Henry Craik, ed. English Prose. 1916.
Vol. I. Fourteenth to Sixteenth Century
Laurence Sterne (17131768)
T
It was one of those heads which Guido has often painted—mild, pale, penetrating, free from all commonplace ideas of fat contented ignorance looking downwards upon the earth—it looked forwards; but looked as if it looked at something beyond this world. How one of his order came by it, heaven above who let it fall upon a monk’s shoulders best knows: but it would have suited a Brahmin, and had I met it upon the plains of Hindoostan, I had reverenced it.
The rest of his outline may be given in a few strokes; one might put it into the hands of any one to design, for ’twas neither elegant or otherwise, but as character and expression made it so: it was a thin spare form, something above the common size, if it lost not the distinction by a bend forward in the figure,—but it was the attitude of entreaty; and as it now stands presented to my imagination, it gained more than it lost by it.
When he had entered the room three paces he stood still, and laying his left hand upon his breast (a slender white staff with which he journeyed being in his right)—when I had got close up to him, he introduced himself with the little story of the wants of his convent, and the poverty of his order; and did it with so simple a grace and such an air of deprecation was there in the whole cast of his look and figure, I was bewitched not to have been struck with it.
A better reason was, I had predetermined not to give him a single sou.