Charles Dickens. (1812–1870). David Copperfield.
The Harvard Classics Shelf of Fiction. 1917.
Criticisms and Interpretations. II. By John Forster
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Consider Copperfield in his proper place in the story, and sequence as well as connection will be given to the varieties of its childish adventure. The first warm nest of love in which his vain fond mother, and her quaint kind servant, cherish him; the quick-following contrast of hard dependence and servile treatment; the escape from that premature and dwarfed maturity by natural relapse into a more perfect childhood; the then leisurely growth of emotions and faculties into manhood; these are component parts of a character consistently drawn. The sum of its achievement is to be a successful cultivation of letters; and often as such imaginary discipline has been the theme of fiction, there are not many happier conceptions of it. The ideal and real parts of the boy’s nature receive development in the proportions which contribute best to the end desired; the readiness for impulsive attachments that had put him into the leading of others, has underneath it a base of truthfulness on which at last he rests in safety; the practical man is the outcome of the fanciful youth; and a more than equivalent for the graces of his visionary days, is found in the active sympathies that life has opened to him. Many experiences have come within its range, and his heart has room for all. Our interest in him cannot but be increased by knowing how much he expresses of what the author had himself gone through; but David includes far less than this, and infinitely more.
That the incidents arise easily, and to the very end connect themselves naturally and unobtrusively with the characters of which they are a part, is to be said perhaps more truly of this than of any other of Dickens’s novels. There is a profusion of distinct and distinguishable people, and a prodigal wealth of detail; but unity of drift or purpose is apparent always, and the tone is uniformly right. By the course of the events we learn the value of self-denial and patience, quiet endurance of unavoidable ills, strenuous effort against ills remediable; and everything in the fortunes of the actors warns us to strengthen our generous emotions and to guard the purities of home. It is easy thus to account for the supreme popularity of “Copperfield,” without the addition that it can hardly have had a reader, man or lad, who did not discover that he was something of a Copperfield himself. Childhood and youth live again for all of us in its marvellous boy-experiences.—From “The Life of Charles Dickens.”