Sir James George Frazer (1854–1941). The Golden Bough. 1922.
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| time to a violent death, we can hardly doubt that in the King of the Saturnalia at Rome, as he is depicted by classical writers, we see only a feeble emasculated copy of that original, whose strong features have been fortunately preserved for us by the obscure author of the Martyrdom of St. Dasius. In other words, the martyrologist’s account of the Saturnalia agrees so closely with the accounts of similar rites elsewhere which could not possibly have been known to him, that the substantial accuracy of his description may be regarded as established; and further, since the custom of putting a mock king to death as a representative of a god cannot have grown out of a practice of appointing him to preside over a holiday revel, whereas the reverse may very well have happened, we are justified in assuming that in an earlier and more barbarous age it was the universal practice in ancient Italy, wherever the worship of Saturn prevailed, to choose a man who played the part and enjoyed all the traditionary privileges of Saturn for a season, and then died, whether by his own or another’s hand, whether by the knife or the fire or on the gallows-tree, in the character of the good god who gave his life for the world. In Rome itself and other great towns the growth of civilisation had probably mitigated this cruel custom long before the Augustan age, and transformed it into the innocent shape it wears in the writings of the few classical writers who bestow a passing notice on the holiday King of the Saturnalia. But in remoter districts the older and sterner practice may long have survived; and even if after the unification of Italy the barbarous usage was suppressed by the Roman government, the memory of it would be handed down by the peasants and would tend from time to time, as still happens with the lowest forms of superstition among ourselves, to lead to a recrudescence of the practice, especially among the rude soldiery on the outskirts of the empire over whom the once iron hand of Rome was beginning to relax its grasp. |
| The resemblance between the Saturnalia of ancient and the Carnival of modern Italy has often been remarked; but in the light of all the facts that have come before us, we may well ask whether the resemblance does not amount to identity. We have seen that in Italy, Spain, and France, that is, in the countries where the influence of Rome has been deepest and most lasting, a conspicuous feature of the Carnival is a burlesque figure personifying the festive season, which after a short career of glory and dissipation is publicly shot, burnt, or otherwise destroyed, to the feigned grief or genuine delight of the populace. If the view here suggested of the Carnival is correct, this grotesque personage is no other than a direct successor of the old King of the Saturnalia, the master of the revels, the real man who personated Saturn and, when the revels were over, suffered a real death in his assumed character. The King of the Bean on Twelfth Night and the mediaeval Bishop of Fools, Abbot of Unreason, or Lord of Misrule are figures of the same sort and may perhaps have had a similar origin. Whether that was so or not, we may conclude with a fair degree of probability that if the King of the Wood at Aricia lived and died as |