Fuess and Stearns, comps. The Little Book of Society Verse. 1922.
By. Francis Bret HarteDolly Varden
D
The thrilling page that pictured all
Those charms that held our sense in thrall,
Just as the artist caught her—
As down that English lane she tripped,
In bowered chintz, hat sideways tipped,
Trim-bodiced, bright-eyed, roguish-lipped,
The locksmith’s pretty daughter.
O simple faith! O rustic heart!
O maid that hath no counterpart
In life’s dry, dog-eared pages!
Where shall we find thy like? Ah, stay!
Methinks I saw her yesterday
In chintz that flowered, as one might say,
Perennial for ages.
Five stories high; in style and tone
Composite, and, I frankly own,
Within its walls revealing
Some certain novel, strange ideas;
A Gothic door with Roman piers,
And floors removed some thousand years
From their Pompeiian ceiling.
Was Louis Quatorze, and relieved
By Chinese cabinets, conceived
Grotesquely by the heathen;
The sofas were a classic sight—
The Roman bench (sedilia hight);
The chairs were French in gold and white,
And one Elizabethan.
Two ringed fingers placed in mine—
The stones were many carats fine,
And of the purest water—
Then dropped a curtsey, far enough
To fairly fill her cretonne puff
And show the petticoat’s rich stuff
That her fond parent bought her.
Not French the more, but English less,
She loved; yet sometimes, I confess,
I scarce could comprehend her.
Her manners were quite far from shy:
There was a quiet in her eye
Appalling to the Hugh who’d try
With rudeness to offend her.
Some figure for this night’s charade—
A Watteau shepherdess or maid?”
She smiled and begged my pardon:
Why surely you must know the name—
That woman who was Shakespeare’s flame
Or Byron’s—well, it’s all the same:
Why, Lord! I’m Dolly Varden!”