Edmund Clarence Stedman, ed. (1833–1908). An American Anthology, 1787–1900. 1900.
By William HenryVenable652 My Catbird
P
Scherzo! Andante!
Piano, pianissimo!
Presto, prestissimo!
Hark! are there nine birds or ninety and nine?
And now a miraculous gurgling gushes
Like nectar from Hebe’s Olympian bottle,
The laughter of tune from a rapturous throttle!
Such melody must be a hermit-thrush’s!
But that other caroler, nearer,
Outrivalling rivalry with clearer
Sweetness incredibly fine!
Is it oriole, red-bird, or blue-bird,
Or some strange, un-Auduboned new bird?
All one, sir, both this bird and that bird;
The whole flight are all the same catbird!
The whole visible and invisible choir you see
On one lithe twig of yon green tree.
Flitting, feathery Blondel!
Listen to his rondel!
To his lay romantical,
To his sacred canticle.
Hear him lilting!
See him tilting
His saucy head and tail, and fluttering
While uttering
All the difficult operas under the sun
Just for fun;
Or in tipsy revelry,
Or at love devilry,
Or, disdaining his divine gift and art,
Like an inimitable poet
Who captivates the world’s heart,
And don’t know it.
Hear him lilt!
See him tilt!
Peers about, flirts, hops,
As if looking where he might gather up
The wasted ecstasy just spilt
From the quivering cup
Of his bliss overrun.
Then, as in mockery of all
The tuneful spells that e’er did fall
From vocal pipe, or evermore shall rise,
He snarls, and mews, and flies.