Thomas Humphry Ward, ed. The English Poets. 1880–1918.rnVol. II. The Seventeenth Century: Ben Jonson to Dryden
Andrew Marvell (16211678)Critical Introduction by Goldwin Smith
[Born at Winestead near Hull, March 31, 1621; died in London, 1678. His poems were first collected by his widow, and published in a folio volume, 1681, but since that time about twenty-five new poems have been discovered. Mr. Grosart has published the complete works in the Fuller Worthies’ Library.]
Like Milton, Marvell was at Cambridge, and there, after making himself an excellent Latinist, he graduated, as Milton had before him, in rebellious Liberalism by a quarrel with the authorities of his college. During his student days he was nearly drawn into the toils of the Jesuits; but he broke loose with an energy of reaction which has left its trace in Fleckno, his earliest satire. He afterwards spent four years on the Continent, living for some time at Rome, where, like Milton, he steeped his mind in Latin literature and inflamed his hatred of the Papacy. In 1650 Marvell became tutor to Mary the daughter of Fairfax, the general of the Parliament, who had laid down his command and was spending his quiet days in literature, gardening and collecting books and medals at his manor house of Nun Appleton in Yorkshire. Here Marvell was in a special home of the Protestant chivalry of which Spenser was the poet. Spenser accordingly appears in his satires as the spokesman of English patriotism. The Hill and Grove at Billborow and Appleton House are memorials of the sojourn in the shades of Nun Appleton, and they bear no small resemblance to the compositions of Lord Fairfax. In 1657 Marvell was recommended to Bradshaw as Assistant Latin Secretary of the Council of State by Milton, who describes him in his letter as a man of singular descent, acquainted with the French, Italian, Spanish and Dutch languages, well read in the Greek and Latin authors, and one whom if he had any feeling of rivalry or jealousy he might hesitate to bring in as a coadjutor. Marvell did not at that time receive the appointment; but he was employed as tutor to young Dutton, Cromwell’s intended son-in-law, at Eton, where he boarded with his pupil in the house of Oxenbridge, a zealous Puritan who had been driven into exile, with his wife, by prelatical persecution, and had preached in the Bermudas. By Cromwell as protector, Marvell was made joint Secretary with Milton. The connection has left memorials in several poems, including that on the Death of the Protector, in which we find a little picture, vivid and true, of the great man’s look and bearing, by one who had often seen them.
As a poet Marvell is very unequal. He has depth of feeling, descriptive power, melody; his study of the classics could not fail to teach him form; sometimes we find in him an airy and tender grace which remind us of the lighter manner of Milton: but art with him was only an occasional recreation, not a regular pursuit; he is often slovenly, sometimes intolerably diffuse, especially when he is seduced by the facility of the octosyllabic couplet. He was also eminently afflicted with the gift of ‘wit’ or ingenuity, much prized in his day. His conceits vie with those of Donne or Cowley. He is capable of saying of the Halcyon:—
The Garden is an English version of a poem written in Latin by Marvell himself. It may have gained by being cast originally in a classical mould, which would repel prolixity and extravagant conceits. In it Marvell has been said to approach Shelley: assuredly he shows a depth of poetic feeling wonderful in a political gladiator. The thoughts that dwell in ‘a green shade’ have never been more charmingly expressed.
A Drop of Dew, like The Garden, was composed first in Latin. It is a conceit, but a pretty conceit, gracefully as well as ingeniously worked out, and forms a good example of the contrast between the philosophic poetry of those days, a play of intellectual fancy, and its more spiritual and emotional counterpart in our own time. The concluding lines, with their stroke of ‘wit’ about the manna are a sad fall.
The Bermudas was no doubt suggested by the history of the Oxenbridges. It is the ‘holy and cheerful note’ of a little band of exiles for conscience sake wafted by Providence in their ‘small boat’ to a home in a land of beauty.
Young Love is well known, and its merits speak for themselves. It is marred by the intrusion in the third and fourth stanzas of the fiercer and coarser passion.
The Horatian Ode on Cromwell’s Return from Ireland cannot be positively proved to be the work of Marvell. Yet we can hardly doubt that he was its author. The point of view and the sentiment, combining admiration of Cromwell with respect and pity for Charles, are exactly his: the classical form would be natural to him; and so would the philosophical conceit which disfigures the eleventh stanza. The epithet indefatigable applied to Cromwell recurs in a poem which is undoubtedly his; and so does the emphatic expression of belief that the hero could have been happier in private life, and that he sacrificed himself to the State in taking the supreme command. The compression and severity of style are not characteristic of Marvell; but they would be imposed on him in this case by his model. If the ode is really his, to take it from him would be to do him great wrong. It is one of the noblest in the English language, and worthily presents the figures and events of the great tragedy as they would impress themselves on the mind of an ideal spectator, at once feeling and dispassionate. The spirit of Revolution is described with a touch in the lines
Of the lines On Milton’s Paradise Lost some are vigorous; but they are chiefly interesting from having been written by one who had anxiously watched Milton’s genius at work.
Marvell’s amatory poems are cold; probably he was passionless. His pastorals are in the false classical style, and of little value. Clorinda and Damon is about the best of them, and about the best of that is
Like Milton, Marvell wrote a number of Latin poems. One of them had the honour of being ascribed to Milton.