| Theodore Winthrop.
1828–1861. |
Don Fuluno to the Rescue |
| Kidnapped |
| But Once |
| A Pull for Life and Love |
| Henry Martyn Baird.
1832–1906. |
The Death of Coligny |
| Mary Ashley Townsend.
1836–1901. |
Down the Bayou |
| Hubert Howe Bancroft.
1832–1918. |
How They Found the Pacific Gold |
| Argonaut Life and Character |
| Moncure Daniel Conway.
1832–1907. |
Death as Foe, and as Friend |
| African Serpent-Drama in America |
| Portia |
| John Albee.
1833–1915. |
A Soldier’s Grave |
| Dandelions |
| Bos’n Hill |
| Goethe |
| William Douglas O’Connor.
1832–1889. |
The Pretty Pass Things Came to |
| The Carpenter |
| What a Witch and a Thief Made |
| Horace Howard Furness.
1833–1912. |
A Kindred Dramatic Method, in their Use of Double Time, Pursued by Æschylus and Shakespeare |
| “It Hath the Excuse of Youth” |
| George E. Waring, Jr.
1833–1898. |
Vix |
| Albert Deane Richardson.
1833–1869. |
John |
| Mary Agnes Tincker.
1831–1907. |
In the Hall of Cypresses |
| William Leighton.
1833–1911. |
Odin Dethroned |
| Isaac Hill Bromley.
1833–1898. |
The Noble Teton Sioux |
| The Season of Rampage |
| David Ross Locke.
1833–1888. |
Mr. Nasby Finds a New Business which Promises Ample Profits |
| Mr. Nasby at Last Loses his Post Office |
| Robert Green Ingersoll.
1833–1899. |
Selections from his Oratory and Writings |
| Tracy Robinson.
1833–1915. |
The Majority |
| Junius Henri Browne.
1833–1902. |
Marriage is Companionship |
| Genius and Labor |
| Elisha Mulford.
1833–1885. |
The Right of Revolution |
| The Nation the Antagonist of the Confederacy |
| George Washburn Smalley.
1833–1916. |
Louis Blanc, the Man and the Political Leader |
| Bismarck in the Reichstag |
| Conversation in London Drawing-Rooms |
| William Cleaver Wilkinson.
1833–1920. |
In Vindication of Webster |
| At Marshfield |
| James Morris Whiton.
1833–1920. |
The Assurance of Immortality |
| William Swinton.
1833–1892. |
The Little Monitor |
| George Arnold.
1834–1865. |
Sweet Impatience |
| Beer |
| A Sunset Fantasie |
| Marvin Richardson Vincent.
1834–1922. |
The Pride of Care |
| Charlton Thomas Lewis.
1834–1904. |
Influence of Civilization on Duration of Life |
| Charles Farrar Browne.
1834–1867. |
One of Mr. Ward’s Business Letters |
| A Visit to Brigham Young |
| Frank Richard Stockton.
1834–1902. |
Pomona’s Novel |
| The Lady, or the Tiger? |
| Annie Adams Fields.
1834–1915. |
Theocritus |
| Charles William Eliot.
1834–1926. |
Our American Gentry |
| Richard Realf.
1832–1878. |
An Old Man’s Idyl |
| Interpretation |
| Miriam Coles Harris.
1834–1925. |
A Sentimentalist’s Second Marriage |
| Harriet McEwen Kimball.
1834–1917. |
The Guest |
| White Azaleas |
| Katherine Prescott Wormeley.
1830–1908. |
A Night-Watch, after Fair Oaks |
| Frances Louisa Bushnell |
In the Dark |
| Frank Lee Benedict.
1834–1910. |
A Little Cat |
| James Abbott McNeill Whistler.
1834–1903. |
That Art is not Over-Indebted to the Multitude |
| Chauncey Mitchell Depew.
1834–1928. |
A Symbol |
| The American Idea |
| Starr Hoyt Nichols.
1834–1909. |
St. Theodule |
| Horace White.
1834–1916. |
The Great Chicago Fire |
| Charles Henry Webb.
1834–1905. |
Alec. Dunham’s Boat |
| With a Nantucket Shell |
| The Lay of Dan’l Drew |
| Adams Sherman Hill.
1833–1910. |
English in Newspapers and Novels |
| Charles Augustus Young.
1834–1908. |
Source and Duration of the Solar Heat |
| Charles Francis Adams, Jr.
1835–1915. |
The Road to a Liberal Education |
| John James Piatt.
1835–1917. |
The Mower in Ohio |
| The Morning Street |
| A Lost Graveyard |
| Apart |
| Leaves at my Window |
| The Grave of Rose |
| The Child in the Street |
| Phillips Brooks.
1835–1893. |
The Ministry for Our Age |
| Louise Chandler Moulton.
1835–1908. |
A Painted Fan |
| The House of Death |
| We Lay us Down to Sleep |
| To Night |
| The London Cabby |
| Afar |
| In Time to Come |
| Moses Coit Tyler.
1835–1900. |
The Colonial American Literature |
| Harriet Prescott Spofford.
1835–1921. |
O Soft Spring Airs! |
| Magdalen |
| A Sigh |
| Circumstance |
| Music in the Night |
| Ballad |
| Fantasia |
| Thomas Wallace Knox.
1835–1896. |
A Russian Wolf-Hunt |
| Henry Lynden Flash.
1835–1914. |
Stonewall Jackson |
| Mark Twain (Samuel Langhorne Clemens).
1835–1910. |
The Notorious Jumping Frog of Calaveras County |
| How they Burned Women at the Stake in Merrie England |
| The Feud |
| Augusta Jane Evans.
1835–1909. |
The Masterful Style of Proposal |
| Theodore Tilton.
1835–1907. |
God Save the Nation |
| The Flight from the Convent |
| Sir Marmaduke’s Musings |
| William Hayes Ward.
1835–1916. |
Elements of True Poetry |
| The New Castalia |
| Lyman Abbott.
1835–1922. |
The Book of Promise |
| Amanda Theodocia Jones.
1835–1914. |
Prairie Summer |
| Edward Greey.
1835–1888. |
Legend of the Golden Lotus |
| Mary Emily Bradley.
1835–1898. |
The Old Story |
| The Key-Note |
| Andrew Carnegie.
1835–1919. |
The Great Republic |
| Nathaniel Graham Shepherd.
1835–1869. |
Roll-Call |
| William Torrey Harris.
1835–1909. |
The Personality of God |
| Shakespeare’s Historical Plays |
| The Eternity of Rome |
| William Osborn Stoddard.
1835–1925. |
The Prairie Plover |
| The Sentinel Year |
| Augusta Larned.
1835–1924. |
A Domestic Tyrant |
| Clara Florida Guernsey.
1836–1893. |
The Silver Bullet |
| William Winter.
1836–1917. |
In “The World of Dreams” |
| My Queen |
| Constance |
| An Empty Heart |
| Shakespeare’s Grave |
| Poe |
| Relations of the Press and the Stage |
| Celia Laighton Thaxter.
1835–1894. |
The Sandpiper |
| The Watch of Boon Island |
| Song: ‘We sail toward evening’s lonely star’ |
| A Mussel Shell |
| Schumann’s Sonata in A Minor |
| John Rose Greene Hassard.
1836–1888. |
“Siegfried” at Bayreuth |
| Thomas Bailey Aldrich.
1836–1907. |
Flower and Thorn |
| Palabras Cariñosas |
| An Untimely Thought |
| An Old Castle |
| Our New Neighbors at Ponkapog |
| Prescience |
| Identity |
| On an Intaglio Head of Minerva |
| Enamoured Architect of Airy Rhyme |
| A Village Sunrise |
| Lending a Hand |
| Odd Sticks, and Certain Reflections Concerning Them |
| The Last Cæsar |
| Quatrains |
| Sleep |
| Henry Mills Alden.
1836–1919. |
The Childhood of De Quincey |
| A Child shall Lead them |
| Sarah Morgan Bryan Piatt.
1836–1919. |
Why Should we Care? |
| His Share and Mine |
| Tradition of Conquest |
| After Wings |
| Transfigured |
| The Witch in the Glass |
| Fitz Hugh Ludlow.
1836–1870. |
The Hour and the Power of Darkness |
| William Henry Venable.
1836–1920. |
The Tunes Dan Harrison Used to Play |
| Summer Love |
| Robert Henry Newell.
1836–1901. |
“Picciola” |
| The Calmest of Her Sex |
| Benjamin Edward Woolf.
1836–1901. |
Dialogue from “The Mighty Dollar” |
| Edward Howard House.
1836–1901. |
A Child of Japan |
| John Aylmer Dorgan.
1836–1867. |
The Dead Solomon |
| Boat Song |
| Russell Sturgis.
1836–1909. |
John Leech |
| David Gray.
1836–1888. |
The Cross of Gold |
| Communion |
| Adoniram Judson Sage.
1836–1902. |
The Violin |
| John Burroughs.
1837–1921. |
In the Hemlocks |
| Obiter Dicta |
| Waiting |
| “Hail to Thee, Blithe Spirit!” |
| Springs |
| Forceythe Willson.
1837–1867. |
In State |
| Samuel Greene Wheeler Benjamin.
1837–1914. |
The Source and the Aim of Art |
| Jeannette Ritchie Hadermann Walworth.
1837–1918. |
Uncle Lige |
| Arthur Gilman.
1837–1909. |
“The Good Haroun Alraschid” |
| Whitelaw Reid.
1837–1912. |
Sherman, the Soldier |
| The Pursuit of Politics |
| Kate Neely Festetits.
b. 1837. |
Christmas-Time |
| William Dean Howells.
1837–1920. |
Venetian Vagabonds |
| Clement |
| The Priest’s Question |
| Before the Gate |
| The Parlor Car |
| The First Cricket |
| Horace Porter.
1837–1921. |
Five Forks, and the Capture of Petersburg |
| Edward Eggleston.
1837–1902. |
Abraham Lincoln’s Defence of Tom Grayson |
| Courtship and Marriage in the Colonies |
| Burke Aaron Hinsdale.
1837–1900. |
The Connecticut Western Reserve |
| Edward Payson Roe.
1838–1888. |
A Day in Spring |
| Charlotte Fiske Bates.
1838–1916. |
The Problem |
| Spring in Winter |
| Woodbines in October |
| Margaret Elizabeth Sangster.
1838–1912. |
Our Own |
| Apple Blossoms |
| Horace Elisha Scudder.
1838–1902. |
Landor as a Classic |
| A Vision of Peace |
| “As Good as a Play” |
| Henry Ames Blood.
1836–1900. |
Shakespeare |
| The War of the Dryads |
| Albion Winegar Tourgée.
1838–1905. |
A Race against Time |
| John Richard Dennett.
1838–1874. |
Rossetti and Pre-Raphaelitism |
| John Davis Long.
1838–1915. |
At the Fireside |
| Edna Dean Proctor.
1829–1923. |
Heaven, O Lord, I Cannot Lose |
| Moscow |
| Charles Barnard.
1838–1920. |
Scene from “The County Fair” |
| Mary Mapes Dodge.
1831–1905. |
The Two Mysteries |
| The Stars |
| Miss Malony on the Chinese Question |
| Enfoldings |
| Shadow-Evidence |
| Thomas Raynesford Lounsbury.
1838–1915. |
Literary and Personal Characteristics of Cooper |
| The Future of Our Tongue |
| John Hay.
1838–1905. |
Liberty |
| Red-Letter Days in Spain |
| A Woman’s Love |
| A Triumph of Order |
| The Stirrup-Cup |
| James Ryder Randall.
1839–1908. |
My Maryland |
| John Pelham |
| Why the Robin’s Breast was Red |
| Abram Joseph Ryan.
1838–1886. |
The Conquered Banner |
| My Beads |
| William Walter Phelps.
1839–1894. |
The Theory of Commercial Panics |
| A Bad American Type |
| Ireland’s Want |
| Hezekiah Butterworth.
1839–1905. |
The First Christmas in New England |
| Sarah Chauncey Woolsey (Susan Coolidge).
1835–1905. |
Gulf-Stream |
| Lohengrin |
| Mary (Clemmer) (Ames) Hudson.
1839–1884. |
Good-Night |
| Bret Harte.
1836–1902. |
Grizzly |
| In the Tunnel |
| The Outcasts of Poker Flat |
| Plain Language from Truthful James |
| The Society upon the Stanislaus |
| The Aged Stranger |
| Tennessee’s Partner |
| Guild’s Signal |
| At the Hacienda |
| George Cary Eggleston.
1839–1911. |
The Chevalier of the Lost Cause |
| Stephen Henry Thayer.
1839–1919. |
The Waiting Chords |
| Henry George.
1839–1897. |
Property in Land in the United States |
| Francis Amasa Walker.
1840–1897. |
The Best Holding of the Land |
| John White Chadwick.
1840–1904. |
Recognition |
| His Mother’s Joy |
| John Torrey Morse, Jr.
1840–1937. |
A Picture of John Quincy Adams |
| Robert Kelley Weeks.
1840–1876. |
A Song for Lexington |
| On the Shore |
| Anadyomene |
| John Clark Ridpath.
1840–1900. |
Tenets of Liberty |
| Rossiter Johnson.
1840–1931. |
Laurence |
| At the End of the War |
| Laura Redden Searing (Howard Glyndon).
1840–1923. |
Disarmed |
| Wendell Phillips Garrison.
1840–1907. |
The Martyrdom of Lovejoy |
| “Peaceable Separation” Mooted by the Abolitionists of 1845 |
| Post-Meridian |
| William Graham Sumner.
1840–1910. |
Examination of a Cardinal Protectionist Theory |
| The “Loco-Focos” of 1835 |
| Amelia Walstien Carpenter.
b. 1840. |
In the Slant o’ the Sun |
| Henry Watterson.
1840–1921. |
The New South |
| Eugene Schuyler.
1840–1890. |
The Czar as a Carpenter |
| Kate Field.
1838–1896. |
Some Reminiscences of Landor |
| Henry Bernard Carpenter.
1840–1890. |
Garfield |
| Stanzas from “Fryeburg” |
| Henry Morton Stanley.
1841–1904. |
A Meeting in the Heart of Africa |
| Mary Ainge De Vere (Madeline Bridges). |
A Farewell |
| A Quiet House |
| God Keep You |
| George Frederic Parsons.
1840–1893. |
The Comédie Humaine |
| Business |
| James Herbert Morse.
1841–1923. |
Loss |
| George Alfred Townsend.
1841–1914. |
Old “Beau” and “Crutch, the Page” |
| In Rama |
| Joaquin (Cincinnatus Hiner) Miller.
1837–1913. |
From “Arizonian” |
| Written in Athens |
| Kit Carson’s Ride |
| Mount Shasta |
| Denton Jaques Snider.
1841–1925. |
At the House of Pindar |
| Kate Putnam Osgood.
1841–1910. |
Driving Home the Cows |
| Latent |
| Mayo Williamson Hazeltine.
1841–1909. |
Zola |
| Edward Rowland Sill.
1841–1887. |
The Lover’s Song |
| Opportunity |
| The Fool’s Prayer |
| Eve’s Daughter |
| George Makepeace Towle.
1841–1893. |
Gladstone Speaking |
| Nora Perry.
1831–1896. |
Some Day of Days |
| The Love-Knot |
| Riding Down |
| The Coming of the Spring |
| Titus Munson Coan.
1836–1921. |
On Being Born Away from Home |
| The Watch-Fire |
| William Gordon McCabe.
1841–1920. |
Dreaming in the Trenches |
| Christmas Night of ’62 |
| Charles Edward Carryl.
1841–1920. |
Robinson Crusoe |
| Minot Judson Savage.
1841–1918. |
Spiritualism |
| The Shadow |
| Susan Dabney Smedes.
1840–1913. |
Thomas Dabney, a Planter of the Old Time |
| Annie Douglas (Green) Robinson.
1842–1913. |
Two Pictures |
| Pussy Willow |
| Bronson Howard.
1842–1908. |
The Laws of Dramatic Construction |
| Thomas Stephens Collier.
1842–1893. |
Sacrilege |
| Charles Monroe Dickinson.
1842–1924. |
The Children |
| Ellen Warner Olney Kirk.
1842–1928. |
His Wife’s Relations |
| Mary Anna Phinney Stansbury.
b. 1842. |
How He Saved St. Michael’s |
| Henry Abbey.
1842–1911. |
May in Kingston |
| Winter Days |
| John Fiske.
1842–1901. |
Immortality the Logical Outcome of Evolution |
| Sidney Lanier.
1842–1881. |
The Marshes of Glynn |
| Song of the Chattahoochee |
| The Mocking Bird |
| The Revenge of Hamish |
| Night and Day |
| Anna Elizabeth Dickinson.
1842–1932. |
The Draft Riot of July, 1863 |
| David Law Proudfit.
1842–1897. |
The Willis |
| Poor Little Joe |
| Charles Follen Adams.
1842–1918. |
Yawcob Strauss |
| Americus Wellington Bellaw.
b. 1842. |
Cotton-Field Song |
| Charles Bertrand Lewis.
1842–1924. |
From the Proceedings of the Lime-Kiln Club |
| Frederick Henry Pilch.
1842–1889. |
De ’Sperience ob de Reb’rend Quawko Strong |
| Edwin Lassetter Bynner.
1842–1893. |
All Saints’ Day at Lisbon |
| May Riley Smith.
1842?–1927. |
Sometime |
| William Henry McElroy.
1838–1918. |
An Old War-Horse to a Young Politician |
| Charles Goodrich Whiting.
1842–1922. |
The Eagle’s Fall |
| Sea-shore |
| For Ronald in his Grave |
| Henry James.
1843–1916. |
Beautiful England |
| Two Modern Types |
| The Sorrowful World of Turgénieff |
| Miss Daisy Miller of Schenectady, U. S. |
| The Lifting of a Veil |
| The Glory of Niagara |
| Clarence King.
1842–1901. |
The Helmet of Mambrino |
| Francis Fisher Browne.
1843–1913. |
Under the Blue |
| Vanquished |
| Helen Kendrick Johnson.
1844–1917. |
“When Shall We Three Meet Again?” |
| Samuel Willoughby Duffield.
1843–1887. |
The Great Hymn of Abélard |
| At Vespers |
| Ehrman Syme Nadal.
1843–1922. |
Thackeray’s Relation to English Society |
| Landscape with Figures |
| Laurence Hutton.
1843–1904. |
Master Betty |
| From Uncollected Essays |
| Charles Warren Stoddard.
1843–1909. |
The Surf-Swimmer |
| Albatross |
| The Cocoa-Tree |
| Harriet Waters Preston.
1836–1911. |
Russian Novelists |
| Maurice Thompson.
1844–1901. |
The Death of the White Heron |
| The Bluebird |
| The Motif of Bird-Song |
| Atalanta |
| John Boyle O’Reilly.
1844–1890. |
Western Australia |
| In Tropic Rains |
| My Native Land |
| A Savage |
| A Dead Man |
| A Passage |
| The Pilgrims |
| Francis Howard Williams.
1844–1922. |
In No Man’s Land |
| Song: ‘A bird in my bower’ |
| Elizabeth Stuart Phelps Ward.
1844–1911. |
An Autumn Violet |
| Alas, Poor Ghost! |
| At the Party |
| Richard Watson Gilder.
1844–1909. |
“My Love for Thee doth March like Armèd Men” |
| Listening to Music |
| “I Count my Time by Times that I meet Thee” |
| Mors Triumphalis |
| The Celestial Passion |
| A Christmas Hymn |
| On a Portrait of Servetus |
| Ode: ‘I am the spirit of the morning sea’ |
| On the Life-Mask of Abraham Lincoln |
| The Sonnet |
| Desecration |
| George Washington Cable.
1844–1925. |
Madame Délicieuse |
| Robert Jones Burdette.
1844–1914. |
Bartimeus |
| Theodore Whitefield Hunt.
1844–1930. |
Arnold and his Style |
| Marietta Holley.
1836–1926. |
The Clinging Vine Theory |
| Adolphus Washington Greely.
1844–1935. |
The Death of a Hero |
| Charles King.
1844–1933. |
A Ride through the Valley of Death |
| Margret Holmes Ernsperger Bates.
1844–1927. |
A Hoosier Rascal |
| Clifford Anderson Lanier.
1844–1908. |
Time, Tireless Tramp |
| Elizabeth Bacon Custer.
1842–1933. |
A Dakota Blizzard |
| Custer and his Hounds |
| Margaret Thomson Janvier (Margaret Vandegrift).
1845–1913. |
The Dead Doll |
| George Haven Putnam.
1844–1930. |
International Copyright |
| Thomas Sergeant Perry.
1845–1928. |
Money and the Snob |
| Will Carleton.
1845–1912. |
Betsey and I are Out |
| Maria Louise Pool.
1841–1898. |
The Last Straw |
| Gertrude Bloede.
Stuart Sterne).
1845–1905. |
My Father’s Child |
| Lucretia Gray Noble.
1836–1927. |
A Roaring Ledge |
| In the Battle |
| Henry Adams.
1838–1918. |
Breaking in a President |
| Joseph A. Nimes |
A Country Breakfast in England |
| Patrician Amenities |
| John Henry Boner.
1845–1903. |
Poe’s Cottage at Fordham |
| We Walked among the Whispering Pines |
| The Light’ood Fire |
| Midsummer Night |
| George Kennan.
1845–1924. |
A Visit to Count Tolstoi |
| Ella Wheeler Wilcox.
1850–1919. |
Friendship after Love |
| Solitude |
| Will |
| George Thomas Lanigan.
1845–1886. |
Latter-Day Fables |
| A Threnody |
| Hamilton Wright Mabie.
1846–1916. |
The Spiritual Element in Modern Literature |
| James Appleton Morgan.
1845–1928. |
Shylock’s Appeal |
| Julian Hawthorne.
1846–1934. |
The Metamorphosis of Archibald Malmaison |
| Ina Donna Coolbrith.
1841–1928. |
When the Grass shall Cover Me |
| A Perfect Day |
| Rose Elizabeth Cleveland.
1846–1918. |
Altruistic Faith |
| Anna Katharine Green.
1846–1935. |
The Storm in the Wood |
| At the Piano |
| Alice Williams Brotherton.
1848–1930. |
Passing |
| The Ragged Regiment |
| William Young.
1847–1920. |
Scenes from “Pendragon” |
| The Flower-Seller |
| Arthur Sherburne Hardy.
1847–1930. |
In the Chamber of Charlemagne |
| Henry Augustin Beers.
1847–1926. |
Bumble-Bee |
| Hugh Latimer |
| The Singer of One Song |
| William Henry Bishop.
1847–1928. |
A Little Dinner |
| Blanche Willis Howard.
1847–1898. |
At the Pardon |
| The Dowager Countess of Kronfels |
| Edgar Fawcett.
1847–1904. |
To an Oriole |
| The Meeting |
| The Sphinx of Ice |
| The Gentleman who Lived too Long |
| The Old Beau |
| The Dying Archangel |
| A Dead Butterfly |
| Mary Hallock Foote.
1847–1938. |
Home-Life in Mexico |
| James Jeffrey Roche.
1847–1908. |
Andromeda |
| The V-a-s-e |
| Josiah Strong.
1847–1916. |
Facts and Thoughts Concerning Immigration |
| Walter Learned.
1847–1915. |
At the Golden Gate |
| On the Fly-Leaf of a Book of Old Plays |
| In Explanation |
| Constance Fenimore Woolson.
1840–1894. |
The Lady of Little Fishing |
| Edward King.
1848–1896. |
A Woman’s Execution |
| O Birds that Flit by Ocean’s Rim |
| Joel Chandler Harris.
1848–1908. |
The Wonderful Tar-Baby Story |
| A Revival Hymn |
| Free Joe and the Rest of the World |
| George Willis Cooke.
1848–1923. |
The Poet’s Art |
| John Vance Cheney.
1848–1922. |
And Who is She? |
| Evensong |
| Dirge |
| Hilda |
| A Saint of Yore |
| Hjalmar Hjorth Boyesen.
1848–1895. |
A Norse Radical |
| Hilda’s Little Hood |
| William Waldorf Astor.
1848–1919. |
The Last Supper of the Borgias |
| Frederick Wadsworth Loring.
1848–1871. |
In the Old Churchyard at Fredericksburg |
| Frances Courtenay Baylor.
1848–1920. |
After the Mountain Wedding |
| Charles de Kay.
1848–1935. |
Ulf in Ireland |
| Little People |
| Then shall I Triumph |
| From The Vision of Nimrod |
| Richard Rogers Bowker.
1848–1933. |
The Nature and Origin of Copyright |
| Ella Dietz Clymer.
b. 1856? |
Song: ‘O touch me not, unless thy soul’ |
| When I am Dead |
| George Washington Williams.
1849–1891. |
The Negro Soldiers at Port Hudson |
| Educating the Negro |
| Emma Lazarus.
1849–1887. |
Venus of the Louvre |
| The Cranes of Ibycus |
| The Crowing of the Red Cock |
| From The Dance to Death |
| The Banner of the Jew |
| Frances Hodgson Burnett.
1849–1924. |
Mr. Rogers’s “Onjestice” |
| Obadiah Cyrus Auringer.
1849–1937. |
The Flight of the War-Eagle |
| Sarah Orne Jewett.
1849–1909. |
Miss Tempy’s Watchers |
| A Child’s Grave |
| Philip Henry Welch.
1849–1889. |
Social Phonograms |
| George Augustus Baker.
1849–1906. |
Love’s Young Dream |
| Katharine Sherwood Bonner McDowell.
1849–1883. |
Aunt Beckey “Kunjured” |
| Thomas Chalmers Harbaugh.
1849–1924. |
Grant—Dying |
| Thomas Russell Sullivan.
1849–1916. |
“Sans Vie, Sans Amour” |
| Francis Saltus Saltus.
1849–1889. |
Graves |
| Ananké |
| Thomas Allibone Janvier.
1849–1913. |
San Antonio of the Gardens |
| Mary Newmarch Prescott.
1849–1888. |
The Old Story |
| Song: ‘Slipping, drifting with the tide’ |
| Asleep |
| Henry Francis Keenan.
1850–1928. |
The Sacrifice of La Roquette |
| Virginia Wales Johnson.
1849–1916. |
At Venice |
| Robert Burns Wilson.
1850–1916. |
The Death of Winter |
| Lafcadio Hearn.
1850–1904. |
The Legend of L’Île Dernière |
| George Washington Wright Houghton.
1850–1891. |
The Witch of York |
| Henry Cabot Lodge.
1850–1924. |
The Real George Washington |
| Lucy White Jennison (Owen Innsly).
b. 1850. |
A Simile |
| A Dream of Death |
| Chaucer |
| Arlo Bates.
1850–1918. |
A Bride’s Inheritance |
| The Danza |
| A Shadow Boat |
| A Lament |
| A Browning Club in Boston |
| Our Dead |
| Anna Bowman Dodd.
1855–1929. |
A Plantation Rosalind |
| Edward Bellamy.
1850–1898. |
A Dream within a Dream |
| Clarence Clough Buel.
1850–1933. |
The Guardian of our Dumb Friends |
| On the Trapping of a Mouse that Lived in a Lady’s Escritoire |
| William Hamilton Gibson.
1850–1896. |
Where Sleeps Titania |
| Alice French (Octave Thanet).
1850–1934. |
The Bishop’s Vagabond |
| Edgar Wilson (Bill) Nye.
1850–1896. |
The Pass Came too Late |
| Eugene Field.
1850–1895. |
Dutch Lullaby |
| Casey’s Table d’Hôte |
| The Bibliomaniac’s Prayer |
| The Old Man |
| A Fairy Glee |
| Preface to the Final Volume |
|
| Mary Noailles Murfree (Charles Egbert Craddock).
1850–1922. |
The “Harnt” that Walks Chilhowee |
| Isaac Henderson.
1850–1909. |
Woman and Priest |
| David Demarest Lloyd.
1851–1889. |
The Convention Scene in “For Congress” |
| Julia Constance Fletcher (George Fleming).
1858–1938. |
A Syrian Adventure |
| The Firing of the Shot |
| George Parsons Lathrop.
1851–1898. |
From “Keenan’s Charge” |
| Night in New York |
| A Wife’s Forgiveness |
| The Phœbe-Bird |
| The Sunshine of Thine Eyes |
| The Flown Soul |
| Rose Hawthorne Lathrop (Mother Alphonsa).
1851–1926. |
A Song before Grief |
| Twenty Bold Mariners |
| The Lost Battle |
| Dorothy |
| William Crary Brownell.
1851–1928. |
The Frenchwoman |
| Henry Woodfin Grady.
1851–1889. |
The Softer Aspects of Slavery |
| John Alfred Macon.
b. 1851. |
Terpsichore in the Flat Creek Quarters |
| Politics at the Log-Rolling |
| The Old Ship of Zion |
| The Wedding on the Creek |
| Charles Francis Richardson.
1851–1913. |
Nathaniel Hawthorne |
| Mariana Griswold Van Rensselaer.
1851–1934. |
Corot |
| Maurice Francis Egan.
1852–1924. |
Theocritus |
| Maurice de Guérin |
| Between the Lights |
| Edward Page Mitchell.
1852–1927. |
The Ablest Man in the World |
| John Bach McMaster.
1852–1932. |
In the America of 1784 |
| The American Workman in 1784 |
| Willis Brooks Hawkins.
1852–1928. |
Language that Needs a Rest |
| Brander Matthews.
1852–1929. |
Playing a Part |
| The Novel and the Drama |
| Robert Grant.
1852–1940. |
One Girl of the Period |
| Esther Bernon Carpenter.
1848–1893. |
Evening Meeting at Uncle ’Sias’s |
| Charles Howard Shinn.
1852–1924. |
The Building of Arachne |
| Irwin Russell.
1853–1879. |
The Banjo |
| Nebuchadnezzar |
| Nelly |
| Thomas Nelson Page.
1853–1922. |
From “Marse Chan” |
| Katherine Eleanor Conway.
1853–1927. |
Saturninus |
| “Star of my Dying-Time” |
| William Cranston Lawton.
1853–1941. |
The Delphic Oracle |
| Robert Underwood Johnson.
1853–1937. |
Noblesse Oblige |
| In the Dark |
| On a Great Poet’s Obscurity |
| A September Violet |
| William Henry Rideing.
1853–1918. |
A Person of “Literary Tastes” |
| Charles Henry Phelps.
1853–1933. |
The Maid of St. Helena |
| Rare Moments |
| Hearing the News in Idaho |
| Maybury Fleming.
b. 1853. |
To Sleep |
| Upon a Winter Morning |
| The New Year |
| Howard Pyle.
1853–1911. |
How Baron Conrad Held the Bridge |
| James Whitcomb Riley.
1849–1916. |
When the Frost is on the Punkin |
| The Elf Child |
| Griggsby’s Station |
| Knee-Deep in June |
| A Liz-Town Humorist |
| The Old Man and Jim |
| Harry Stillwell Edwards.
1855–1938. |
“Minc”—A Plot |
| Samuel Minturn Peck.
1854–1938. |
Bessie Brown, M.D. |
| My Little Girl |
| The Captain’s Feather |
| Francis Marion Crawford.
1854–1909. |
The Tragedy of Greifenstein |
| Edith Matilda Thomas.
1854–1925. |
Syrinx |
| Snow |
| A Flute |
| The Quiet Pilgrim |
| Music |
| Edgar Watson Howe.
1853–1937. |
A Prairie Town |
| Elisabeth Cavazza |
Alicia’s Bonnet |
| The Return of Ulysses |
| Derelict |
| Slumber Song |
| Frederic Jesup Stimson.
1855–1943. |
Mrs. Knollys |
| Henry Guy Carleton.
1856–1910. |
The Death of Memnon |
| Flora Haines Loughead.
1855–1943. |
The Fortunes of War |
| Henry Cuyler Bunner.
1855–1896. |
The Way to Arcady |
| She was a Beauty |
| A Pitcher of Mignonette |
| Love in Old Cloathes |
| Les Morts Vont Vite |
| For an Old Poet |
| Poultney Bigelow.
1855–1954. |
Education of a Young Prince |
| Armistead Churchill Gordon.
1855–1931. |
Ebo |
| Virginia Creepers |
| Maud Howe Elliott.
1854–1948. |
Out of the Sea |
| Elwyn Alfred Barron.
1855–1929. |
Closing Scene of “The Viking” |
| Bayard Tuckerman.
1855–1923. |
Lafayette |
| George Edward Woodberry.
1855–1930. |
From “The North Shore Watch” |
| Holbein’s Dance of Death |
| At Gibraltar |
| Our First Century |
| On the Hundredth Anniversary of the French Revolution |
| Song of Eros, in “Agathon” |
| Barrett Wendell.
1855–1921. |
A Revelation of Preëxistence |
| James Berry Bensel.
1856–1886. |
In Arabia |
| George Edgar Montgomery.
1855–1898. |
A Stolen Soul |
| Anne Sheldon Coombs.
1858–1890. |
The Harrises |
| Harry Thurston Peck.
1856–1914. |
Heliotrope |
| Harold Frederic.
1856–1898. |
“You Thought I did it!” |
| Charles Lotin Hildreth.
1856–1896. |
The King |
| Implora Pace |
| Evening |
| Harriet Leonora Vose Bates.
1856–1886. |
An Old Salem Shop |
| Cousin Susan’s Cupboard |
| Harrison Smith Morris.
1856–1948. |
To a Comrade |
| Margaret Deland.
1857–1945. |
A Conflict of Opinions |
| Ramsay Morris.
b. 1858. |
Cleopatra |
| Theodore Roosevelt.
1858–1919. |
Hunting “Old Ephraim” |
| Civil Service Examinations |
| James Benjamin Kenyon.
1858–1924. |
Song of the North Wind |
| Quatrain |
| Requiescat |
| Edgar Evertson Saltus.
1855–1921. |
A Maid of Modern Athens |
| Charles Henry Lüders.
1858–1891. |
Farm Fruits |
| An Old Thought |
| The Tryst |
| The Mountebanks |
| The River-God |
| The Draught |
| Star Dust |
| Memory |
| Mary Greenway McClelland.
1853–1895. |
The Flood |
| Milicent Washburn Shinn.
1858–1940. |
Summer Night |
| A Dream |
| To-day |
| Life’s Answer |
| A Mariposa Lily |
| William Morton Payne.
1858–1919. |
Björnson’s National Trilogy |
| Tourguénieff |
| Danske Dandridge.
1858–1914. |
The Dead Moon |
| Sarah Pratt McLean Greene.
1856–1935. |
Getting Ready for Meetin’ |
| De Sheepfol’ |
| William Roscoe Thayer (Paul Hermes).
1859–1923. |
Mankind’s Highest |
| The Hymn of Force |
| Helen Gray Cone.
1859–1934. |
A Nocturne of Rubinstein |
| Elsinore |
| A Rose |
| “As the Crow Files” |
| Clinton Scollard.
1860–1932. |
As I Came Down from Lebanon |
| Wild Coreopsis |
| The Bookstall |
| The Actor |
| Sidney Godolphin |
| Perpetuity |
| Mary Eleanor Wilkins Freeman.
1852–1930. |
Old Lady Pingree |
| Frank Dempster Sherman.
1860–1916. |
Bacchus |
| For Saynte Valentyne, his Daye |
| Winter Starlight |
| Pepita |
| Omar Khayyám |
| The Library |
| Henry Harland.
1861–1905. |
Mr. Sonnenschein’s Inheritance |
| Louise Imogen Guiney.
1861–1920. |
Knight Falstaff |
| Tarpeia |
| Moustache |
| The Wild Ride |
| Paula’s Epitaph |
| Ernest McGaffey.
b. 1861. |
Dreams |
| Geronimo |
| Dixie |
| Grace Elizabeth King.
1852–1932. |
The Devotion of Marcélite |
| Langdon Elwyn Mitchell.
1862–1935. |
Upon Seeing a Funeral in the Street |
| Amélie Rives Troubetzkoy.
1863–1945. |
For Bonnibel |
| Elaine Goodale Eastman.
1863–1953. |
Ashes of Roses |
| Indian Pipe |
| A Countrywoman of Mine |
| When Did We Meet? |
| Lizette Woodworth Reese.
1856–1935. |
Anne |
| In Sorrow’s Hour |
| The Garden at Bemerton |
| Madison Cawein.
1865–1914. |
Disenchantment of Death |
| Dora Read Goodale.
1866–1953. |
The Snowbird |
| Cinderella |
| Mariette |
| Eventide |
| William Tuckey Meredith.
b. 1839. |
Farragut |
| Michael O’Connor.
1837–1862. |
Réveille |
| Isaac Rusling Pennypacker.
1852–1935. |
At Gettysburg |
| Joseph Anderson.
1836–1916. |
Inscription on a Soldiers’ Monument |
| Rossiter Worthington Raymond.
1840–1918. |
Cavalry Song |
| Samuel Eleazer Mann.
1853–1918. |
The Land of Dreams |
| Daniel Webster.
1782–1852. |
The Memory of the Heart |
| William Lloyd Garrison.
1805–1879. |
Liberty for All |
| Franklin Benjamin Sanborn.
1831–1917. |
Samuel Hoar |
| John Sullivan Dwight.
1813–1893. |
Rest |
| James Thomson McKay.
1843–1890. |
The Centoaph |
| Arabella (Belle) Eugenie Smith.
1844–1916. |
If I should Die To-night |
| Ellen Clementine Howarth.
1827–1899. |
’Tis But a Little Faded Flower |
| Homer Greene.
1853–1940. |
What my Lover Said |
| Emily Warren |
Daisy |
| Kate M. Bishop |
Song: ‘Dear eyes, forbear to weep’ |
| Mary Evelyn Moore Davis.
1844–1909. |
Counsel |
| Alice Wellington Rollins.
1847–1897. |
“Many Things Thou hast Given me, Dear Heart” |
| Arlo Bates.
1850–1918. |
Despondency |
| Epiphanius Wilson.
1845–1916. |
The Two Mothers |
| Kate Tannatt Woods.
1838–1910. |
Dan’s Wife |
| Andrew Bice Saxton.
1856–1936. |
The First Step |
| Grace Denio Litchfield.
1849–1944. |
My Other Me |
| Lillien Blanche Fearing.
1863–1901. |
What have I Done? |
| Stephen Decatur Smith, Jr.
b. 1861. |
Transition |
| Kate Upson Clark.
1851–1935. |
Charlie’s Story |
| Bessie Morgan |
’Späcially Jim |
| Anonymous |
Afeard of a Gal |
| Gilbert Peter Knapp.
b. 1855. |
A Ditty |
| Edward Sandford Martin.
1856–1939. |
A Little Brother of the Rich |
| Frances Anne Kemble.
1809–1893. |
Lament of a Mocking-Bird, |
| Agnes E. Mitchell |
When the Cows Come Home |
| Wilson Flagg.
1805–1884. |
The O’Lincoln Family |
| Katharine Lee Bates.
1859–1929. |
The Little Knight in Green |
| Elizabeth Sears Bates Gerberding |
What Sees the Owl? |
| Richard Kendall Munkittrick.
1853–1911. |
A Country Road |
| Roger Riordan.
1848–1904. |
The Wood-Sprite |
| George Cooper.
1840–1927. |
Winter Woods |
| Orth Harper Stein.
1862–1901. |
The Skater |
| Rollin Mallory Doggett.
1831–1901. |
Waikiki |
| Frederick K. Crosby.
1845–1874. |
Under the Palms |
| Helen Thayer Hutcheson.
1860–1886. |
A King in Egypt |
| Virginia Peyton Fauntleroy |
Rivals |
| Richard Edwin Day.
b. 1852. |
England |
| Phoebe (Hinsdale) Brown.
1783–1861. |
Private Devotion |
| Samuel Johnson.
1822–1882. |
For Divine Strength |
| William Bingham Tappan.
1794–1849. |
The Hour of Peaceful Rest |
| Florence Smith.
1845–1871. |
Song of the Seeds |
| George Melville Upton.
b. 1861. |
A Prayer |
| Charles Henry Crandall.
1858–1923. |
Waiting |
| Christopher Pearse Cranch.
1813–1892. |
Old and Young |
| Anonymous |
The Unfinished Prayer |
| Arthur Wentworth Hamilton Eaton.
1849–1937. |
To a Doubter |
| Thomas MacKellar.
1812–1899. |
There is a Land Immortal |
| Davy Crockett.
1786–1836. |
A Native American |
| Richard Adams Locke.
1800–1871. |
From “The Moon Hoax” |
| Theodore Dwight Woolsey.
1801–1889. |
Plato |
| The Eclipse of Faith |
| Theodore Parker.
1810–1860. |
“To me Thou Cam’st” |
| “Thee, loved one, do the Rocks and Woodlands Sing” |
| John Lothrop Motley.
1814–1877. |
Glimpses of Noted People |
| Robert Traill Spence Lowell.
1816–1891. |
The Search for Father De Brie |
| George Copway.
1818–1869. |
The Education of a Young Chief |
| Richard Salter Storrs.
1821–1900. |
On the Study of History |
| Roswell Sabine Ripley.
1823–1887. |
The Storming of Chapultepec |
| Joseph Jefferson.
1829–1905. |
How Jefferson came to play Rip Van Winkle |
| Dramatic Action |
| John George Nicolay and John Hay. |
The Death of Lincoln |
| Theodore Bacon.
1834–1900. |
Miss Bacon’s Theory of the Shakespearian Plays |
| Lyman Abbott.
1835–1922. |
The Liberal Orthodoxy of To-day |
| Henry Adams.
1838–1918. |
Jefferson |
| The American of 1800 |
| James Schouler.
1839–1920. |
Andrew Jackson |
| Annie Trumbull Slosson.
1838–1926. |
He Forsook his Nets, and Followed Him |
| Brother Azarias (Patrick Francis Mullany).
1847–1893. |
Emerson and Newman |
| Mary Hartwell Catherwood.
1847–1902. |
Sieur de la Salle and Sainte Jeanne |
| Nicholas Paine Gilman.
1849–1912. |
The Wages System |
| Profit-Sharing |
| Edwin Markham.
1852–1940. |
The Last Furrow |
| Poetry |
| The Valley |
| Noted Sayings |
Part III |
