| George Bancroft.
1800–1891. |
American Liberty Enlightening the World |
| The Acadian Exiles |
| George the Third |
| The Battle of Lexington |
| Fort Moultrie |
| Europe and America at the Time of Washington’s Inauguration |
| Amos Bronson Alcott.
1799–1888. |
The Orchard |
| Sweet Herbs |
| Sonnets of Character |
| Emerson the Rhapsodist |
| George Wood.
1799–1870. |
On Jordan’s Stormy Banks |
| Francis Lieber.
1800–1872. |
Vox Populi Vox Dei |
| Caleb Cushing.
1800–1879. |
The Nation’s Progress |
| John Todd.
1800–1873. |
Old-Fashioned Talk on the Woman Question |
| John Brown.
1800–1859. |
His Address to the Court, before Sentence |
| Letters Written from Jail in the Week before his Execution |
| Thomas Francis Marshall.
1801–1864. |
The Temperance Pledge |
| William Henry Seward.
1801–1872. |
The Higher Law |
| Welcome to Louis Kossuth |
| Characteristics of John Quincy Adams |
| The Irrepressible Conflict |
| A Forecast of Peace and Reunion |
| Caroline Matilda Stansbury Kirkland.
1801–1864. |
Borrowing in a New Settlement |
| Theodore Dwight Woolsey.
1801–1889. |
Our Nationality, as the Outgrowth of the Colonial System |
| Socialism the Path to a Despotic Government |
| Robert John Walker.
1801–1869. |
The American Homestead Privilege |
| George Perkins Marsh.
1801–1882. |
The Dramatic Diction of Shakespeare and his Time |
| John Augustus Stone.
1801–1834. |
The Council Scene in “Metamora” |
| The Death of Metamora |
| Robert Dale Owen.
1801–1877. |
The Rescue |
| George Pope Morris.
1802–1864. |
Woodman, Spare that Tree! |
| Near the Lake |
| Jeannie Marsh |
| Lydia Maria Child.
1802–1880. |
Poor Chloe |
| Mark Hopkins.
1802–1887. |
Limits of Liberality in Religious Belief |
| Leonard Bacon.
1802–1881. |
What and Who were the Puritans? |
| Tayler Lewis.
1802–1877. |
The March of Theory |
| Horace Bushnell.
1802–1876. |
Native Quality Essential to the Greatness of a People |
| The Sturdy Homespun Worship |
| Edward Coate Pinkney.
1802–1828. |
A Health |
| A Serenade |
| George Ripley.
1802–1880. |
The Great French Critic |
| A Champion of Free Thought |
| Charles Wentworth Upham.
1802–1875. |
The Victims of Salem |
| George Denison Prentice.
1802–1870. |
Lines to a Lady |
| To the Daughter of an Old Sweetheart |
| Prenticeana |
| William Leggett.
1801–1839. |
The Main Truck, or, a Leap for Life |
| Break the Federal Compact! |
| Albert Gorton Greene.
1802–1868. |
The Baron’s Last Banquet |
| Old Grimes |
| Josiah Quincy.
1802–1882. |
Some Figures of the Past |
| Ralph Waldo Emerson.
1803–1882. |
The Problem |
| From Nature |
| The Rhodora |
| From “Woodnotes” |
| The Humble-Bee |
| The Snow-storm |
| Books and Reading |
| Mithridates |
| Forerunners |
| Love |
| Art |
| The Poet |
| Merlin |
| Forbearance |
| Manners |
| Days |
| Fortune of the Republic |
| Concord Hymn |
| Fate |
| Brahma |
| Immortality |
| Terminus |
| Emerson to Carlyle |
| George Lunt.
1803–1885. |
Requiem |
| Sub Rosa |
| Robert Montgomery Bird.
1806–1854. |
The Avenger |
| Orestes Augustus Brownson.
1803–1876. |
Some Practical Democracy |
| George Henry Calvert.
1803–1889. |
The True Gentleman |
| Nathaniel Hawthorne.
1804–1864. |
Young Goodman Brown |
| Pearl |
| The Revelation of the Scarlet Letter |
| A Modern Arcadia |
| A Night with Judge Pyncheon |
| The Faun’s Transformation |
| Sarah Helen Power Whitman.
1803–1878. |
The Portrait |
| The Shadow-Land of Poe |
| William Croswell.
1804–1851. |
The Clouds |
| Charles Frederick Briggs.
1804–1877. |
Peter Funk’s Revenge |
| William Lloyd Garrison.
1805–1879. |
The Key-Note of Abolition |
| Declaration of Sentiments |
| For mine Eyes have seen Thy Salvation |
| His Withdrawal from the Anti-Slavery Society, and Plea for its Dissolution |
| George Washington Bethune.
1805–1862. |
It is not Death to Die |
| Frederic Henry Hedge.
1805–1890. |
The Human Soul |
| John Stevens Cabot Abbott.
1805–1877. |
Borodino |
| Wilson Flagg.
1805–1884. |
Autumn Woods |
| Charles Étienne Arthur Gayarré.
1805–1895. |
A Missionary Priest |
| The Tree of the Dead |
| The Battle of New Orleans |
| The South’s First Crop of Sugar |
| A Plantation of the Old Régime |
| John Lloyd Stephens.
1805–1852. |
An Ancient Well |
| Nathaniel Parker Willis.
1806–1867. |
Unseen Spirits |
| At Lady Blessington’s |
| A Breakfast with Elia |
| When Tom Moore Sang |
| André’s Bequest to Washington |
| William Gilmore Simms.
1806–1870. |
A Woman’s Courage |
| The Lost Pleiad |
| The Burden of the Desert |
| Song in March |
| Elizabeth Oakes Smith.
1806–1893. |
The Drowned Mariner |
| Charles Fenno Hoffman.
1806–1884. |
Monterey |
| The Mint Julep |
| Matthew Fontaine Maury.
1806–1873. |
The Southern Sky |
| Henry Wadsworth Longfellow.
1807–1882. |
The Skeleton in Armor |
| The Village Blacksmith |
| Endymion |
| The Fountain of Oblivion |
| Rain in Summer |
| Scenes from “Evangeline” |
| Chrysaor |
| The Republic |
| Sir Humphrey Gilbert |
| A National Literature |
| From “Hiawatha” |
| From “The Courtship of Miles Standish” |
| The Warden of the Cinque Ports |
| The Two Angels |
| My Lost Youth |
| The Wraith of Odin |
| The Cumberland |
| Hawthorne |
| The Bells of Lynn |
| Lady Wentworth |
| The Ballad of the French Fleet |
| Nature |
| Venice |
| Chaucer |
| Jugurtha |
| The Tide Rises, the Tide Falls |
| George Fitzhugh.
1806–1881. |
A Frank Pro-Slavery Argument |
| Richard Hildreth.
1807–1865. |
Jefferson |
| Theodore Sedgwick Fay.
1807–1898. |
A German Fire-Eater |
| Ralph Hoyt.
1806–1878. |
Old |
| Henry William Herbert.
1807–1858. |
Come Back |
| A Good Feed, duly Defended |
| Cornelius Conway Felton.
1807–1862. |
The Life of Greece |
| George Barrell Cheever.
1807–1890. |
Deacon Giles’s Distillery |
| Charles Francis Adams, Sr.
1807–1886. |
Citizen Genest and Neutrality |
| John Greenleaf Whittier.
1807–1892. |
The New Wife and the Old |
| The Farewell of a Virginia Slave Mother to her Daughters sold into Southern Bondage |
| Barclay of Ury |
| Ichabod! |
| The Fair Rebecca Rawson and her Two Lovers |
| The Barefoot Boy |
| Maud Muller |
| Skipper Ireson’s Ride |
| Telling the Bees |
| Barbara Frietchle |
| From “Snow-Bound” |
| The Changeling |
| In School-Days |
| Marguerite |
| Centennial Hymn |
| An Autograph |
| Edmund Quincy.
1808–1877. |
An Old House in Boston |
| Salmon Portland Chase.
1808–1873. |
An Appeal to the Higher Law |
| Samuel Francis Smith.
1808–1895. |
America |
| George Stillman Hillard.
1808–1879. |
First Impressions of Venice |
| The Colosseum |
| William Davis Gallagher.
1808–1894. |
The Revellers |
| The Brown Thrush |
| Ray Palmer.
1808–1887. |
Faith |
| The Crown |
| Henry Reed.
1808–1854. |
Prose as a Means of Expression |
| Frederick William Thomas.
1806–1866. |
Song: ‘’Tis said that absence conquers love!’ |
| Seargent Smith Prentiss.
1808–1850. |
The Sons of New England |
| Jefferson Davis.
1808–1889. |
On Leaving the Senate |
| Inaugural at Montgomery, Ala., 18 February, 1861 |
| A Statement of Position and Feelings |
| Henry Giles.
1809–1882. |
Don Quixote, the Ideal of Knighthood |
| Park Benjamin.
1809–1864. |
A Great Name |
| The Patriot Traveller in Foreign Lands |
| Example of George Peabody |
| The Great Procession of American History |
| The Washington Needle |
| Edgar Allan Poe.
1809–1849. |
To Helen |
| The Raven |
| The Fall of the House of Usher |
| To One in Paradise |
| Israfel |
| The Cask of Amontillado |
| The City in the Sea |
| Ulalume |
| The Poetic Principle |
| The Tale-Writer and his Art |
| Marginalia |
| Annabel Lee |
| Abraham Lincoln.
1809–1865. |
North and South in 1860 |
| Original Policy of the Administration |
| Proclamation of Emancipation |
| At Gettysburg |
| The Four Years |
| Albert Pike.
1809–1891. |
To the Mocking-Bird |
| The Widowed Heart |
| Every Year |
| Brantz Mayer.
1809–1879. |
Inland African Scenery |
| Joseph Glover Baldwin.
1815–1864. |
The Old-Time Virginian in a New Country |
| Frederick Augustus Porter Barnard.
1809–1889. |
Utility of Scientific Research |
| A Prophetic Warning |
| Frances Anne Kemble.
1809–1893. |
A First Appearance |
| Oliver Johnson.
1809–1889. |
The Garrisonian Point of View |
| Elizabeth (Lloyd) Howell.
1811–1896. |
Milton’s Prayer of Patience |
| Benjamin Peirce.
1809–1880. |
Evolution the Method of an Omnipresent Deity |
| Louisa Susanna Cheves McCord.
1810–1879. |
A Difference in Kind |
| James Aldrich.
1810–1856. |
A Death-Bed |
| Epigrams |
| Theodore Parker.
1810–1860. |
The Real Church |
| Intuitions of Immortality |
| Eternal Justice the Ultimate Court of Appeal |
| The Higher Good |
| Margaret Fuller.
1810–1850. |
Men and Women |
| The True Criticism |
| Rachel |
| Willis Gaylord Clark.
1808–1841. |
A Witch Song |
| Elizabeth Clementine Kinney.
1810–1889. |
To an Italian Beggar-Boy |
| Desires |
| Ormsby MacKnight Mitchel.
1810?–1862. |
The Lesson of the Solid Earth |
| An Adventure Spoiled |
| Robert Toombs.
1810–1885. |
The Five Stipulations of the South |
| Edmund Hamilton Sears.
1810–1876. |
Christmas Song |
| Oliver Wendell Holmes.
1809–1894. |
Old Ironsides |
| La Grisette |
| The Last Leaf |
| Iris |
| On Lending a Punch-Bowl |
| The Sprowle Party |
| The Chambered Nautilus |
| The Living Temple |
| Dorothy Q. |
| New England’s Gentle Iconoclast |
| The Strong Heroic Line |
| James Henry Hammond.
1807–1864. |
The Patriarchal System vs. White Slavery |
| Albert Taylor Bledsoe.
1809–1877. |
Predicting the Consequences of Abolition |
| Elihu Burritt.
1810–1879. |
A Learned Blacksmith |
| Mary Traill Spence Lowell Putnam.
1810–1898. |
African Preachers |
| James Freeman Clarke.
1810–1888. |
The Belief in God |
| William Henry Channing.
1810–1884. |
Margaret Fuller |
| Cassius Marcellus Clay.
1810–1903. |
Abraham Lincoln |
| Robert Taylor Conrad.
1810–1858. |
The Death of Jack Cade |
| Robert Hinckley Messinger.
1811–1874. |
A Winter Wish |
| Wendell Phillips.
1811–1884. |
The Wisdom of Ancient Days |
| Under the Flag |
| A Hero of the Black Race |
| Charles Sumner.
1811–1874. |
The Crime Against Kansas |
| The Effect of Slave Ownership |
| Equal Rights the Sole Basis of Union |
| A Victor’s Magnanimity |
| Horace Greeley.
1811–1872. |
The Tribune |
| Dependent Journalism |
| Non-Conformity |
| “The Prayer of Twenty Millions” |
| The Appeal for Emancipation Renewed |
| Relative to the Bailing of Jefferson Davis |
| The Farmer’s Future |
| Social Reform |
| Marriage and Divorce |
| Literature as a Vocation |
| Frances Miriam Whitcher.
1814–1852. |
Hezekiah Bedott’s Opinion |
| George Washington Greene.
1811–1883. |
With Cole, the Painter, at Rome |
| Henry James, Sr.
1811–1882. |
Our Existing Civilization |
| Noah Porter.
1811–1892. |
Religious Books |
| The New and the Old Commandment |
| The Christian College |
| William Ingraham Kip.
1811–1893. |
Our Venerable Liturgy |
| Personal Appearance of Our Lord |
| Andrew Preston Peabody.
1811–1893. |
Fair Harvard Sixty Years Ago |
| Alfred Billings Street.
1811–1881. |
The Loon |
| Delia Bacon.
1811–1859. |
Her Initiation of the Shakespeare-Bacon Controversy |
| John William Draper.
1811–1882. |
The Organization of Public Intellect |
| The American Democracy |
| Frances Sargent Osgood.
1811–1850. |
A Dancing Girl |
| Calumny |
| Song: ‘Your heart is a music-box’ |
| He May Go—If He Can |
| “Bois Ton Sang, Beaumanoir!” |
| Her Last Verses |
| Harriet Beecher Stowe.
1811–1896. |
Eliza’s Flight |
| The Other World |
| The Minister’s Housekeeper |
| Stephen Pearl Andrews.
1812–1886. |
A Science of the Universe |
| Thomas Gold Appleton.
1812–1884. |
The Colossi |
| Table-Talk |
| George Ticknor Curtis.
1812–1894. |
Man’s Two Existences |
| Henry Wilson.
1812–1875. |
Secretary Stanton |
| Alexander Hamilton Stephens.
1812–1883. |
The Corner-Stone of the Confederacy |
| William Starbuck Mayo.
1812–1895. |
A Struggle in the Forest |
| William H. Burleigh.
1812–1871. |
The Harvest-Call |
| Sarah Roberts.
1812–1869. |
The Voice of the Grass |
| Samuel Osgood.
1812–1880. |
Hours of Sleep and Hours of Study |
| William Tappan Thompson.
1812–1882. |
A Proposal of Marriage |
| Samuel Irenæus Prime.
1812–1885. |
Explaining Away the Gospel |
| Abraham Coles.
1813–1891. |
The “Dies Iræ” |
| Dies Iræ |
| Benson John Lossing.
1813–1891. |
Old-Time Life in Albany |
| John Charles Frémont.
1813–1890. |
The First Exploration of the Great Salt Lake |
| On Recrossing the Rocky Mountains in Winter after Many Years |
| Noted Sayings |
Part II |
| Samuel Ward.
1814–1884. |
A Proem |
| Mazurka |
| Ann Sophia Stephens.
1810–1886. |
Queen Esther’s Rock |
| Stephen Arnold Douglas.
1813–1861. |
His Country First |
| Henry Ward Beecher.
1813–1887. |
The Battle Set in Array |
| Defence of the North |
| On the Death of Lincoln |
| Sounding the Timbrel |
| Visions |
| “The Sparks of Nature” |
| Concerning Future Punishment |
| Belief in God a Matter of Intuition |
| The “Sacredness” of the Bible |
| Evolution and Immortality |
| Jones Very.
1813–1880. |
Yourself |
| The Dead |
| The Silent |
| Cyrus Augustus Bartol.
1813–1900. |
Father Taylor: A Man of Genius |
| Christopher Pearse Cranch.
1813–1892. |
Stanzas |
| The Bobolinks |
| If Death be Final |
| Henry Theodore Tuckerman.
1813–1871. |
The First American Novelist |
| Newspaper Reading—Its Use and Abuse |
| Joel Tyler Headley.
1813–1897. |
Cheney’s Adventures |
| Epes Sargent.
1813–1880. |
A Life on the Ocean Wave |
| To David Friedrich Strauss |
| John Sullivan Dwight.
1813–1893. |
A Definition of Music |
| Sylvester Judd.
1813–1853. |
A Child’s Sunday a Hundred Years Ago |
| Charles Timothy Brooks.
1813–1883. |
The Voice of the Pine |
| Henry Whitney Bellows.
1814–1882. |
Mistake of the Religious Classes in their Treatment of the Stage |
| Channing as a Preacher |
| Francis Alexander Durivage.
1814–1881. |
Chez Brébant |
| John Lothrop Motley.
1814–1877. |
His Project for a Great History |
| Portraits of Charles and Philip |
| The Fall of Antwerp |
| William the Silent |
| Henry Norman Hudson.
1814–1886. |
The Vision of a Great Poet |
| Benjamin Penhallow Shillaber.
1814–1890. |
Some of Mrs. Partington’s Opinions |
| Richard Henry Dana, Jr.
1815–1882. |
A Flogging at Sea |
| Cracking on for Home |
| Elizabeth Hussey Whittier.
1815–1864. |
The Wedding Veil |
| Charles Edwards Lester.
1815–1890. |
John Thorogood, Dissenter |
| Rufus Wilmot Griswold.
1815–1857. |
The Genius and Character of Poe |
| Thomas Bangs Thorpe.
1815–1878. |
The Bee-Hunter |
| Johnson J. Hooper.
1815–1862. |
Taking the Census |
| Andrew Jackson Downing.
1815–1852. |
Distinctive Features of the Beautiful and the Picturesque |
| Philip Pendleton Cooke.
1816–1850. |
Florence Vane |
| Abel Stevens.
1815–1897. |
A Light of Methodism |
| Charles Gamage Eastman.
1816–1860. |
A Picture |
| Dirge |
| Lewis William Mansfield.
1816–1898. |
Singing “China” |
| Elegy |
| Richard Burleigh Kimball.
1816–1892. |
Sturm und Drang |
| A Surprise for the Rector |
| James Thomas Fields.
1817–1881. |
Common Sense |
| Glances at Thackeray |
| Robert Traill Spence Lowell.
1816–1891. |
The Brave Old Ship, the Orient |
| Parke Godwin.
1816–1904. |
The Dramatic Art |
| Evert Augustus Duyckinck.
1816–1878. |
Washington Irving |
| Elizabeth Cady Stanton.
1816–1902. |
A Plea for Woman Suffrage |
| John Godfrey Saxe.
1816–1887. |
The Way of the World |
| The Briefless Barrister |
| Henry David Thoreau.
1817–1862. |
Spring Beside Walden |
| The Fisher’s Boy |
| Mist |
| The Wellfleet Oysterman |
| John Jay.
1817–1894. |
Happy Results from a Policy of Justice |
| John Ross Browne.
1821–1875. |
The History of My Horse, Saladin |
| John Bigelow.
1817–1911. |
The Third-Term Question |
| Defence of the Character of Franklin |
| On the Return to Power of the Democratic Party |
| Horace Binney Wallace.
1817–1852. |
Why Sculpture Reached Perfection with the Greeks |
| Cornelius Mathews.
1817–1889. |
The Fate of Behemoth |
| The Poet |
| Roswell Dwight Hitchcock.
1817–1887. |
His View of Communism |
| Emily Chubbuck Judson (Fanny Forrester).
1817–1854. |
Watching |
| My Bird |
| Frederick Douglass.
c. 1818–1895. |
The Bitterest Dregs |
| Susan Warner.
1819–1885. |
How Fleda’s Little Bible Returned to Her |
| Henry Drisler.
1818–1897. |
A Famous Classical Teacher |
| Arthur Cleveland Coxe.
1818–1896. |
The Old Abbeys |
| The Chimes of England |
| The Heart’s Song |
| Vincenzo Botta.
1818–1894. |
Cavour the Statesman |
| Thomas Hill.
1818–1891. |
The Bobolink |
| John Weiss.
1818–1879. |
Humor |
| William Ellery Channing.
1818–1901. |
From “A Poet’s Hope” |
| Sonnet: ‘Men change,—that heaven above not more’ |
| To-morrow |
| Thoreau |
| Edith |
| Henry Peterson.
1818–1891. |
Lyon |
| James Jackson Jarves.
1818–1888. |
The Advantages of Art in America |
| Frederick Swartwout Cozzens.
1818–1869. |
Mr. Sparrowgrass’s Country Pleasures |
| A Leaf from Life |
| Josh Billings (Henry Wheeler Shaw).
1818–1885. |
Josh Billings’s Advertisement |
| William Maxwell Evarts.
1818–1901. |
The Presiding Chief-Justice at the Trial of President Johnson |
| Thomas William Parsons.
1819–1892. |
The Last Gentian |
| Guido’s Aurora |
| On a Bust of Dante |
| Dirge for One Who Fell in Battle |
| In Saint Joseph’s |
| Paradisi Gloria |
| Edwin Percy Whipple.
1819–1886. |
The Shakespearian World |
| The Judicious Hooker |
| Theodore Parker |
| Webster as a Master of English Style |
| William Ross Wallace.
1819–1881. |
Of Thine Own Country Sing |
| William Wilberforce Lord.
1819–1907. |
On the Defeat of a Great Man |
| Isaac Mayer Wise.
1819–1900. |
An Hebraic View of Genius |
| Thomas Dunn English.
1819–1902. |
The Ballad of the Colors |
| Philip Schaff.
1819–1893. |
The American Idea of Religious Freedom |
| James Russell Lowell.
1819–1891. |
Hebe |
| To the Dandelion |
| The Birch-Tree |
| She Came and Went |
| From “The Vision of Sir Launfal” |
| What Mr. Robinson Thinks |
| The Pious Editor’s Creed |
| The Courtin’ |
| Mr. Hosea Biglow to the Editor of the Atlantic Monthly |
| Dryden |
| Shakespeare and his Style |
| On a Certain Condescension in Foreigners |
| The First Snow-Fall |
| For an Autograph |
| After the Burial |
| In the Twilight |
| Abraham Lincoln |
| Wordsworth |
| Milton |
| In Defence of the Study of Greek |
| The Argument for a Reform Party |
| In a Copy of Omar Khayyám |
| Epigrams: With a Pair of Gloves Lost in a Wager |
| Epigrams: Sixty-Eighth Birthday |
| Charles Anderson Dana.
1819–1897. |
Greeley as a Journalist |
| Via Sacra |
| Roscoe Conkling |
| William Wetmore Story.
1819–1895. |
Cleopatra |
| The Roman Campagna |
| Praxiteles and Phryne |
| Harriet Winslow Sewall.
1819–1889. |
Why Thus Longing? |
| Herman Melville.
1819–1891. |
The Bell-Tower |
| The Stone Fleet |
| Sheridan at Cedar Creek |
| In the Prison Pen |
| Josiah Gilbert Holland.
1819–1881. |
Interludes from “Bitter-Sweet” |
| Self-Help |
| Daniel Gray |
| The Rev. Peter Mullens |
| A Christmas Carol |
| Julia Ward Howe.
1819–1910. |
Our Orders |
| Battle-Hymn of the Republic |
| The Telegrams |
| Amanda’s Inventory |
| Samuel Longfellow.
1819–1892. |
The Church Universal |
| George W. Dewey.
1818–1896. |
Blind Louise |
| Henry Augustus Wise.
1819–1869. |
The Mouse in the Pirate’s Cage |
| Robert Carter.
1819–1879. |
A Roland for an Oliver |
| Walt Whitman.
1819–1892. |
Inscriptions |
| Starting from Paumanok |
| From the “Song of Myself”: Leaves of Grass |
| In All, Myself |
| The Large Hearts of Heroes |
| And Still I Mount and Mount |
| Youth, Day, Old Age and Night |
| From “Out of the Cradle Endlessly Rocking” |
| To the Man-of-War Bird |
| Ethiopia Saluting the Colors |
| O Captain! My Captain! |
| Old Ireland |
| Behold a Woman! |
| Spirit that Form’d this Scene |
| O Vast Rondure! |
| Whispers of Heavenly Death |
| Joy, Shipmate, Joy! |
| Henry Jarvis Raymond.
1820–1869. |
Motives and Objects of the Disunion Movement |
| Elisha Kent Kane.
1820–1857. |
Lost in the Ice |
| Anne Charlotte Lynch Botta.
1815–1891. |
Largess |
| Christian Nestell Bovee.
1820–1904. |
Some Thoughts Worth Thinking |
| Anson Davies Fitz Randolph.
1820–1896. |
Hopefully Waiting |
| Susan Brownell Anthony.
1820–1906. |
The Negro but not Woman |
| Alice Cary.
1820–1871. |
The Gray Swan |
| Easter Bridal Song |
| At Uncle Christopher’s |
| Anne Whitney.
1821–1915. |
Bertha |
| Albert Mathews.
1820–1903. |
Honor |
| William Greenough Thayer Shedd.
1820–1894. |
The Foundation of Literary Style |
| Charles Astor Bristed.
1820–1874. |
A Cambridge Boat-Race |
| Augustus Rodney Macdonough.
1820–1907. |
A Magdalen of the Dresden Gallery |
| Theodore O’Hara.
1820–1867. |
The Bivouac of the Dead |
| William Tecumseh Sherman.
1820–1891. |
Beginning the March to the Sea |
| At the Front |
| Henry Howard Brownell.
1820–1872. |
Down! |
| Let Us Alone |
| The Sphinx |
| Ephraim George Squier.
1821–1888. |
The Chase on the Lagoon |
| Maria (White) Lowell.
1821–1853. |
The Morning-Glory |
| Amelia B. Welby.
1819–1852. |
Twilight at Sea |
| Richard Salter Storrs.
1821–1900. |
The Scholar’s Courage |
| James Hadley.
1821–1872. |
English Orthography |
| Charles Taber Congdon.
1821–1891. |
Alice |
| Twelve Little Dirty Questions |
| James Hammond Trumbull.
1821–1897. |
The Origin of M’Fingal |
| Ulysses Simpson Grant.
1822–1885. |
At Vicksburg |
| The End at Appomattox |
| Samuel Wilkeson.
1817–1889. |
An Hour and Forty Minutes |
| Richard Grant White.
1822–1885. |
Shakespeare the Dramatist |
| War in the Land of Uncle Sam |
| The Englishman’s Typical American |
| Edward Livingston Youmans.
1821–1887. |
A Terse Statement of the Doctrine of Forces |
| James Elliot Cabot.
1821–1903. |
Emerson in His Study |
| George Shepard Burleigh.
1821–1903. |
Mother Margary |
| Henry Martyn Field.
1822–1907. |
Travelling on the Desert |
| Octavius Brooks Frothingham.
1822–1895. |
The Transcendentalist |
| The Spirit of the New Faith |
| Thomas Buchanan Read.
1822–1872. |
Drifting |
| Sheridan’s Ride |
| The Closing Scene |
| Donald Grant Mitchell (Ik Marvel).
1822–1908. |
Of Books and Berries |
| A Morning at La Roquette |
| Benjamin Franklin Taylor.
1819–1887. |
October |
| Bunker Hill |
| Edward Everett Hale.
1822–1909. |
The Man Without a Country |
| Samuel Johnson.
1822–1882. |
The City of God |
| Frederick Law Olmsted.
1822–1903. |
Southern Manners and Slavery |
| James Parton.
1822–1891. |
The Second Marriage of Aaron Burr |
| The Apotheosis of Voltaire |
| Erastus Wolcott Ellsworth.
1822–1902. |
The Mayflower |
| Tuloom |
| Cornelius George Fenner.
1822–1847. |
Gulf-Weed |
| Abram Stevens Hewitt.
1822–1903. |
The Equitable Distribution of Wealth |
| Richard Malcolm Johnston.
1822–1898. |
Historic Doubts of Riley Hood |
| Francis Orrery Ticknor.
1822–1874. |
The Virginians of the Valley |
| Little Giffen |
| William Rounseville Alger.
1822–1905. |
All Is Each, and Each Is All |
| The Solitude of Occupation |
| Michael Heilprin.
1823–1888. |
Authorship of the Psalms |
| Sarah Jane Lippincott (Grace Greenwood).
1823–1904. |
Choose |
| Francis Parkman.
1823–1893. |
New England and New France |
| The Vengeance of Dominique de Gourgues |
| The Coureurs-de-Bois |
| The Heights of Abraham |
| George Henry Boker.
1823–1890. |
Paolo and Francesca |
| To England |
| To America |
| Ballad: ‘There was a gay maiden’ |
| The Black Regiment |
| Dirge for a Soldier |
| David Atwood Wasson.
1823–1887. |
Ideals |
| Thomas Wentworth Higginson.
1823–1911. |
American Literature |
| That Drop of Nervous Fluid |
| “Hebe Turned to Magdalen” |
| Decoration |
| The Monarch of Dreams |
| “Since Cleopatra Died” |
| A Song of Days |
| Every Woman’s Right |
| Waiting for the Bugle |
| Elizabeth Drew Barstow Stoddard.
1823–1902. |
Mercedes |
| A Summer Night |
| Unreturning |
| A Wreck on the White Flat |
| On the Campagna |
| John Randolph Thompson.
1823–1873. |
Ashby |
| Music in Camp |
| James Matthews Legaré.
1823–1859. |
To a Lily |
| Robert Collyer.
1823–1912. |
Under the Snow |
| James Roberts Gilmore.
1822–1903. |
John Jordan, the Scout |
| Augustine Joseph Hickey Duganne.
1823–1884. |
Bethel |
| George Horatio Derby.
1823–1861. |
Musical Review Extraordinary |
| Edward Pollock.
1823–1858. |
Olivia |
| Charles Carleton Coffin.
1823–1896. |
An American Colonel |
| Caroline Atherton Mason.
1823–1890. |
Reconciliation |
| William Morris Hunt.
1824–1879. |
With Brush in Hand |
| John Foster Kirk.
1824–1904. |
“To the Credit of My Lord of Burgundy” |
| Annie Chambers Ketchum.
1824–1904. |
Sea-Weeds |
| Thomas Starr King.
1824–1864. |
The Business and Glory of Eternity |
| George William Curtis.
1824–1892. |
The New Livery |
| Spring Song |
| Our Cousin the Curate |
| Egyptian Serenade |
| Wendell Phillips |
| Ebb and Flow |
| Charles Godfrey Leland.
1824–1903. |
The Two Friends |
| At Ease with the Romanys |
| Hans Breitmann’s Barty |
| Samuel Sullivan Cox.
1824–1889. |
In the Streets of Pera |
| John Gilmary Shea.
1824–1892. |
A Spanish-American Epic |
| Adeline Dutton Train Whitney.
1824–1906. |
Sunlight and Starlight |
| A Violet |
| Alexander Winchell.
1824–1891. |
The Mammoth |
| William Cowper Prime.
1825–1905. |
Evening on Follansbee |
| Bayard Taylor.
1825–1878. |
A Woman |
| Bedouin Song |
| The Song of the Camp |
| The Quaker Widow |
| Peach-Blossom |
| The Grottoes of Capri |
| America |
| The Combat of Lars and Per |
| Opening Scene of “Prince Deukalion” |
| Francis James Child.
1825–1896. |
Edmund Spenser |
| Richard Henry Stoddard.
1825–1903. |
The Flight of Youth |
| The Divan |
| Birds |
| The Sky Is a Drinking-Cup |
| The Shadow |
| Miserrimus |
| Persia |
| Abraham Lincoln |
| William Shakespeare |
| Adsum |
| Wandering Along a Waste |
| An Old Song Reversed |
| Henry Charles Lea.
1825–1909. |
A Spiritual Despotism |
| Civil Law and the Inquisition |
| De Profundis |
| Julia C. R. Dorr.
1825–1913. |
Martha |
| With a Rose from Conway Castle |
| Sleep |
| Joseph Brownlee Brown.
1824–1888. |
Thalatta! Thalatta! |
| William Mumford Baker.
1825–1883. |
A Southerner on South Carolina |
| In a Southern Village in ’64 |
| Margaret Junkin Preston.
1820–1897. |
The Hero of the Commune |
| A Grave in Hollywood Cemetery, Richmond |
| Lady Yeardley’s Guest |
| There’ll Come a Day |
| William Allen Butler.
1825–1902. |
Uhland |
| John Williamson Palmer.
1825–1906. |
Stonewall Jackson’s Way |
| For Charlie’s Sake |
| Samuel Bowles.
1826–1878. |
A Man’s Faith |
| Negro Hymns and Songs: Spirituals |
Roll, Jordan, Roll |
| Swing Low, Sweet Chariot |
| In de Mornin’ |
| Bright Sparkles in de Churchyard |
| O’er de Crossin’ |
| Lay dis Body Down |
| Stars Begin to Fall |
| In dat Great Gittin’-Up Mornin’ |
| Negro Hymns and Songs: Miscellaneous |
Savannah Firemen’s Song |
| Boat Song |
| Away Down in Sunbury |
| Charleston Gals |
| Many Thousand Go |
| George Brinton McClellan.
1826–1885. |
Foreigners in the Northern Army |
| Caroline Frances Orne.
1818–1905. |
The Letter of Marque |
| John William De Forest.
1826–1906. |
A Southerner of the Old School |
| Horatio Nelson Powers.
1826–1890. |
My Walk to Church |
| Walter Mitchell.
1826–1908. |
Tacking Ship Off Shore |
| Stephen Collins Foster.
1826–1864. |
Old Folks at Home |
| Massa’s in de Cold Ground |
| Nelly Bly |
| My Old Kentucky Home, Good-Night |
| Leonard Kip.
1826–1906. |
The Story of a Fortune |
| Coates Kinney.
1826–1904. |
Pessim |
| Lucy Larcom.
1826–1893. |
Climbing to Rest |
| Charles Eliot Norton.
1827–1908. |
Cathedral-Building |
| The First Stages of Dante’s Genius, Exhibited in the “Vita Nuova” |
| William Haines Lytle.
1826–1863. |
Antony to Cleopatra |
| Jacqueline |
| Lewis Wallace.
1827–1905. |
The Chariot Race |
| Rose Terry Cooke.
1827–1892. |
Blue-Beard’s Closet |
| Done For |
| The Deacon’s Week |
| Segovia and Madrid |
| William Dwight Whitney.
1827–1894. |
How Shall We Spell? |
| Francis Miles Finch.
1827–1907. |
The Blue and the Gray |
| Storm—The King |
| George Park Fisher.
1827–1909. |
Modern Belief and Doubt |
| Gustav Gottheil.
1827–1903. |
Jewish Reserve |
| John Townsend Trowbridge.
1827–1916. |
The Vagabonds |
| The Fugitive Slave in the North |
| Evening at the Farm |
| Anonymous |
Popular Songs and Ballads of the Civil War: Northern I: Union Army Chorus |
| James Sloan Gibbons.
1810–1892. |
Three Hundred Thousand More |
| Ethelinda Elliott Beers (Ethel Lynn).
1827–1879. |
All Quiet Along the Potomac |
| Charles Dawson Shanly.
1811–1875. |
The Fancy Shot |
| George Frederick Root.
1820–1895. |
The Battle Cry of Freedom |
| Albert Pike.
1809–1891. |
Popular Songs and Ballads of the Civil War: Southern: Dixie |
| Anonymous |
“Call All” |
| Anonymous |
Rebels |
| Harry Macarthy.
1834–1888. |
The Bonnie Blue Flag |
| John Williamson Palmer.
1825–1906. |
“The Brigade Must Not Know, Sir!” |
| Charles Carroll Sawyer.
b. 1833. |
Popular Songs and Ballads of the Civil War: Northern II: When Johnny Comes Marching Home |
| Patrick Sarsfield Gilmore.
1829–1892. |
When Johnny Comes Marching Home |
| John Bascom.
1827–1911. |
The Popular Press |
| Edward Atkinson.
1827–1905. |
The Basis of Prosperity for the New South |
| David Ames Wells.
1828–1898. |
The Old and the New Ideas in Taxation |
| Wants |
| William James Stillman.
1828–1901. |
John Ruskin |
| George William Bagby.
1828–1883. |
Jud. Brownin’s Account of Rubinstein’s Playing |
| Fitz-James O’Brien.
1828–1862. |
The Skaters |
| From “The Diamond Lens” |
| The Challenge |
| Roger Atkinson Pryor.
1828–1919. |
The South Loyal |
| Oliver Bell Bunce.
1828–1890. |
Men and Women at Home |
| George Perry.
1828–1888. |
Siva, Destroyer |
| Hiram Corson.
1828–1911. |
Spirituality a Test of Literature |
| Henry Timrod.
1828–1867. |
The Cotton Boll |
| Hinton Rowan Helper.
1829–1909. |
A Southerner on Southern Literature Before the War |
| Martha Joanna Lamb.
1829–1893. |
An Old-Fashioned Thanksgiving |
| Charles Graham Halpine.
1829–1868. |
The Thousand and Thirty-Seven |
| Sambo’s Right to be Kilt |
| Philander Deming.
1829–1915. |
Tompkins |
| Guy Humphrey McMaster.
1829–1887. |
Carmen Bellicosum |
| Carl Schurz.
1829–1906. |
Clay |
| Silas Weir Mitchell.
1829–1914. |
With a Decanter of Madeira |
| The “Hot Corner” |
| Murat Halstead.
1829–1908. |
To the Young Man at the Door |
| Charles Dudley Warner.
1829–1900. |
What I Know About Gardening |
| The Scholar’s Mission |
| A Mountain Tragedy |
| American Possibilities |
| James Gillespie Blaine.
1830–1893. |
President Johnson and Reconstruction |
| Paul Hamilton Hayne.
1830–1886. |
Vicksburg |
| A Dream of the South Winds |
| Love’s Autumn |
| Fate, or God? |
| A Little While I Fain Would Linger Yet |
| In Harbor |
| David Swing.
1830–1894. |
Life Immortal |
| Florus Beardsley Plimpton.
1830–1886. |
The Two Mariners |
| Charles Nordhoff.
1830–1901. |
Kilauea |
| James Gowdy Clark.
1830–1897. |
Marion Moore |
| John Esten Cooke.
1830–1886. |
The Fight with the Moonshiners |
| The Band in the Pines |
| Memories |
| John Swinton.
1829–1901. |
Carlyle at his Wife’s Grave |
| Isaac Edwards Clarke.
1830–1907. |
British Policy Opposed to American Industries |
| William Steele Shurtleff.
1830–1896. |
The Way |
| Noah Brooks.
1830–1903. |
Personal Reminiscences of Lincoln |
| Mary Virginia Hawes Terhune (Marion Harland).
1830–1922. |
An Old Virginia Ghost Story |
| Joseph Kirkland.
1830–1894. |
How the Meanest Man Got so Mean, and How Mean He Got |
| Wreck |
| Mary Barker Carter Dodge |
The Chimney Nest |
| Helen Hunt Jackson.
1830–1885. |
Spinning |
| The Sheep-Shearing at the Moreno Ranch |
| Habeas Corpus |
| Daniel Coit Gilman.
1831–1908. |
Twelve Points in Respect to University Education |
| A College Training |
| Elbridge Jefferson Cutler.
1831–1870. |
The Volunteer |
| Jane Goodwin Austin.
1831–1894. |
An Afternoon in Nantucket |
| James Abram Garfield.
1831–1881. |
George Henry Thomas |
| William Wallace Harney.
1831–1912. |
The Moorings |
| The Stab |
| Milking-Time |
| The Bergamot |
| Harriet Mann (Olive Thorne) Miller.
1831–1918. |
“O Wondrous Singers” |
| Franklin Benjamin Sanborn.
1831–1917. |
The Death and Character of John Brown |
| James Phinney Baxter.
1831–1921. |
Ebb |
| Rebecca Harding Davis.
1831–1910. |
On the Trapeze |
| Mary Louise Booth.
1831–1889. |
New York at the Beginning of the War |
| Edwin Lawrence Godkin.
1831–1902. |
Heroic Conflict of Democracy with Scientific Law |
| Some Political and Social Aspects of the Tariff |
| John Antrobus.
1831–1907. |
The Cowboy |
| Amelia Edith Huddleston Barr.
1831–1919. |
On a Cliff by Night |
| The Old Piano |
| Jane Cunningham Croly (Jennie June).
1829–1901. |
Divorce |
| Philip Henry Sheridan.
1831–1888. |
A Famous Ride |
| William Preston Johnston.
1831–1899. |
Albert Sidney Johnston |
| Isaac Israel Hayes.
1832–1881. |
A Northern Pet |
| Joel Benton.
1832–1911. |
The Poet |
| Andrew Dickson White.
1832–1918. |
A Broad Method Commended to Historians |
| After Centuries of War |
| Hiram Rich.
b. 1831. |
Jerry an’ Me |
| Louisa May Alcott.
1832–1888. |
John, an American |
| Thoreau’s Flute |
| Charles Colcock Jones, Jr.
1831–1893. |
Why the Rev. John Wesley Departed from Savannah |
| Justin Winsor.
1831–1897. |
Our Early Diplomacy in Europe |
| Henry Clay Work.
1832–1884. |
Marching Through Georgia |
| The Year of Jubilee |
