John Greenleaf Whittier (1807–1892). The Poetical Works in Four Volumes. 1892.
Narrative and Legendary PoemsThe Bridal of Pennacook
III. The Daughter
T
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o’er the dead!
All these the Sachem’s home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!
It closes darkly o’er its care,
And formed in Nature’s sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem’s face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.
Bemocking April’s gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O’er the heaped drifts of winter’s moon
Her snow-shoes tracked the hunter’s way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter’s fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul’s keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother’s breast
To note her smiles of love the child of Nature lay!
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother’s arms, and sees but feels them not.
In cultured soil and genial air,
To cloud the light of Fashion’s room
Or droop in Beauty’s midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.