Edmund Clarence Stedman, ed. (1833–1908). An American Anthology, 1787–1900. 1900.
By Joseph RussellTaylor1596 The Flute
P
The rabbits from the blackberries,
Quaint little satyrs, and shy and mute,
That limped reluctant to the flute,
She needs must seek the forest’s womb
And pipe up tigers from green gloom.
Those sumptuous savages were still,
Rich spectral beasts that feared to stir,
And haughty and wistful gazed on her,
And swayed their sleepy masks in time
And growled a drowsy under-rhyme.
The lingering notes in mid-air dropped;
The flute stole from her parted kiss,
Her cheeks for sorcery burned with bliss.
Then grew a deadly muttering there;
And sudden yellow eyes aglare
Blazed furious over wrinkled lips
And teeth on her. Her finger-tips
Trembled a little as they woke
The second tune beneath the oak,
A lilt that charmed and lulled to mute
The uneasy soul within the brute.
Was winged with terror, and daintily
Ceased on the wild and tragic face
And desperate huddle of her grace:
For with the hush began to gride
Their sullen, soulless, evil-eyed,
Intolerable rage, blown hot
Upon her. The third tune was caught
With trouble from unuttered air:
And still as autumn they sat there.
Like withered laughter: all about
The frantic silence ran a race.
She stirred, she moaned, she crawled a space.
There leaped a vast and thunderous roar;
A huge heart-shaking tumult tore
About the oak. Filing away,
They trod the stained flute where it lay.