| Abercrombie, Lascelles. 1884– |
From “Vashti“ |
| Song |
| Aldington, Richard. 1892– |
Prelude |
| Images |
| At the British Museum |
| Belloc, Hilaire. 1870– |
South Country |
| Binyon, Laurence. 1869– |
A Song |
| House That Was |
| Bridges, Robert. 1844– |
Winter Nightfall |
| Nightingales |
| Brooke, Rupert. 1887–1915 |
Great Lover |
| Dust |
| Soldier |
| Campbell, Joseph. 1881– |
I Am the Mountainy Singer |
| Old Woman |
| Chesson, Nora Hopper. 1871–1906 |
A Connaught Lament |
| Chesterton, G. K. 1874– |
Lepanto |
| A Prayer in Darkness |
| Donkey |
| Colum, Padraic. 1881– |
Plougher |
| An Old Woman of the Roads |
| Cornford, Frances. 1886– |
Preëxistence |
| Davidson, John. 1857–1909 |
A Ballad of Hell |
| Imagination |
| Davies, William H. 1870– |
Days Too Short |
| Moon |
| Villain |
| Example |
| De la Mare, Walter. 1873– |
Listeners |
| An Epitaph |
| Tired Tim |
| Old Susan |
| Nod |
| Deane, Anthony C. 1870– |
Ballad of the Billycock |
| A Rustic Song |
| Douglas, Alfred. 1870– |
Green River |
| Dowson, Ernest. 1867–1900 |
To One in Bedlam |
| You Would Have Understood Me |
| Drinkwater, John. 1882– |
Reciprocity |
| A Town Window |
| Dunsany, Lord. 1878– |
Songs from an Evil Wood |
| “E., A.” 1867– |
Great Breath |
| Unknown God |
| Flecker, James Elroy. 1884–1915 |
Old Ships |
| Flint, F. S. |
London |
| Freeman, John. 1885– |
Stone Trees |
| Gibson, Wilfrid Wilson. 1878– |
Prelude |
| Stone |
| Sight |
| Gore-Booth, Eva. 1872– |
Waves of Breffny |
| Walls |
| Graves, Robert. 1895– |
It’s a Queer Time |
| A Pinch of Salt |
| I Wonder What It Feels Like to be Drowned? |
| Last Post |
| Hardy, Thomas. 1840– |
In Time of “The Breaking of Nations“ |
| Going and Staying |
| Man He Killed |
| Harvey, F. W. 1888– |
Bugler |
| Henley, William Ernest. 1849–1903 |
Invictus |
| Blackbird |
| A Bowl of Roses |
| Before |
| Margaritæ Sorori |
| Hinkson, Katharine Tynan. 1861– |
Sheep and Lambs |
| All-Souls |
| Hodgson, Ralph. |
Eve |
| Time, You Old Gipsy Man |
| Birdcatcher |
| Mystery |
| Housman, A. E. 1859– |
Reveillé |
| When I Was One-and-Twenty |
| With Rue My Heart is Laden |
| To An Athlete Dying Young |
| Loveliest of Trees |
| Hueffer, Ford Madox. 1873– |
Clair de Lune |
| There Shall Be More Joy |
| Hyde, Douglas. 1860– |
I Shall Not Die for Thee |
| Johnson, Lionel. 1867–1902 |
Mystic and Cavalier |
| To a Traveller |
| Joyce, James. 1882– |
I Hear an Army |
| Kettle, T. M. 1880–1916 |
To My Daughter Betty, The Gift of God |
| Kipling, Rudyard. 1865– |
Gunga Din |
| Return |
| Conundrum of the Workshops |
| An Astrologer’s Song |
| Lawrence, D. H. 1885– |
People |
| Piano |
| Le Gallienne, Richard. 1866– |
A Ballad of London |
| Regret |
| Ledwidge, Francis. 1891–1917 |
An Evening in England |
| Evening Clouds |
| Leslie, Shane. 1886– |
Fleet Street |
| Pater of the Cannon |
| Letts, W. M. 1887– |
Grandeur |
| Spires of Oxford |
| Levy, Amy. 1861–1889 |
Epitaph |
| In the Mile End Road |
| Macgill, Patrick. 1890– |
By-the-Way |
| Death and the Fairies |
| MacLeod, Fiona. 1855–1905 |
Valley of Silence |
| Vision |
| Masefield, John. 1878– |
A Consecration |
| Sea-Fever |
| Rounding the Horn |
| Choice |
| Sonnet |
| McCrae, John. 1872–1918 |
In Flanders Fields |
| Mcleod, Irene Rutherford. 1891– |
Is Love, then, so Simple |
| Lone Dog |
| Meynell, Alice. 1850– |
A Thrush Before Dawn |
| Monro, Harold. 1879– |
Nightingale Near the House |
| Every Thing |
| Strange Meetings |
| Moore, T. Sturge. 1870– |
Dying Swan |
| Silence Sings |
| Newbolt, Henry. 1862– |
Drake’s Drum |
| Nichols, Robert. 1893– |
Nearer |
| Noyes, Alfred. 1880– |
Sherwood |
| Barrel-Organ |
| Epilogue |
| O’Neill, Moira. |
A Broken Song |
| Beauty’s a Flower |
| O’Shaughnessy, Arthur. 1844–1881 |
Ode |
| O’Sullivan, Seumas. 1879– |
Praise |
| Phillips, Stephen. 1868–1915 |
Fragment from “Herod“ |
| Beautiful Lie the Dead |
| A Dream |
| Sassoon, Siegfried. 1886– |
To Victory |
| Dreamers |
| Rear-Guard |
| Thrushes |
| Aftermath |
| Seaman, Owen. 1861– |
To An Old Fogey |
| Thomas of the Light Heart |
| Shanks, Edward. 1892– |
Complaint |
| Sitwell, Edith. |
Web of Eros |
| Interlude |
| Sitwell, Osbert. 1892– |
Blind Pedlar |
| Progress |
| Sorley, Charles H. 1895–1915 |
Two Sonnets |
| To Germany |
| Squire, J. C. 1884– |
A House |
| Stephens, James. 1882– |
Shell |
| What Tomas An Buile Said In a Pub |
| To the Four Courts, Please |
| Stevenson, Robert Louis. 1850–1894 |
Summer Sun |
| Winter-Time |
| Romance |
| Requiem |
| Symons, Arthur. 1865– |
In the Wood of Finvara |
| Modern Beauty |
| Synge, J. M. 1871–1909 |
Beg-Innish |
| A Translation from Petrarch |
| To the Oaks of Glencree |
| Thomas, Edward. 1878–1917 |
If I Should Ever By Chance |
| Tall Nettles |
| Fifty Faggots |
| Cock-Crow |
| Thompson, Francis. 1859–1907 |
Daisy |
| To Olivia |
| An Arab Love-Song |
| Turner, W. J. 1889– |
Romance |
| Watson, William. 1858– |
Ode in May |
| Estrangement |
| Song |
| Wickham, Anna. |
Singer |
| Reality |
| Song |
| Wilde, Oscar. 1856–1900 |
Requiescat |
| Impression du Matin |
| Wilson, T. P. Cameron. 1889–1918 |
Sportsmen in Paradise |
| Yeats, William Butler. 1865– |
Lake Isle of Innisfree |
| Song of the Old Mother |
| Cap and Bells |
| An Old Song Resung |
| Young, Francis Brett. |
Lochanilaun |
