Harriet Monroe, ed. (1860–1936). The New Poetry: An Anthology. 1917.
AfterwardsIris Tree
B
Scar upon scar they rend the quiet shore;
They ride on furious, leaving every man
Crushed like a maggot by the hoofs of war:
Gods that grow tired of paradisial water
And fill their cups with steaming wine of slaughter.
The glamour of the battle grips us yet—
As crowds before a fire that hold their breath
Watching the burning houses, and forget
All they will lose, but marvel to behold
Its dazzling strength, the glamour of its gold.
When this kaleidoscope of roaring color
Fades, and rage faints; and of the funeral-fires
That shone with battle, nothing left of valor
Save chill ignoble ashes for despair
To strew with widowed hands upon her hair.
Hiding the mangled body of the Earth:
The slow grey aftermath, the limping feet
Of days that shall not know the sound of mirth,
But pass in dry-eyed patience, with no trust
Save to end living and be heaped with dust.
The sullen street, the empty drinking-hall,
The tuneless voices cringing praise to God,
Deaf gods, that did not heed the anguished call,
Now to be soothed with humbleness and praise,
With fawning kisses for the hand that slays.
Decay from every pore exhales its breath;
A cloak of penance winding close around
The bright desire of spring. And unto Death,
As to a conquering king, we yield the keys
Of Beauty’s gates upon our bended knees.
And child unfathered feed on crust and husk;
The sun that was the glory of our days
Shining as tinsel till the moody dusk
Into our starving outstretched arms shall lay
Her silent sleep, the only boon we pray.