English Poetry II: From Collins to Fitzgerald.
The Harvard Classics. 1909–14.
Elizabeth Barrett Browning
577. A Musical Instrument
W
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
From the deep cool bed of the river;
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
While turbidly flow’d the river;
And hack’d and hew’d as a great god can
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
(How tall it stood in the river!),
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notch’d the poor dry empty thing
In holes, as he sat by the river.
(Laugh’d while he sat by the river),
‘The only way, since gods began
To make sweet music, they could succeed.’
Then dropping his mouth to a hole in the reed,
He blew in power by the river.
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain—
For the reed which grows nevermore again
As a reed with the reeds of the river.