ‘Go from me. Yet I feel that I shall stand’ |
IV. ‘If thou must love me, let it be for naught’ |
V. ‘When our two souls stand up erect and strong’ |
Inclusions |
My Kate |
The Best |
The North and the South |
Nathaniel Parker Willis.
(1806–1867). |
Two Women |
Henry Wadsworth Longfellow.
(1807–1882). |
The Slave’s Dream |
To an Old Danish Song-book |
The Galley of Count Arnaldos |
Simon Danz |
The Flight into Egypt |
Autumn |
Chaucer |
Richard Chenevix Trench.
(1807–1886). |
I. Retirement |
II. Gibraltar |
John Greenleaf Whittier.
(1807–1892). |
Memories |
My Playmate |
The Henchman |
Song of Slaves in the Desert |
The Barefoot Boy |
The Friend’s Burial |
All’s Well |
In Memory of James T. Fields |
Frederick Tennyson.
(1807–1898). |
Harvest Home |
The Holy Tide |
Helen Selina, Lady Dufferin Sheridan.
(1807–1867). |
Lament of the Irish Emigrant |
Caroline Elizabeth Sarah (Sheridan) Norton.
(1808–1877). |
Love Not |
Charles Tennyson Turner.
(1808–1879). |
The Lattice at Sunrise |
Letty’s Globe |
Edgar Allan Poe.
(1809–1849). |
To Helen |
Annabel Lee |
For Annie |
The Sleeper |
To One in Paradise |
The Haunted Palace |
Edward Fitzgerald.
(1809–1883). |
Old Song: ‘’Tis a dull sight’ |
The Three Arrows |
From Omar Khayyám |
Richard Monckton Milnes, Lord Houghton.
(1809–1885). |
The Men of Old |
Alfred, Lord Tennyson.
(1809–1892). |
The Lady of Shalott |
Mariana |
Sir Galahad |
The Miller’s Daughter |
Edward Gray |
St. Agnes’ Eve |
Songs from ‘The Princess’, I |
Songs from ‘The Princess’, II |
Songs from ‘The Princess’, III |
Songs from ‘The Princess’, IV |
Songs from ‘The Princess’, V |
Come down, O Maid |
Ode on the Death of the Duke of Wellington |
Three Songs from ‘Maud’, I |
Three Songs from ‘Maud’, II |
Three Songs from ‘Maud’, III |
The Daisy |
In the Valley of Cauteretz |
In the Garden at Swainston |
Crossing the Bar |
Frances Anne Kemble.
(1809–1893). |
Dream Land |
Faith |
Oliver Wendell Holmes.
(1809–1894). |
The Last Leaf |
The Chambered Nautilus |
John Stuart Blackie.
(1809–1895). |
My Loves |
Sir Samuel Ferguson.
(1810–1886). |
Cean Dubh Deelish |
The Fair Hills of Ireland |
Cashel of Munster |
The Welshmen of Tirawley |
Sir Francis Hastings Doyle.
(1810–1888). |
The Private of the Buffs |
The Epicurean |
William Makepeace Thackeray.
(1811–1863). |
The Ballad of Bouillabaisse |
The King on the Tower |
Henry Ellison.
(1811–1880). |
Fall of the Year |
Alfred Domett.
(1811–1887). |
A Maori Girl’s Song |
A Christmas Hymn, 1837 |
Robert Browning.
(1812–1889). |
The Wanderers |
Pippa’s Song |
Misconceptions |
The Laboratory |
Love among the Ruins |
Love in a Life |
Life in a Love |
In a Gondola |
Parting at Morning |
The Lost Mistress |
The Last Ride together |
Lyric Love |
Home-thoughts, from Abroad |
Home-thoughts, from the Sea |
Johannes Agricola in Meditation |
The Ancient Doctrine |
Rabbi Ben Ezra |
Prospice |
Epilogue |
William Bell Scott.
(1811–1890). |
The Witch’s Ballad |
William James Linton.
(1812–1897). |
Faint Heart |
William Edmondstoune Aytoun.
(1813–1865). |
Hermotimus |
Thomas Osborne Davis.
(1814–1845). |
O, the Marriage! |
Aubrey Thomas de Vere.
(1814–1902). |
Song: ‘Seek not the tree of silkiest bark’ |
The Sun-God |
Epitaph |
Frederick William Faber.
(1814–1863). |
The World Morose |
Thomas Westwood.
(1814–1888). |
Night of Spring |
Charles Mackay.
(1814–1889). |
The Holly Bough |
John Campbell Shairp.
(1819–1885). |
The Bush aboon Traquair |
Philip James Bailey.
(1816–1902). |
My Lady |
Henry David Thoreau.
(1817–1862). |
The Great Adventure |
Love |
Denis Florence Mac Carthy.
(1817–1882). |
Lament |
Wathen Marks Wilks Call.
(1817–1890). |
Hymn: ‘When by the marbled lake I lie and listen’ |
The People’s Petition |
Renunciation |
John Mason Neale.
(1818–1866). |
Jerusalem |
Thomas Toke Lynch.
(1818–1871). |
Reinforcements |
Emily Brontë.
(1818–1848). |
Stanzas: ‘Often rebuked, yet always back returning’ |
The Old Stoic |
The Prisoner |
My Lady’s Grave |
Warning and Reply |
Last Lines |
Ernest Charles Jones.
(1819–1869). |
The Song of the Lower Classes |
Arthur Hugh Clough.
(1819–1861). |
Qua cursum ventus |
Where Lies the Land? |
Isolation |
The Latest Decalogue |
Say Not the Struggle Naught Availeth |
Charles Kingsley.
(1819–1875). |
Hey, Nonny! |
The Old Song |
Julia Ward Howe.
(1819–1910). |
Battle Hymn of the American Republic |
George Eliot (Mary Ann Cross).
(1819–1880). |
The Choir Invisible |
James Russell Lowell.
(1819–1891). |
The Courtin’ |
Auspex |
Walt Whitman.
(1819–1892). |
The Beasts |
On the Beach at Night |
The Brown Bird |
Charles Dent Bell.
(1818–1898). |
Solemn Rondeau |
John Ruskin.
(1819–1900). |
Trust Thou Thy Love |
Ebenezer Jones.
(1820–1860). |
When the World Is Burning |
The Hand |
Menella Bute Smedley.
(1820–1877). |
Wind Me a Summer Crown |
Frederick Locker-Lampson.
(1821–1895). |
To My Grandmother |
At Her Window |
Anonymous. |
Epitaph of Dionysia |
Dora Greenwell.
(1821–1882). |
The Battle-flag of Sigurd |
The Man with Three Friends |
William Benjamin Philpot.
(1823–1889). |
Maritae Suae |
Matthew Arnold.
(1822–1888). |
The Forsaken Merman |
The Song of Callicles |
Cadmus and Harmonia |
Dover Beach |
Isolation |
Requiescat |
The Scholar-Gipsy |
Thyrsis |
Austerity of Poetry |
Shakespeare |
From the Hymn of Empedocles |
The Last Word |
William Caldwell Roscoe.
(1823–1859). |
Parting |
Spiritual Love |
The Poetic Land |
William Brighty Rands.
(1823–1882). |
Praise and Love |
The World: A Child’s Song |
The Thought |
The Flowers |
George Henry Boker.
(1823–1890). |
Dirge for a Soldier |
William Johnson Cory.
(1823–1892). |
An Invocation |
Anterôs |
Heraclitus |
Remember |
Coventry Patmore.
(1823–1896). |
Woman |
Thoughts |
The Kiss |
Departure |
The Toys |
A Farewell |
Magna Est Veritas |
The First Spousal |
Auras of Delight |
Sydney Dobell.
(1824–1874). |
The Ballad of Keith of Ravelston |
Isabel |
Return! |
An Even-song |
Eden-gate |
Sonnets. America |
William Allingham.
(1824–1889). |
The Fairies |
The Lover and Birds |
A Memory |
George MacDonald.
(1824–1905). |
That Holy Thing |
Dorcas |
Mammon Marriage |
Sonnet: ‘This infant world has taken long to make’ |
Song: ‘Why do the houses stand’ |
Walter Chalmers Smith.
(1824–1908). |
Glenaradale |
William Alexander, Archbishop of Armagh.
(1824–1911). |
From ‘A Vision of Oxford’ |
The Birthday Crown |
Adelaide Anne Procter.
(1825–1864). |
The Warrior to His Dead Bride |
Thomas Woolner.
(1825–1892). |
My Beautiful Lady |
Francis Turner Palgrave.
(1824–1897). |
Eutopia |
Richard Doddridge Blackmore.
(1825–1900). |
Dominus Illuminatio Mea |
Dinah Maria Mulock Craik.
(1826–1887). |
Douglas |
Mortimer Collins.
(1827–1876). |
Queen and Slave |
Robert Barnabas Brough.
(1828–1860). |
An Early Christian |
George Walter Thornbury.
(1828–1876). |
The Court Historian |
Dante Gabriel Rossetti.
(1828–1882). |
The Blessèd Damozel |
Soul’s Beauty |
Love Sight |
The Choice |
Gerald Massey.
(1828–1907). |
Young Love |
George Meredith.
(1828–1909). |
Love in the Valley |
Phoebus with Admetus |
Melampus |
Lucifer in Starlight |
Dirge in Woods |
Alexander Smith.
(1830–1867). |
Scorned |
Barbara |
Henry Kingsley.
(1830–1876). |
Magdalen |
Emily Dickinson.
(1830–1886). |
Parting |
Christina Georgina Rossetti.
(1830–1894). |
Bride Song |
A Birthday |
Song: ‘When I am dead, my dearest’ |
Twice |
Italia, Io Ti Saluto! |
Uphill |
Remember |
Aloof |
Rest |
Bride Song |
A Prayer |
Passing Away |
Marvel of Marvels |
Wisdom |
Last Prayer |
Jean Ingelow.
(1820–1897). |
The High Tide on the Coast of Lincolnshire, 1571 |
Apprenticed |
For Exmoor |
Thomas Edward Brown.
(1830–1897). |
Opifex |
Catherine Kinrade |
The Organist in Heaven |
Salve! |
My Garden |
Preparation |
When Love Meets Love |
E. Robert Bulwer, Lord Lytton (Owen Meredith).
(1831–1891). |
The Chess-board |
Tempora Acta |
The Last Wish |
Joseph Skipsey.
(1832–1903). |
The Violet and the Rose |
A Merry Bee |
Dewdrop, Wind and Sun |
Mother Wept |
Sir Edwin Arnold.
(1832–1904). |
To a Pair of Egyptian Slippers |
Adam Lindsay Gordon.
(1833–1870). |
Whisperings in Wattle-boughs |
The Sick Stockrider |
After the Quarrel |
Robert Francis St. Clair-Erskine, Earl of Rosslyn.
(1833–1890). |
Bed-time |
John Nicol.
(1833–1894). |
Good Night |
Richard Watson Dixon.
(1833–1900). |
Song: ‘The feathers of the willow’ |
Humanity |
Sir Lewis Morris.
(1833–1907). |
Tolerance |
A Separation Deed |
On a Thrush Singing in Autumn |
Song: ‘Love took my life and thrill’d it’ |
James Thomson.
(1834–1882). |
Gifts |
The Bridge |
Songs |
I. ‘Like violets pale i’ the Spring o’ the year’ |
II. ‘My love is the flaming Sword’ |
III. ‘Let my voice ring out and over the earth’ |
The Vine |
Midsummer Courtship |
Art |
In the Room |
William Blake |
Roden Berkeley Wriothesley Noel.
(1834–1894). |
A Lady to a Lover |
The Swimmer |
The Water-Nymph and the Boy |
Vale! |
The Old |
George du Maurier.
(1834–1896). |
Music |
William Morris.
(1834–1896). |
Shameful Death |
The Sailing of the Sword |
The Eve of Crecy |
The Judgement of God |
Summer Dawn |
Love Is Enough |
Inscription for an Old Bed |
The Message of the March Wind |
Lord de Tabley (John Byrne Leicester Warren).
(1835–1895). |
Nuptial Song |
Ode: ‘Sire of the rising day’ |
Chorus from ‘Medea’ |
Fortune’s Wheel |
The Two Old Kings |
Richard Garnett.
(1835–1906). |
Fading-leaf and Fallen-leaf |
The Fair Circassian |
Epigram: ‘Amid all Triads let it be confest’ |
Nocturne |
Sonnet—Age |
Sir Alfred Comyn Lyall.
(1835–1911). |
Studies at Delhi |
Alfred Austin.
(1835–1913). |
Primroses |
The Lover’s Song |
Love’s Trinity |
Thomas Ashe.
(1836–1889). |
Meet We No Angels, Pansie? |
The City Clerk |
A Machine Hand |
Thomas Bailey Aldrich.
(1836–1907). |
Prescience |
Theodore Watts-Dunton.
(1832–1914). |
Coleridge |
Mother Carey’s Chicken |
Algernon Charles Swinburne.
(1837–1909). |
Chorus from ‘Atalanta’ |
The Death of Meleager |
Hymn to Proserpine |
A Match |
A Leave-taking |
Before the Mirror |
Hesperia |
A Forsaken Garden |
To Victor Hugo |
Super Flumina Babylonis |
A Jacobite’s Exile |
Child’s Song |
William Dean Howells.
(1837–1920). |
Earliest Spring |
David Gray.
(1838–1861). |
My Epitaph |
Douglas Ainslie.
(b. 1838). |
Two Songs from the Sanskrit |
I. Apprehension |
II. The Archer |
Bret Harte.
(1836–1902). |
What the Bullet Sang |
Herman Charles Merivale.
(1839–1906). |
Aetate XIX |
John Todhunter.
(1839–1916). |
Song: ‘Bring from the craggy haunts of birch and pine’ |
The Black Knight |
Maureen |
Aghadoe |
John Addington Symonds.
(1840–1893). |
Le Jeune Homme Caressant Sa Chimère |
[Koina ta ton philon] |
Farewell |
Augusta Webster.
(1837–1894). |
Seeds |
Thomas Hardy.
(1840–1928). |
The Darkling Thrush |
She, to Him |
‘I need not go’ |
Friends Beyond |
Wilfred Scawen Blunt.
(1840–1922). |
Song: ‘O fly not, Pleasure, pleasant-hearted Pleasure’ |
The Desolate City |
With Esther |
To Manon, Comparing Her to a Falcon |
St. Valentine’s Day |
Gibraltar |
Written at Florence |
The Old Squire |
Henry Austin Dobson.
(1840–1921). |
A Garden Song |
A Fancy from Fontenelle |
‘Good Night, Babette!’ |
A Ballad to Queen Elizabeth |
On a Fan That Belonged to the Marquise de Pompadour |
In After Days |
William Cosmo Monkhouse.
(1840–1901). |
In Arcady |
From ‘A Dead March’ |
The Night Express |
Sarah Williams.
(1837–1868). |
Youth and Maidenhood |
Henry Kendall.
(1839–1882). |
September in Australia |
Mooni |
Mathilde Blind.
(1841–1896). |
Hymn to Horus |
Dare Quam Accipere |
The Dead |
Robert Buchanan.
(1841–1901). |
The Faëry Reaper |
The Pilgrim and the Herdboy |
Judas Iscariot |
John Payne.
(b. 1841). |
Rococo |
Of Three Damsels in a Meadow |
Arthur Gray Butler.
(1831–1909). |
Edith and Harold |
Two Long Vacations: Grasmere |
George Hookham.
(b. 1842). |
Chamonix |
Frederic William Henry Myers.
(1843–1901). |
From ‘Teneriffe’ |
Evanescence |
Mary M. Singleton (‘Violet Fane’).
(1843–1905). |
A May Song |
Afterwards |
Edward Dowden.
(1843–1913). |
Renunciants |
In the Cathedral Close |
Arthur William Edgar O’Shaughnessy.
(1844–1881). |
Ode |
Song: ‘I made another garden, yea’ |
The Fountain of Tears |
Doom |
Gerard Manley Hopkins.
(1844–1889). |
The Starlight Night |
John Boyle O’Reilly.
(1844–1890). |
A White Rose |
Experience |
Andrew Lang.
(1844–1912). |
Heliodore |
The Odyssey |
Almae Matres |
Twilight on Tweed |
Ernest Myers.
(1844–1921). |
Fiorentina |
Achilles |
Robert Bridges.
(1844–1930). |
‘Awake, my heart, to be loved’ |
Spirits |
A Passer-by |
Elegy: On a Lady, Whom Grief for the Death of Her Betrothed Killed |
Pater Filio |
Weep Not To-day |
Founder’s Day |
Nightingales |
Samuel Waddington.
(1844–1923). |
The Inn of Care |
Morning |
Soul and Body |
Emily Henrietta Hickey.
(1845–1924). |
Song: ‘Belovèd, it is morn!’ |
Walter Crane.
(1845–1915). |
A Seat for Three: Written on a Settle |
Eugene Lee-Hamilton.
(1845–1907). |
Song: ‘Under the Winter, dear’ |
Fairy Godmothers |
Lost Years |
To My Tortoise [Anagki] |
Elfin Skates |
The Death of Puck |
Idle Charon |
What the Sonnet Is |
Wood-Song |
Emily Lawless.
(1845–1913). |
Dirge of the Munster Forest. 1581 |
James Logie Robertson (‘Hugh Haliburton’).
(1846–1922). |
Spring on the Ochils |
George Barlow.
(1847–1914?). |
The Soul |
Spiritual Passion |
The Dead Child |
William Ernest Henley.
(1849–1903). |
Collige Rosas |
On the Way to Kew |
Invictus |
England, My England |
Margaritae Sorori |
Edmund Gosse.
(1849–1928). |
Lying in the Grass |
The Charcoal-Burner |
Revelation |
Epithalamium |
Philip Bourke Marston.
(1850–1887). |
The Rose and the Wind |
The Old Churchyard at Bonchurch |
Robert Louis Stevenson.
(1850–1894). |
Romance |
Alcaics: To H. F. B. |
In the Highlands |
Christmas at Sea |
Wishes |
Requiem |
Bertram Dobell.
(1842–1914). |
Microcosm |
Hardwicke Drummond Rawnsley.
(1851–1920). |
The Old Parish Church, Whitby |
Walter Herries Pollock.
(1850–1926). |
A Conquest |
Théophile Marzials.
(1850–1920). |
Song: ‘There ’s one great bunch of stars in heaven’ |
Francis William Bourdillon.
(1852–1921). |
A Violinist |
The Night Has a Thousand Eyes |
Francis Burdett Money-Coutts.
(1852–1923). |
The Dream |
From ‘A Little Sequence’ |
Any Father to Any Son |
Empires |
Mors, Morituri Te Salutamus |
Two Epitaphs |
Thomas Herbert Warren.
(1853–1930). |
May-day on Magdalen Tower |
Lines for a Sundial |
Annie Matheson.
(1853–1924). |
A Song of Handicrafts |
Love’s Cosmopolitan |
William James Dawson.
(1854–1928). |
Deliverance |
Oliver Madox Brown.
(1855–1874). |
Laura’s Song |
Fanny Parnell.
(1848–1882). |
After Death |
Edward Cracroft Lefroy.
(1855–1891). |
Echoes from Theocritus |
I. Summer Day in Old Sicily |
II. Ageanax |
III. The Flute of Daphnis |
IV. The Epitaph of Eusthenes |
A Cricket Bowler |
On a Spring-board |
Oscar Wilde.
(1856–1900). |
Requiescat |
Fiona MacLeod (William Sharp).
(1855–1905). |
On a Nightingale in April |
Shule, Agrah! |
Douglas Brook Wheelton Sladen.
(1856–1947). |
Under the Wattle |
Margaret L. Woods.
(1856–1945). |
March Thoughts from England |
The Mariners |
Genius Loci |
John Davidson.
(1857–1909). |
Song: ‘The boat is chafing at our long delay’ |
Holiday |
The Merchantman |
In Romney Marsh |
A Runnable Stag |
T. W. Rolleston.
(1857–1920). |
The Dead at Clonmacnois |
Agnes Mary Frances Duclaux (Robinson-Darmesteter).
(1857–1944). |
Le Roi est Mort |
Cockayne Country |
Celia’s Home-coming |
Retrospect |
May Probyn.
(1856–1909). |
‘Is It Nothing to You’ |
Christmas Carol |
William Watson.
(1858–1935). |
Song: ‘April, April’ |
Ode in May |
Autumn |
Vita Nuova |
The Great Misgiving |
Robert Offley Ashburton Crewe-Milnes, Marquess of Crewe.
(1858–1945). |
Seven Years |
Sir James Rennell Rodd.
(1858–1941). |
A Roman Mirror |
Francis Thompson.
(1859–1907). |
Daisy |
The Mistress of Vision |
From the Night of Forebeing |
‘Ex Ore Infantium’ |
Henry Charles Beeching.
(1859–1919). |
Prayers |
Going down Hill on a Bicycle |
The Blackbird |
Accidia |
Knowledge after Death |
Ernest Rhys.
(1859–1946). |
Diana |
An Autobiography |
Amy Levy.
(1861–1889). |
A London Plane-tree |
New Love, New Life |
London Poets |
Mary Elizabeth Coleridge.
(1861–1907). |
Blue and White |
Our Lady |
A Huguenot |
Punctilio |
Unwelcome |
Mortal Combat |
Gone |
The King |
Bliss Carman.
(1861–1929). |
The Joys of the Road |
In the House of Idiedaily |
A Northern Vigil |
Why |
Douglas Hyde.
(1860–1949). |
My Grief on the Sea |
The Cooleen |
Maurice Hewlett.
(1861–1923). |
Rosa Nascosa |
Katharine Tynan Hinkson.
(1861–1931). |
Of an Orchard |
Sheep and Lambs |
A Prayer |
Matilda Betham-Edwards.
(1836–1919). |
A Valentine |
The Pansy and the Prayer-book |
Louise Imogen Guiney.
(1861–1920). |
In Leinster |
Carol |
Tryste Noel |
Alice Meynell.
(1847–1922). |
The Shepherdess |
Renouncement |
The Two Poets |
At Night |
Sir Henry John Newbolt.
(1862–1938). |
Drake’s Drum |
He fell among Thieves |
Commemoration |
Clifton Chapel |
Arthur Christopher Benson.
(1862–1925). |
Prelude |
Lord Vyet |
The Phoenix |
Amen |
Norman Gale.
(1862–1942). |
The Country Faith |
The Shaded Pool |
Eden Phillpotts.
(1862–1960). |
Man’s Days |
Sir Gilbert Parker.
(1862–1932). |
Reunited |
Rosamund Marriott Watson.
(1860–1911). |
A South Coast Idyll |
The Farm on the Links |
The Last Fairy |
Sir Arthur Thomas Quiller-Couch.
(1863–1944). |
Upon New Year’s Eve |
Upon Eckington Bridge, River Avon |
Alma Mater |
Stephen Phillips.
(1868–1915). |
The Apparition |
Neil Munro.
(18648–1930). |
The Heather |
Herbert Trench.
(1865–1923). |
A Charge |
‘Come, let us make Love deathless’ |
‘She comes not when Noon is on the Roses’ |
William Butler Yeats.
(1865–1939). |
Where My Books Go |
The Rose of the World |
The Rose of Peace |
Aedh Wishes for the Cloths of Heaven |
Down by the Salley Gardens |
The Cap and Bells |
The Fiddler of Dooney |
When You Are Old |
The Lake Isle of Innisfree |
Rudyard Kipling.
(1865–1936). |
A Dedication |
The Last Chantey |
The Flowers |
The Way through the Woods |
L’Envoi |
Recessional |
Arthur Symons.
(1865–1945). |
Rain on the Down |
Emmy |
The Shadow |
Credo |
Richard Le Gallienne.
(1866–1947). |
Song: ‘She ’s somewhere in the sunlight strong’ |
All Sung |
The Second Crucifixion |
Ernest Dowson.
(1867–1900). |
Non Sum Qualis Eram Bonae Sub Regno Cynarae |
Lionel Johnson.
(1867–1902). |
Winchester |
Oxford |
By the Statue of King Charles at Charing Cross |
Cadgwith |
‘A. E.’ (George William Russell).
(1867–1935). |
The Man to the Angel |
By the Margin of the Great Deep |
A Farewell |
A Memory of Earth |
Laurence Housman.
(1865–1959). |
The Settlers |
Dora Sigerson Shorter.
(1866–1918). |
Ireland |
A Bird from the West |
The Gypsies’ Road |
Moira O’Neill.
(1864–1955). |
A Broken Song |
The Fairy Lough |
Henry Dawson Lowry.
(1869–1906). |
Holiday |
Jane Barlow.
(1857–1917). |
Christmas Rede |
Laurence Binyon.
(1869–1943). |
Invocation to Youth |
The Little Dancers: A London Vision |
The Statues |
Amasis |
Day’s End |
T. Sturge Moore.
(1870–1944). |
Sent from Egypt with a Fair Robe of Tissue to a Sicilian Vinedresser |
A Duet |
Arthur Shearly Cripps.
(1869–1952). |
‘Les Belles Roses Sans Mercie’ |
Hilaire Belloc.
(1870–1953). |
The South Country |
Song, Inviting the Influence of a Young Lady upon the Opening Year |
The Night |
Alfred Douglas.
(1870–1945). |
Impression de Nuit: London |
To Olive |
The Green River |
Percy Addleshaw (‘Hemingway’).
(1866–1916). |
The Happy Wanderer |
John Millington Synge.
(1871–1909). |
On an Island |
A Question |
John Swinnerton Phillimore.
(1873–1926). |
In a Meadow |
Walter de la Mare.
(1873–1956). |
An Epitaph |
The Listeners |
Harold Monro.
(1879–1932). |
The Wind |
At a Country Dance in Provence |
Alfred Noyes.
(1880–1958). |
The World’s May-Queen |
Our Lady of the Sea |
A Japanese Love-song |
On the Death of Francis Thompson |
Creation |
Rachel Annand Taylor.
(1876–1960). |
The Knights to Chrysola |
The Joys of Art |
Henry Cust.
(1861–1917). |
Non Nobis |
Charles Granville. |
Traveller’s Hope |
M. Compton Mackenzie.
(1883–1972). |
A Song of Parting |
The Lilies of the Field |
Frances Cornford.
(1886–1960). |
Autumn Morning at Cambridge |
Edward William Thomson.
(1849–1924). |
Aspiration |
James Stephens.
(1882–1950). |
The Red-haired Man’s Wife |
Hate |
The Watcher |
Richard Middleton.
(1882–1911). |
Pagan Epitaph |
Any Lover, Any Lass |
On a Dead Child |
John Masefield.
(1878–1967). |
Cargoes |
Sea Fever |
To His Mother, C. L. M. |
Wilfrid Thorley.
(1878–1963). |
Buttercups |
Chant for Reapers |
James Elroy Flecker.
(1884–1915). |
Rioupéroux |
War Song of the Saracens |
Sidney Royse Lysaght.
(1860–1941). |
First Pathways |
Rupert Brooke.
(1887–1915). |
Dust |
The One Before the Last |
Second Best |
Maurice Baring.
(1874–1945). |
[Deirioessa Kadyx] |
William H. Davies.
(1871–1940). |
Songs of Joy |
Truly Great |
Money |
In May |
Leisure |
The Elements |
Wilfrid Wilson Gibson.
(1878–1962). |
Song: ‘If once I could gather in song’ |
Flannan Isle |
Alice Furlong.
(1866–1946). |
My Share of the World |
Michael Field (Katherine Harris Bradley).
(1846–1914). |
The Woods Are Still |
Renewal |
James Joyce.
(1882–1941). |
Song: ‘O, it was out by Donnycarney’ |
Ezra Pound.
(1885–1972). |
Portrait |
Ballad for Gloom |
Gordon Bottomley.
(1874–1948). |
To Iron-Founders and Others |
Lady Margaret Sackville.
(1881–1963). |
The Apple |
Elinor Sweetman. |
The Orchard by the Shore: A Pastoral |
George Santayana.
(1863–1952). |
The Rustic at the Play |
Ernest Radford.
(1857–1919). |
Quiet |
John Drinkwater.
(1882–1937). |
A Prayer |
Lascelles Abercrombie.
(1881–1938). |
Hymn to Love |
Epilogue |
Ceremonial Ode Intended for a University |