Francis T. Palgrave, ed. (1824–1897). The Golden Treasury. 1875.
John Milton CXIII. Il PenserosoH
The brood of Folly without father bred!
How little you bestead
Or fill the fixèd mind with all your toys!
Dwell in some idle brain,
And fancies fond with gaudy shapes possess
As thick and numberless
As the gay motes that people the sunbeams,
Or likest hovering dreams,
The fickle pensioners of Morpheus’ train.
Hail, divinest Melancholy!
Whose saintly visage is too bright
To hit the sense of human sight,
And therefore to our weaker view
O’erlaid with black, staid Wisdom’s hue;
Black, but such as in esteem
Prince Memnon’s sister might beseem,
Or that starr’d Ethiop queen that strove
To set her beauty’s praise above
The sea-nymphs, and their powers offended:
Yet thou art higher far descended:
Thee bright-hair’d Vesta, long of yore,
To solitary Saturn bore;
His daughter she; in Saturn’s reign
Such mixture was not held a stain:
Oft in glimmering bowers and glades
He met her, and in secret shades
Of woody Ida’s inmost grove,
While yet there was no fear of Jove.
Sober, steadfast, and demure,
All in a robe of darkest grain
Flowing with majestic train,
And sable stole of cypres lawn
Over thy decent shoulders drawn:
Come, but keep thy wonted state,
With even step, and musing gait,
And looks commércing with the skies,
Thy rapt soul sitting in thine eyes:
There, held in holy passion still,
Forget thyself to marble, till
With a sad leaden downward cast
Thou fix them on the earth as fast:
And join with thee calm Peace, and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring
Aye round about Jove’s altar sing:
And add to these retirèd Leisure
That in trim gardens takes his pleasure:—
But first and chiefest, with thee bring
Him that yon soars on golden wing
Guiding the fiery-wheelèd throne,
The cherub Contemplatiòn;
And the mute Silence hist along,
’Less Philomel will deign a song
In her sweetest saddest plight
Smoothing the rugged brow of Night,
While Cynthia checks her dragon yoke
Gently o’er the accustom’d oak.
—Sweet bird, that shunn’st the noise of folly,
Most musical, most melancholy!
Thee, chauntress, oft, the woods among
I woo, to hear thy even-song;
And missing thee, I walk unseen
On the dry smooth-shaven green,
To behold the wandering Moon
Riding near her highest noon,
Like one that had been led astray
Through the heaven’s wide pathless way,
And oft, as if her head she bow’d,
Stooping through a fleecy cloud.
I hear the far-off curfeu sound
Over some wide-water’d shore,
Swinging slow with sullen roar:
Or, if the air will not permit,
Some still removèd place will fit,
Where glowing embers through the room
Teach light to counterfeit a gloom;
Far from all resort of mirth,
Save the cricket on the hearth,
Or the bellman’s drowsy charm
To bless the doors from nightly harm.
Be seen in some high lonely tower,
Where I may oft out-watch the Bear
With thrice-great Hermes, or unsphere
The spirit of Plato, to unfold
What worlds or what vast regions hold
The immortal mind, that hath forsook
Her mansion in this fleshly nook:
And of those demons that are found
In fire, air, flood, or underground,
Whose power hath a true consent
With planet, or with element.
Sometime let gorgeous Tragedy
In sceptr’d pall come sweeping by,
Presenting Thebes, or Pelops’ line,
Or the tale of Troy divine;
Or what (though rare) of later age
Ennobled hath the buskin’d stage.
Might raise Musæus from his bower,
Or bid the soul of Orpheus sing
Such notes as, warbled to the string,
Drew iron tears down Pluto’s cheek
And made Hell grant what Love did seek!
Or call up him that left half-told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canacé to wife
That own’d the virtuous ring and glass;
And of the wondrous horse of brass
On which the Tartar king did ride:
And if aught else great bards beside
In sage and solemn tunes have sung
Of turneys, and of trophies hung,
Of forests, and enchantments drear,
Where more is meant than meets the ear.
Till civil-suited Morn appear,
Not trick’d and frounc’d as she was wont
With the Attic Boy to hunt,
But kercheft in a comely cloud
While rocking winds are piping loud.
Or usher’d with a shower still,
When the gust hath blown his fill,
Ending on the rustling leaves
With minute drops from off the eaves.
And when the sun begins to fling
His flaring beams, me, goddess, bring
To archèd walks of twilight groves,
And shadows brown, that Sylvan loves,
Of pine, or monumental oak,
Where the rude axe, with heavèd stroke,
Was never heard the nymphs to daunt
Or fright them from their hallow’d haunt.
There in close covert by some brook
Where no profaner eye may look,
Hide me from day’s garish eye,
While the bee with honey’d thigh
That at her flowery work doth sing,
And the waters murmuring,
With such consort as they keep
Entice the dewy-feather’d Sleep;
And let some strange mysterious dream
Wave at his wings in airy stream
Of lively portraiture display’d,
Softly on my eyelids laid:
And, as I wake, sweet music breathe
Above, about, or underneath,
Sent by some Spirit to mortals good,
Or the unseen Genius of the wood.
But let my due feet never fail
To walk the studious cloister’s pale,
And love the high-embowèd roof,
With antique pillars massy proof,
And storied windows richly dight
Casting a dim religious light.
There let the pealing organ blow
To the full-voiced quire below
In service high and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heaven before mine eyes.
And may at last my weary age
Find out the peaceful hermitage,
The hairy gown and mossy cell
Where I may sit, and rightly spell
Of every star that heaven doth shew,
And every herb that sips the dew;
Till old experience do attain
To something like prophetic strain.
And I with thee will choose to live.