Thomas Humphry Ward, ed. The English Poets. 1880–1918.rnVol. II. The Seventeenth Century: Ben Jonson to Dryden
Andrew Marvell (1621–1678)A Horatian Ode upon Cromwell’s Return from Ireland
T
Must now forsake his muses dear,
Nor in the shadows sing
His numbers languishing:
’Tis time to leave the books in dust,
And oil the unused armour’s rust,
Removing from the wall
The corselet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urged his active star;
And, like the three-forked lightning, first
Breaking the clouds where it was nurst,
Did thorough his own side
His fiery way divide;
(For ’tis all one to courage high,
The emulous, or enemy,
And with such to inclose,
Is more than to oppose;)
Then burning through the air he went,
And palaces and temples rent;
And Cæsar’s head at last
Did through his laurels blast.
’Tis madness to resist or blame
The force of angry heaven’s flame;
And if we would speak true,
Much to the man is due,
Who from his private gardens, where
He lived reserved and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of Time,
And cast the kingdoms old,
Into another mould.
Though Justice against Fate complain,
And plead the ancient rights in vain,
(But those do hold or break,
As men are strong or weak,)
Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.
What field of all the civil war,
Where his were not the deepest scar?
And Hampton shows what part
He had of wiser art;
Where, twining subtile fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook’s narrow case,
That thence the royal actor borne
The tragic scaffold might adorn,
While round the armed bands
Did clap their bloody hands:
He nothing common did, or mean,
Upon that memorable scene,
But with his keener eye
The axe’s edge did try;
Nor called the gods with vulgar spite
To vindicate his helpless right,
But bowed his comely head
Down, as upon a bed.
This was that memorable hour,
Which first assured the forced power;
So, when they did design
The capitol’s first line,
A bleeding head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed.
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust;
Nor yet grown stiffer with command,
But still in the republic’s hand,
(How fit he is to sway,
That can so well obey!)
He to the Commons’ feet presents
A kingdom for his first year’s rents;
And, what he may, forbears
His fame, to make it theirs;
And has his sword and spoils ungirt,
To lay them at the public’s skirt:
So when the falcon high
Falls heavy from the sky,
She, having killed, no more doth search,
But on the next green bough to perch;
Where, when he first does lure,
The falconer has her sure.
What may not then our isle presume,
While victory his crest does plume?
What may not others fear,
If thus he crowns each year?
As Cæsar, he, ere long, to Gaul,
To Italy a Hannibal,
And to all states not free
Shall climacteric be.
The Pict no shelter now shall find
Within his party-coloured mind,
But, from this valour sad,
Shrink underneath the plaid;
Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the war’s and fortune’s son,
March indefatigably on,
And for the last effect,
Still keep the sword erect;
Beside the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.