Harriet Monroe, ed. (1860–1936). The New Poetry: An Anthology. 1917.
The Mountain GraveyardDuBose Heyward
H
Lying where all may see, there is a place
As hideous and shocking as a scar
That mars the beauty of a well-loved face.
Infinitely drear, and raw, and nude,
It waits and listens in the solitude.
Of scattered stones and arid, troubled clay.
Bleak as the creed of those who journey there,
Hard as the code by which they lived their day,
It gives them all they ask of it—its best;
No beauty and no softness—only rest.
They lived with beauty and their eyes were blind.
Dreaming of far strong joys, they came to miss
Those that were near. So at the last we find
No tenderness of blossom, but instead
Mute emblems of the longings of the dead.
Tell of an ocean that they never knew
Except in dreams which, through the ebb and flow
Of years, set seaward as the torrents do.
Always they planned to follow, knowing deep
Within their hearts that dreams are but for sleep.
Which speak the foreign glories of the town—
The crowds, the lights; these too are dreams that pass
Here where the hemming walls of rock look down,
And clasp their children fast within their keep
Until they cradle them at last to sleep.
The beauty that is theirs to breathe and touch—
The whisper of the dawn across the snow,
The vast low-drifting clouds that love them much—
Oh, they could call their dreams home down the sky,
And carry beauty with them when they die.