T. R. Smith, comp. Poetica Erotica: Rare and Curious Amatory Verse. 1921–22.
The Fashionable Shepherdess
Anonymous(From Pills to Purge Melancholy, 1719) |
AT the break of morning light, | |
When the marbled Sky look gay; | |
Nature self all perfect bright, | |
Smiled to see the God of Day: | |
Charming prospect, verdant Trees, | 5 |
Azure Hill, enamelled Sky; | |
Birds with warbling Throats to please, | |
Striving each which shall outvie. | |
Lisbea then with wond’rous haste, | |
O’er a green sword Plain she flew; | 10 |
Thus my Angel as she past, | |
The Eyes of ev’ry Shepherd drew: | |
When they had the Nymph espied, | |
All amazed cried there she goes; | |
Thus by blooming Beauty tried, | 15 |
Thought a second Sun arose. | |
Ev’ry Swain the Sun mistook, | |
Dazzled by refulgent Charms; | |
And with Joy their Flocks forsook, | |
For to follow Love’s Alarms: | 20 |
All ’till now were perfect Friends, | |
Bound by Innocence and Truth; | |
’Till sly Love to gain his ends, | |
Made a difference ’twixt each Youth. | |
Each expected which should be, | 25 |
Made the happy Man by Love; | |
While for want of Liberty, | |
None could truly happy prove; | |
But at length they all arriv’d, | |
To a charming easy Grove; | 30 |
Where the Nymph had well contriv’d, | |
To be happy with her Love. | |
There in amorous folding twin’d, | |
Strephon with his Lisbea lay; | |
Both to mutual Joys enclin’d, | 35 |
Let their Inclinations stray: | |
As the curling Vines embracing, | |
Fondly of the Oak around; | |
So the blooming Nymph’s caressing, | |
Of her Swain with pleasure crown’d. | 40 |
How surpriz’d were e’ry Swain, | |
When they found the Nymph engaged; | |
Disappointment heightened Pain, | |
Till it made them more enraged: | |
Arm your self with Resolution, | 45 |
Cried the most revengeful he; | |
We’ll contrive her Swain’s Confusion, | |
Let him fall as much as we. | |
Several Punishments they Invented, | |
For to Torture helpless he; | 50 |
All revengeful, ne’er contented, | |
Cruel to a vast Degree: | |
One more envious in the rear, | |
Thus his Sentiments let slip; | |
Make him like the Cavalier, | 55 |
And for the Opera him Equip. | |