Benvenuto Cellini (1500–1571). Autobiography.
The Harvard Classics. 1909–14.
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Having reached Rome, I got myself at once in readiness to work, and was fortunate enough to find again a silver basin which I had begun for the Cardinal before I was imprisoned. Together with this basin I had begun a very beautiful little jug; but this had been stolen, with a great quantity of other valuable articles. I set Pagolo, whom I have previously mentioned, to work upon the basin. At the same time I recommenced the jug, which was designed with round figures and bas-reliefs. The basin was executed in a similar style, with round figures and fishes in bas-relief. The whole had such richness and good keeping, that every one who beheld it expressed astonishment at the force of the design and beauty of invention, and also at the delicacy with which these young men worked.
The Cardinal came at least twice a day to see me, bringing with him Messer Luigi Alamanni and Messer Gabriel Cesano; and here we used to pass an hour or two pleasantly together. Notwithstanding I had very much to do, he kept giving me fresh commissions. Among others, I had to make his pontifical seal of the size of the hand of a boy of twelve. On it I engraved in intaglio two little histories, the one of San Giovanni preaching in the wilderness, the other of Sant’ Ambrogio expelling the Arians on horseback with a lash in his hand. The fire and correctness of design of this piece, and its nicety of workmanship, made every one say that I had surpassed the great Lautizio, who ranked alone in this branch of the profession. The Cardinal was so proud of it that he used to compare it complacently with the other seals of the Roman cardinals, which were nearly all from the hand of Lautizio.