Respectfully Quoted: A Dictionary of Quotations. 1989.
Introduction
This is a different kind of quotation book. Most quotation books are compiled by learned literateurs who sit in silent rooms reading the words of wise people and asking, “I wonder if that thought might be useful to somebody?” These quotations have already answered that question. They have already been used by somebody, and others have already heard them, have already decided they want to use them again, and that they want to be sure they have got them exactly right for further public consumption.
For nearly seventy-five years, Members of Congress and their staffs have been calling the Congressional Research Service of the Library of Congress to verify quotations that they wanted to use in public debate. They wished to be certain that these quotations were both accurate and armored against challenge. In most cases the quotes they sought were ones they had heard someone else use, but in some cases they were ones that had been flung at them by the opposition, and the Members were sufficiently irritated that they hoped the quote could be refuted, labelled spurious, and buried once and for all. Either way, they turned to the CRS for authentication and the Service in turn turned to the almost limitless resources of the Library of Congress.
Through the years, this matter of quotation verification became big business. The quotations increased from the tens to the hundreds and have now reached thousands each year. (The CRS, incidentally, now receives congressional inquiries of all varieties in excess of 1500 queries a day!)
Most of the “quote questions” were handled by the staff of a unit called the Congressional Reading Room, and after some twenty years of this reference work, the staff began to detect three kinds of citations that seemed to stand apart from the routine traffic: the hard ones, the repetitive ones, and the impossible ones. All of these consumed an unusual amount of research time, and ultimately—now almost fifty years ago—the “CRR Quote File” was created to prevent staff from wasting time on citations that had already been found and to identify those items which had proved to be either “spurious” or “unidentifiable” after reasonable, professional search. The 2100 quotations in this book are the cumulated result of fifty years of such insertions into that Congressional Reading Room Quotation File.
These quotations come from the real world of cut and thrust politics. They show the combination of spirit and humor that represents American political activity at its best. Recalling that each of these quotations was requested specifically by some Member or his staff, it is intriguing to speculate on what situation was occurring that precipitated the need for such items as the following:
You wonder what was happening to the Member that he needed that John Adams quote—and indeed, what happened to Adams the day he said it! But for every frustration that served up the bitter remarks above, the CRR Quote File reveals marvelous statements of the American purpose like those that follow. The first, incidentally, is the quotation the Congressional Reading Room staff reports is the one most frequently supplied at the present time:
There are a surprisingly large number of Americanisms which never passed the lips of those to whom they are attributed. How this manages to occur is always slightly inexplicable. The words do indeed strike a chord of truth with many of their audiences (regardless of who said them first), but without the cachet of the national figure, lose some of their impact in the dialogue. Some, like the following Mark Twain, are essentially trivial and little is lost without the imprimatur.
But of much greater significance is the problem of Lincoln’s Ten Points. The familiar
Indeed, the mottoes and broadside printings seem to reinforce each other as one author passes a quotation on from his predecessor. The more impressive the presswork, the more legitimate we assume the source to be. The familiar “Desiderata” seems to be a classic example of this. (“Go placidly amid the noise and the haste … be cheerful. Strive to be happy …” The full text appears as quotation No. 1114.) This was, in fact, written by Max Ehrmann and published in 1927. But the story of its antecedents has acquired a drama all its own. In trying to trace its history, the Congressional Reading Room researchers found the following:
And do you recognize the following?
As might be expected, the fifty-year accumulation has acquired many hundreds of thoughts on how to govern effectively. They run from humorous irony to sensitive truths. A sample of the spectrum:
It is both fitting and proper that Congress should be so sensitive to words that their inquiries about precise speech have produced the rich reservoir we find here. This collection of “perfect words” celebrates the 200th anniversary of the founding of the Legislature. This is singularly appropriate, since throughout the life of the nation, the Congress has been the temple of great oratory in our country led by such figures as Webster, Clay, Calhoun, Lincoln, the Breckinridges, Borah, and La Follette. The Members through the years have carried the double role of expressing the views of their personal constituencies and of distilling the national issues, choices, and concerns. To hear these speeches was, as Rufus Choate said about Daniel Webster’s, to hear “a national consciousness—a national era, a mood, a hope, a dread, a despair—in which you listen to the spoken history of the time.”
Political oratory is an honorable art, which has made the practice of democracy work for two centuries. But it has changed rather dramatically during those years. Its purposes have remained the same, but the rules and practices have shifted sharply in our own time.
The scholars tell us that what came to be known as political oratory stemmed from the speaking style of the eighteenth-century American pulpit. The cadences of John Calvin, John Knox, and Martin Luther were read out by early divines, and then built on by the passionate preaching of Jonathan Edwards, George Whitefield, and Francis Asbury. The golden age of Revolutionary oratory started with Patrick Henry and James Otis twenty years before the War itself, and flowed toward the high water mark of political speech up to the outbreak of the Civil War—the days of Clay, Calhoun, and Webster. All of these had a florid grandeur which could hold the attention of a hall of people with persuasive eloquence. We read of incredibly long addresses successfully presented under what to us sound like impossible conditions. Webster’s impassioned reply to Haynes—which still reads with excitement to this day—was given for three hours of extemporaneous analysis, and then the Senator, noting that most of his audience had been standing through the dinner hour, suggested that they all return the next day—when he talked for three more hours to complete his thought. Senator Edward Everett talked to a standing audience for one hour and fifty-seven minutes from a wind-swept platform at Gettysburg—after having rehearsed the same memorized speech the day before to test his time and to practice the level of shouting necessary to be heard across the field.
Each of these great speakers has unusual mannerisms that were a part of his style and image. Contemporaries describe Lincoln’s voice at Gettysburg as metallic, “clear, ringing, very penetrating and it reached everybody on the outskirts of the throng.” In his earlier speeches, Lincoln used the traditional oratorical device of letting his voice sink very low and then rising as he made his points—accompanied by dramatic gestures. By the time he was president, he stood very quietly and rarely moved his hands at all. (Lincoln had several eccentricities of pronunciation that attracted attention at the time: he always said “America” as if it were spelled “Amerikay,” “chairman” was “cheerman,” and when he spoke in the House he attracted attention by saying all his “tos” as “toes.” When he gave his first speech in the House, he wrote home to Herndon, “I find speaking here and elsewhere almost the same thing. I was about as badly scared and no more than when I speak in court.”)
Webster could speak for hours at such a pitch that his voice filled the Senate and newsmen complained that no one could conduct side conversations, even in the galleries.
Patrick Henry is described as always starting out as if he were ill, unprepared, and had not intended to speak on the occasion, but as he talked his voice rose, the tempo increased, so that by the time he had reached the important matter, his words were pouring out like a “torrent of strong, ringing sentences and pictorial paragraphs, words tumbling over words like a cataract … he would storm and persuade, berate and beg, threaten and cajole, argue and amuse, convince and convulse,” totally dominating both the room and the occasion.
According to Edgar Dewitt Jones, Henry Clay’s voice “was sweet and soft, as a mother’s to her babe. It could be made to float into the chambers of the air, as gently as descending snowflakes on the sea; and again it shook the Senate, strong, brain-shaking, filling the air with its absolute thunder.” It is frightening to consider what these giants could have done with a public address system.
But it seems to have been the appearance of the electrical devices that clipped the length of political discourse and lowered the histrionics. Amplification in halls reduced the need for over-sized gestures; radio and the motion picture newsreel pulled the listener close to the speaker so it became in both of their eyes a person-to-person dialogue. But as important as any aspect of the oratorical tradition was the effect of such twentieth-century figures as Hitler and Mussolini who brought oratory into disrepute by using the device to whip their audiences into emotional frenzies. By the time television arrived, political dialogues demanded a me-and-thee style, low-keyed and distilled to a twenty-minute maximum—which in turn would be reduced to sixty seconds on the evening news. Even formal speeches on the floors of the legislature now tend toward the conversational, “sincere,” “thinking-on-their-feet” style of delivery.
This is where the quotation continues to prove its worth. At first, citations to the great classical thinkers were called on to affirm the validity of the oratorical assertions. Then the quotations began to be used to provide humor and variety to long stretches of narrative. Now, with the style more intimate and the length diminished, the quotations become a form of shorthand, a distillation of a grander—longer—thought. The only difficulty is that today’s audiences bring a much narrower set of mental references to the hall than did those of a few generations back. Reference to the Greek and Roman authors are almost useless, Biblical allusions are increasingly less effective, literary quotations carry ever more limited images. Motion picture and television references seem to generate the broadest recognition from the audience—but their half-lives seem barely to last through a thirteen-week season. In short, the challenge of the modern political speaker has never been greater. We would hope the attached storehouse will therefore be doubly useful.
Note should be taken of the great classic texts, the congressional folklore of certain speeches that have become so much a part of congressional tradition that to long-standing members of the two houses only the words “Senator Vest and his dog” are needed to bring smiles of recognition and delight. The text of Senator Vest’s eulogy is found as Quotation No. 446. Here he rises to the final peroration:
In no way to be outdone is Adlai Stevenson’s “Cat Bill Veto” (No. 163). Here he concludes his negation of a cat leash law with the judgment:
In the same vein of rich, congressional oratory, you find Senator John Sharp Williams’s “Mocking Bird Speech” as he contemplates returning to his beloved Mississippi at the end of twenty-eight years on Capitol Hill. With the full text appearing as Quotation No. 295, he concludes:
Congressman Billy Matthews’s report of a Member’s reply to a constituent’s query, “Where do you stand on whiskey?” appears as Quotation No. 38.
As can be seen from the above, while these quotations were primarily used on political occasions and in public meetings, the topics run far more broadly than the simple aspects of governing. The war between the sexes is well represented, while some of the most unlikely topics appear among those requested for verification and attribution. Again, a sample:
Also Wilde:
Benjamin Franklin answers a letter to the editor:
A reflective Mark Twain:
Whenever possible, the CRS researchers have attempted to express the context in which a quotation is found. Through the years this has served to protect an inquiring Congressman from using a quotation where the context would be antithetical to his own views or purpose, or it frequently enriches the more familiar part of the quote. Several examples of these “broader citations” have been noted above; the following is a charming, if not particularly significant elaboration:
Incidentally, apropos only of the sameness of things, there is an unlikely set of headlines a Member heard described which, when finally run down, turned out to be a skit from a French theater piece written in 1815:
Or Disraeli reporting to the Commons in 1864 on the latest international conference:
In conclusion, you might be amused by a quick quiz of some fragments from the CRR quote trays. How many of these can you recall “who said and in what context?”[Robert Oppenheimer, No. 237] [Nikita Khrushchev, No. 244] [Joseph Cannon, No. 308] [William James, No. 526] [Henry David Thoreau, No. 1124] [Richard Nixon, No. 1140] [Joseph Welch, No. 1171] [Joseph Heller, No. 1179] [Lewis Strauss, No. 1256] [George Danielson, No. 1394]. [Thomas Jefferson, No. 1493] [Neil Armstrong, No. 1737] [George Mallory, No. 1741] [Geoffrey Chaucer, No. 447]
Assistant Director, Congressional Research Service
1970–1976