Thomas Humphry Ward, ed. The English Poets. 1880–1918.rnVol. I. Early Poetry: Chaucer to Donne
Elizabethan MiscellaniesCritical Introduction by Thomas Humphry Ward
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The following is a list of the printed Miscellanies which are known to exist:—
This, which is of course not strictly Elizabethan, contains the first edition of Surrey’s and Wyatt’s poems; poems by Nicholas Grimald, and about forty poems by uncertain authors, among whom are known to have been Thomas, Lord Vaux, Edward Somerset, and John Heywood.
In spite of its fantastic title the poems here contained are mostly didactic and religious. Among the writers may be named Richard Edwards (the M. or Mr. Edwards of the title-page), Lord Vaux, William Hunnis, and Jasper Heywood. The last-named contributes a poem, of too great length and too little strictly poetical merit to be here quoted, which reads like a curious anticipation of Polonius’ advice to Laertes.
An inferior collection.
The title-page says the poems are ‘newlly devised to the newest tunes,’ which suggests that many of these collections were primarily song-books.
Published supposititiously by one Richard Jones, and attributed to Nicholas Breton. It is really a Miscellany, and of the poems it contains only three or four are Breton’s.
Among the contributors are Edward Vere, Earl of Oxford, Sir W. Herbert, Lodge, Watson, and Peele.
The only known copy of this book has no title-page, but a sale catalogue of 1781, apparently describing a copy that cannot now be traced, quotes it as by Nicholas Breton. As such Mr. Grosart prints it in his collected edition of Breton’s works. But, as the printer’s prefatory letter declares, it is in fact a Miscellany, ‘being many mens work excellent poets.’ All the poems in the collection are anonymous; one of them is the lovely Lullaby we give later.
Contains writings of Shakespeare, Barnfield, Marlowe, Raleigh, and others.
This is the most celebrated and the richest of the whole class, and is in itself a compendium of all that is best or that at the time was famous among Elizabethan pastorals and love poems. Every living poet of eminence seems to have been drawn upon for a copy of verses, and much was added from the stores of those no longer living. Thus we have poems from Surrey, Spenser, Sidney, Lord Brooke, Greene, Lodge, Marlowe, and even from Shakespeare; from Watson, Drayton, Browne; and much of what has since been rightly and wrongly attributed to Raleigh appears here under the title Ignoto. Some of the most celebrated poems, such as Sidney’s ‘Love is dead,’ we give under their authors’ names; it is better in this place to quote only from those minor but still beautiful writers who are otherwise not represented in these volumes—such as Breton, the Shepherd Tonie (? Anthony Munday), and Bolton.
The editor of this most interesting miscellany was Francis Davison, who with his brother Walter contributed many poems. The list of other writers includes Sidney, Raleigh, Sir John Davies, Watson, Sylvester, Charles Best, and many more, the editor pretending, after the fashion of those times, to throw the responsibility of inserting the works of such ‘great and learned personages’ upon the too presumptuous printer. It is interesting to note that Davison, writing in 1602, contrasts the poetry of twenty years before with ‘the perfection which it has now attained’; a kind of boast which was commoner at the end of the seventeenth century than at the beginning. We may add that the ‘Rapsody’ passed through four editions in the reign of James I, and that in that of 1608 the poem of ‘The Lie,’ which we print under Raleigh’s name, first appeared.