Samuel Kettell, ed. Specimens of American Poetry. 1829.
By Powers of RhymeSamuel H. Jenks (1789?)
P
The difference ’twixt
The former can be made to thrill and burn,
By master geniuses—and yet
No two words shall together chime.
E’en Prose, so called, may be po-et-
I-cal, and ring upon the ear
Harmoniously, without a grain of jingle;
While Rhyme, all sound, with oftentimes
No symptom of idea,
Clinking, like handfuls of new dimes,
Causes one’s very brain to tingle.
That have no sense nor meaning:—
They would denominate a crack a cracture,
Or, to make rhyme, call obloquy obscening!
(A name that ’s smooth enough in song,)
Has often been distorted into Pie-mont—
A hill of pies!—just to make rhyme on’t!
To tell, of Toby Grizzle, a rough clown
Who grew up in the country—for in town
The folks are polish’d, and extremely knowing.
Where houses grow together by the acre;
To die then, and see only what his Maker
Had done in lands, and woods, and cattle—
Thought Toby, “‘twere a thousand pities;
So, down to Boston, in my cart I ’ll rattle.”
And turn’d up at the Indian Queen;
Amazement and astonishment—
At what he saw,
And what was to be seen,
Hung heavily upon his under-jaw.
This made him hungry, and he bought
A yard of gingerbread to stay his yearnings,
And after various crooks and turnings
He got into the parlor, as he thought;
But, reader, ’t was the kitchen—
So droll was everything—and so bewitching.
Betwixt whom and the scullion there arose
A disputation, whether rhyme or prose
Most clear ideas convey’d—
By dint of a huge jack—custom antique!
“Now,” quoth the cook, “I ’ll speak
In verse to this fat lout, and ascertain
Whether my rhymes be not, to all men, plain.”
As to inquire how many hours have roll’d
Since you into these regions stroll’d?”
Quoth Toby, casting up his eager looks
To where the giddy jack-wheel whirl’d—
“Odsbludikins, and snaggers! rat it, and adzooks!
Your clock goes faster than aunt Katy’s;
And I ’ll be skinn’d and darn’d, for all the world,
If I can see to tell what time o’ day ’t is.”