Stedman and Hutchinson, comps. A Library of American Literature:
An Anthology in Eleven Volumes. 1891.
Index to Verse
A Ballad of Virginia by Richard Rich (fl. 1610) |
Abraham Lincoln by James Russell Lowell (1819–1891) |
Abraham Lincoln by Richard Henry Stoddard (1825–1903) |
A Child’s Grave by Sarah Orne Jewett (1849–1909) |
A Child shall Lead them by Henry Mills Alden (1836–1919) |
A Christmas Carol by Josiah Gilbert Holland (1819–1881) |
A Christmas Hymn by Richard Watson Gilder (1844–1909) |
A Consolatory Poem by Nicholas Noyes (1647–1717) |
A Country Road by Richard Kendall Munkittrick (1853–1911) |
A Countrywoman of Mine by Elaine Goodale Eastman (1863–1953) |
A Cry to Battle by Jonathan Mitchel Sewall (1748–1808) |
A Cry unto the Lord to Stay His Hand by Captain Edward Johnson (1599?–1672) |
Adams and Liberty by Robert Treat Paine, Jr. (1773–1811) |
A Dancing Girl by Frances Sargent Osgood (1811–1850) |
A Dead Butterfly by Edgar Fawcett (1847–1904) |
A Dead Man by John Boyle O’Reilly (1844–1890) |
A Death-Bed by James Aldrich (1810–1856) |
A Dithyrambic on Wine by Thomas Godfrey (1736–1763) |
A Ditty by Gilbert Peter Knapp (b. 1855) |
A Dream by Milicent Washburn Shinn (1858–1940) |
A Dream of Death by Lucy White Jennison (Owen Innsly) (b. 1850) |
A Dream of the South Winds by Paul Hamilton Hayne (1830–1886) |
Adsum by Richard Henry Stoddard (1825–1903) |
Advice to a Young Lawyer by Joseph Story (1779–1845) |
A Fable by Revolutionary Songs and Ballads |
A Fairy Glee by Eugene Field (1850–1895) |
Afar by Louise Chandler Moulton (1835–1908) |
A Farewell by Mary Ainge De Vere (Madeline Bridges) |
Afeard of a Gal by Anonymous |
A Flute by Edith Matilda Thomas (1854–1925) |
A Forest Hymn by William Cullen Bryant (1794–1878) |
After the Burial by James Russell Lowell (1819–1891) |
After Wings by Sarah Morgan Bryan Piatt (1836–1919) |
A Grave in Hollywood Cemetery, Richmond by Margaret Junkin Preston (1820–1897) |
A Great Name by Park Benjamin (1809–1864) |
A Health by Edward Coate Pinkney (1802–1828) |
A Homely Plea for Toleration by Peter Folger (1617?–1690) |
A King in Egypt by Helen Thayer Hutcheson (1860–1886) |
A Lament by Arlo Bates (1850–1918) |
A Lamentation for Old Tenor Currency by Joseph Green (1706–1780) |
Albatross by Charles Warren Stoddard (1843–1909) |
A Leaf from Life by Frederick Swartwout Cozzens (1818–1869) |
Alec. Dunham’s Boat by Charles Henry Webb (1834–1905) |
Alice by Charles Taber Congdon (1821–1891) |
Alicia’s Bonnet by Elisabeth Cavazza |
A Life on the Ocean Wave by Epes Sargent (1813–1880) |
A Little Brother of the Rich by Edward Sandford Martin (1856–1939) |
A Little While I Fain Would Linger Yet by Paul Hamilton Hayne (1830–1886) |
A Liz-Town Humorist by James Whitcomb Riley (1849–1916) |
All Is Each, and Each Is All by William Rounseville Alger (1822–1905) |
A Lost Graveyard by John James Piatt (1835–1917) |
A Love-Letter to Her Husband by Anne Bradstreet (c. 1612–1672) |
A Magdalen of the Dresden Gallery by Augustus Rodney Macdonough (1820–1907) |
Amanda’s Inventory by Julia Ward Howe (1819–1910) |
A Mariposa Lily by Milicent Washburn Shinn (1858–1940) |
America by Joel Barlow (1754–1812) |
America by William Cullen Bryant (1794–1878) |
America by Samuel Francis Smith (1808–1895) |
America by Bayard Taylor (1825–1878) |
America to Great Britain by Washington Allston (1779–1843) |
A Mussel Shell by Celia Laighton Thaxter (1835–1894) |
Amyntor by Thomas Godfrey (1736–1763) |
Anadyomene by Robert Kelley Weeks (1840–1876) |
A Name in the Sand by Hannah Flagg Gould (1789–1865) |
Ananké by Francis Saltus Saltus (1849–1889) |
An Autograph by John Greenleaf Whittier (1807–1892) |
An Autumn Violet by Elizabeth Stuart Phelps Ward (1844–1911) |
André’s Bequest to Washington by Nathaniel Parker Willis (1806–1867) |
Andromeda by James Jeffrey Roche (1847–1908) |
And Who is She? by John Vance Cheney (1848–1922) |
An Empty Heart by William Winter (1836–1917) |
An Epitaph for Braddock by Verse of the French and Indian War |
An Epitaph for Sara and Roland Cotton by John Cotton (1585–1652) |
An Essay upon the Microscope by Nathaniel Ames (1708–1764) |
An Evening Revery by William Cullen Bryant (1794–1878) |
A New England Gentleman’s Epitaph by Thomas Dudley (1576–1653) |
A New England Saint by Benjamin Woodbridge (d. 1710) |
A New Song by Revolutionary Songs and Ballads |
An Indian Beauty by John Josselyn (fl. 1630–1675) |
Annabel Lee by Edgar Allan Poe (1809–1849) |
Anne by Lizette Woodworth Reese (1856–1935) |
Annie in the Graveyard by Caroline Howard Gilman (1794–1888) |
A Nocturne of Rubinstein by Helen Gray Cone (1859–1934) |
An Old Castle by Thomas Bailey Aldrich (1836–1907) |
An Old Man’s Idyl by Richard Realf (1832–1878) |
An Old Song Reversed by Richard Henry Stoddard (1825–1903) |
An Old Thought by Charles Henry Lüders (1858–1891) |
Antony to Cleopatra by William Haines Lytle (1826–1863) |
An Untimely Thought by Thomas Bailey Aldrich (1836–1907) |
A Painted Fan by Louise Chandler Moulton (1835–1908) |
A Pair of Eclogues: The Country Meeting by Anonymous |
A Pair of Eclogues: The Country School by Anonymous |
Apart by John James Piatt (1835–1917) |
A Passage by John Boyle O’Reilly (1844–1890) |
A Perfect Day by Ina Donna Coolbrith (1841–1928) |
A Picture by Charles Gamage Eastman (1816–1860) |
A Pitcher of Mignonette by Henry Cuyler Bunner (1855–1896) |
A Poet of Quality by William Maxwell (1784–1857) |
Apple Blossoms by Margaret Elizabeth Sangster (1838–1912) |
A Prayer by George Melville Upton (b. 1861) |
A Proem by Samuel Ward (1814–1884) |
A Prospect of Death by Ann Eliza Bleecker (1752–1783) |
A Quarrel with Fortune by Benjamin Coleman (1673–1747) |
A Quiet House by Mary Ainge De Vere (Madeline Bridges) |
A Recommendation of New-England by William Morrell (fl. 1625) |
A Revival Hymn by Joel Chandler Harris (1848–1908) |
A Rose by Helen Gray Cone (1859–1934) |
A Saint of Yore by John Vance Cheney (1848–1922) |
A Savage by John Boyle O’Reilly (1844–1890) |
A September Violet by Robert Underwood Johnson (1853–1937) |
A Serenade by Edward Coate Pinkney (1802–1828) |
As Glides the Pictured Dream by John Adams (1704–1740) |
A Shadow Boat by Arlo Bates (1850–1918) |
Ashby by John Randolph Thompson (1823–1873) |
Ashes of Roses by Elaine Goodale Eastman (1863–1953) |
As I Came Down from Lebanon by Clinton Scollard (1860–1932) |
A Sigh by Harriet Prescott Spofford (1835–1921) |
A Simile by Lucy White Jennison (Owen Innsly) (b. 1850) |
Asleep by Mary Newmarch Prescott (1849–1888) |
A Soldier’s Grave by John Albee (1833–1915) |
A Song before Grief by Rose Hawthorne Lathrop (Mother Alphonsa) (1851–1926) |
A Song for Lexington by Robert Kelley Weeks (1840–1876) |
A Song of Days by Thomas Wentworth Higginson (1823–1911) |
“As the Crow Files” by Helen Gray Cone (1859–1934) |
A Stolen Soul by George Edgar Montgomery (1855–1898) |
A Storm at Sea by Roger Wolcott (1679–1767) |
A Summer Night by Elizabeth Drew Barstow Stoddard (1823–1902) |
A Sunset Fantasie by George Arnold (1834–1865) |
Atalanta by Maurice Thompson (1844–1901) |
At Gettysburg by Isaac Rusling Pennypacker (1852–1935) |
At Gibraltar by George Edward Woodberry (1855–1930) |
A Threnody by George Thomas Lanigan (1845–1886) |
A Time-Worn Belle by John Trumbull (1750–1831) |
At Marshfield by William Cleaver Wilkinson (1833–1920) |
A Triumph of Order by John Hay (1838–1905) |
At the Fireside by John Davis Long (1838–1915) |
At the Golden Gate by Walter Learned (1847–1915) |
At the Hacienda by Bret Harte (1836–1902) |
At the Party by Elizabeth Stuart Phelps Ward (1844–1911) |
At the Piano by Anna Katharine Green (1846–1935) |
At the Press of Laurentius by Elihu Hubbard Smith (1771–1798) |
At Vespers by Samuel Willoughby Duffield (1843–1887) |
A Violet by Adeline Dutton Train Whitney (1824–1906) |
A Visit from St. Nicholas by Clement Clarke Moore (1779–1863) |
A War of Kings by Nicholas Scull (1686?–1761?) |
Away Down in Sunbury by Negro Hymns and Songs: Miscellaneous |
A Whaling Song by John Osborn (1713–1753) |
A Winter Wish by Robert Hinckley Messinger (1811–1874) |
A Witch Song by Willis Gaylord Clark (1808–1841) |
A Woman by Bayard Taylor (1825–1878) |
A Woman’s Execution by Edward King (1848–1896) |
A Woman’s Love by John Hay (1838–1905) |
Bacchus by Frank Dempster Sherman (1860–1916) |
Bacon’s Death, Eulogy, and Execration by Anonymous |
Ballad by Harriet Prescott Spofford (1835–1921) |
Ballad: ‘There was a gay maiden’ by George Henry Boker (1823–1890) |
Barbara Frietchle by John Greenleaf Whittier (1807–1892) |
Barclay of Ury by John Greenleaf Whittier (1807–1892) |
Bartimeus by Robert Jones Burdette (1844–1914) |
Battle-Hymn of the Republic by Julia Ward Howe (1819–1910) |
Battle of Trenton by Revolutionary Songs and Ballads |
Bedouin Song by Bayard Taylor (1825–1878) |
Beer by George Arnold (1834–1865) |
Before the Gate by William Dean Howells (1837–1920) |
Behold a Woman! by Walt Whitman (1819–1892) |
Bernardine du Born by Lydia Huntley Sigourney (1791–1865) |
Bertha by Anne Whitney (1821–1915) |
Bessie Brown, M.D. by Samuel Minturn Peck (1854–1938) |
Bethel by Augustine Joseph Hickey Duganne (1823–1884) |
Betsey and I are Out by Will Carleton (1845–1912) |
Between the Lights by Maurice Francis Egan (1852–1924) |
Birds by Richard Henry Stoddard (1825–1903) |
Blind Louise by George W. Dewey (1818–1896) |
Blue-Beard’s Closet by Rose Terry Cooke (1827–1892) |
Boat Song by Negro Hymns and Songs: Miscellaneous |
Boat Song by John Aylmer Dorgan (1836–1867) |
“Bois Ton Sang, Beaumanoir!” by Frances Sargent Osgood (1811–1850) |
Bold Hawthorne by Revolutionary Songs and Ballads |
Bos’n Hill by John Albee (1833–1915) |
Brahma by Ralph Waldo Emerson (1803–1882) |
Bright Sparkles in de Churchyard by Negro Hymns and Songs: Spirituals |
Bumble-Bee by Henry Augustin Beers (1847–1926) |
Bunker Hill by Benjamin Franklin Taylor (1819–1887) |
Bunker’s Hill by Hugh Henry Brackenridge (1748–1816) |
Burns by Fitz-Greene Halleck (1790–1867) |
But Once by Theodore Winthrop (1828–1861) |
Calumny by Frances Sargent Osgood (1811–1850) |
Carmen Bellicosum by Guy Humphrey McMaster (1829–1887) |
Casey’s Table d’Hôte by Eugene Field (1850–1895) |
Cavalry Song by Rossiter Worthington Raymond (1840–1918) |
Centennial Hymn by John Greenleaf Whittier (1807–1892) |
Charleston Gals by Negro Hymns and Songs: Miscellaneous |
Charlie’s Story by Kate Upson Clark (1851–1935) |
Chaucer by Henry Wadsworth Longfellow (1807–1882) |
Chaucer by Lucy White Jennison (Owen Innsly) (b. 1850) |
Chez Brébant by Francis Alexander Durivage (1814–1881) |
Choose by Sarah Jane Lippincott (Grace Greenwood) (1823–1904) |
Christmas Hymn by John Pierpont (1785–1866) |
Christmas Night of ’62 by William Gordon McCabe (1841–1920) |
Christmas Song by Edmund Hamilton Sears (1810–1876) |
Christmas-Time by Kate Neely Festetits (b. 1837) |
Chrysaor by Henry Wadsworth Longfellow (1807–1882) |
Cinderella by Dora Read Goodale (1866–1953) |
Clement by William Dean Howells (1837–1920) |
Cleopatra by William Wetmore Story (1819–1895) |
Cleopatra by Ramsay Morris (b. 1858) |
Climbing to Rest by Lucy Larcom (1826–1893) |
Closing Scene of the First American Tragedy Regularly Produced by William Dunlap (1766–1839) |
Closing Scene of “The Viking” by Elwyn Alfred Barron (1855–1929) |
Columbia by Timothy Dwight (1752–1817) |
Columbus by Lydia Huntley Sigourney (1791–1865) |
Come Back by Henry William Herbert (1807–1858) |
Common Sense by James Thomas Fields (1817–1881) |
Communion by David Gray (1836–1888) |
Concord Hymn by Ralph Waldo Emerson (1803–1882) |
Constance by William Winter (1836–1917) |
Contemplations by Anne Bradstreet (c. 1612–1672) |
Cotton-Field Song by Americus Wellington Bellaw (b. 1842) |
Counsel by Mary Evelyn Moore Davis (1844–1909) |
Daisy by Emily Warren |
Dandelions by John Albee (1833–1915) |
Daniel Gray by Josiah Gilbert Holland (1819–1881) |
Dan’s Wife by Kate Tannatt Woods (1838–1910) |
Darby and Joan by St. John Honeywood (1763–1798) |
Days by Ralph Waldo Emerson (1803–1882) |
Days of My Youth by St. George Tucker (1752–1827) |
Death of Altheëtor by Maria Gowen Brooks (Maria del Occidente) (1794?–1845) |
Death of an Infant by Lydia Huntley Sigourney (1791–1865) |
Death’s Epitaph by Philip Freneau (1752–1832) |
Decoration by Thomas Wentworth Higginson (1823–1911) |
Democracy by Jonathan Odell (1737–1818) |
De Profundis by Henry Charles Lea (1825–1909) |
Derelict by Elisabeth Cavazza |
Desecration by Richard Watson Gilder (1844–1909) |
De Sheepfol’ by Sarah Pratt McLean Greene (1856–1935) |
Desires by Elizabeth Clementine Kinney (1810–1889) |
De ’Sperience ob de Reb’rend Quawko Strong by Frederick Henry Pilch (1842–1889) |
Despondency by Arlo Bates (1850–1918) |
Dies Iræ by Abraham Coles (1813–1891) |
Dirge by Charles Gamage Eastman (1816–1860) |
Dirge by John Vance Cheney (1848–1922) |
Dirge for a Soldier by George Henry Boker (1823–1890) |
Dirge for One Who Fell in Battle by Thomas William Parsons (1819–1892) |
Dirge for the Tenth Muse by John Norton (c. 1651–1716) |
Disarmed by Laura Redden Searing (Howard Glyndon) (1840–1923) |
Disenchantment of Death by Madison Cawein (1865–1914) |
Dixie by Ernest McGaffey (b. 1861) |
Done For by Rose Terry Cooke (1827–1892) |
Dorothy by Rose Hawthorne Lathrop (Mother Alphonsa) (1851–1926) |
Dorothy Q. by Oliver Wendell Holmes (1809–1894) |
Down! by Henry Howard Brownell (1820–1872) |
Down the Bayou by Mary Ashley Townsend (1836–1901) |
Dreaming in the Trenches by William Gordon McCabe (1841–1920) |
Dreams by Ernest McGaffey (b. 1861) |
Drifting by Thomas Buchanan Read (1822–1872) |
Driving Home the Cows by Kate Putnam Osgood (1841–1910) |
Dutch Lullaby by Eugene Field (1850–1895) |
Easter Bridal Song by Alice Cary (1820–1871) |
Ebb by James Phinney Baxter (1831–1921) |
Ebb and Flow by George William Curtis (1824–1892) |
Ebo by Armistead Churchill Gordon (1855–1931) |
Edith by William Ellery Channing (1818–1901) |
Egyptian Serenade by George William Curtis (1824–1892) |
Elegy by Lewis William Mansfield (1816–1898) |
Elegy on a Shell—the Nautilus by Samuel Latham Mitchill (1764–1831) |
Elegy on the Death of Thomas Shepard by Urian Oakes (1631–1681) |
Elsinore by Helen Gray Cone (1859–1934) |
Enamoured Architect of Airy Rhyme by Thomas Bailey Aldrich (1836–1907) |
Endymion by Henry Wadsworth Longfellow (1807–1882) |
Enfoldings by Mary Mapes Dodge (1831–1905) |
England by Richard Edwin Day (b. 1852) |
Epigram from Independence by Tobias George Smollett (1721–1771) |
Epigrams by James Aldrich (1810–1856) |
Epigrams: Sixty-Eighth Birthday by James Russell Lowell (1819–1891) |
Epigrams: With a Pair of Gloves Lost in a Wager by James Russell Lowell (1819–1891) |
Epilogue to “The Clergyman’s Daughter” by Robert Treat Paine, Jr. (1773–1811) |
Epithalamium by John Gardiner Calkins Brainard (1795–1828) |
Ethiopia Saluting the Colors by Walt Whitman (1819–1892) |
Eutaw Springs by Philip Freneau (1752–1832) |
Evening by George Washington Doane (1799–1859) |
Evening by Charles Lotin Hildreth (1856–1896) |
Evening at the Farm by John Townsend Trowbridge (1827–1916) |
Evensong by John Vance Cheney (1848–1922) |
Eventide by Dora Read Goodale (1866–1953) |
Every Year by Albert Pike (1809–1891) |
Eve’s Daughter by Edward Rowland Sill (1841–1887) |
Faith by Ray Palmer (1808–1887) |
Fantasia by Harriet Prescott Spofford (1835–1921) |
Farm Fruits by Charles Henry Lüders (1858–1891) |
Farragut by William Tuckey Meredith (b. 1839) |
Fate, or God? by Paul Hamilton Hayne (1830–1886) |
Father Abbey’s Will by John Seccomb (1708–1792) |
Fiction by Charles Sprague (1791–1875) |
Florence Vane by Philip Pendleton Cooke (1816–1850) |
Flower and Thorn by Thomas Bailey Aldrich (1836–1907) |
For an Autograph by James Russell Lowell (1819–1891) |
For an Old Poet by Henry Cuyler Bunner (1855–1896) |
Forbearance by Ralph Waldo Emerson (1803–1882) |
For Charlie’s Sake by John Williamson Palmer (1825–1906) |
For Divine Strength by Samuel Johnson (1822–1882) |
Forerunners by Ralph Waldo Emerson (1803–1882) |
For Ronald in his Grave by Charles Goodrich Whiting (1842–1922) |
For Saynte Valentyne, his Daye by Frank Dempster Sherman (1860–1916) |
Free America by Joseph Warren (1741–1775) |
Friendship after Love by Ella Wheeler Wilcox (1850–1919) |
From “A Poet’s Hope” by William Ellery Channing (1818–1901) |
From “Arizonian” by Joaquin (Cincinnatus Hiner) Miller (1837–1913) |
From “Hiawatha” by Henry Wadsworth Longfellow (1807–1882) |
From “Keenan’s Charge” by George Parsons Lathrop (1851–1898) |
From “Out of the Cradle Endlessly Rocking” by Walt Whitman (1819–1892) |
From “Snow-Bound” by John Greenleaf Whittier (1807–1892) |
From “The Anarchiad” by “The Hartford Wits” |
From “The Courtship of Miles Standish” by Henry Wadsworth Longfellow (1807–1882) |
From The Dance to Death by Emma Lazarus (1849–1887) |
From “The Echo” by “The Hartford Wits” |
From “The North Shore Watch” by George Edward Woodberry (1855–1930) |
From “The Political Green-House” by “The Hartford Wits” |
From the “Song of Myself”: And Still I Mount and Mount by Walt Whitman (1819–1892) |
From the “Song of Myself”: In All, Myself by Walt Whitman (1819–1892) |
From the “Song of Myself”: Leaves of Grass by Walt Whitman (1819–1892) |
From the “Song of Myself”: The Large Hearts of Heroes by Walt Whitman (1819–1892) |
From The Vision of Nimrod by Charles de Kay (1848–1935) |
From “The Vision of Sir Launfal” by James Russell Lowell (1819–1891) |
From “Woodnotes” by Ralph Waldo Emerson (1803–1882) |
Garfield by Henry Bernard Carpenter (1840–1890) |
Geronimo by Ernest McGaffey (b. 1861) |
God Keep You by Mary Ainge De Vere (Madeline Bridges) |
God Save the Nation by Theodore Tilton (1835–1907) |
Good Night by Samuel Griswold Goodrich (1793–1860) |
Good-Night by Mary (Clemmer) (Ames) Hudson (1839–1884) |
Grant—Dying by Thomas Chalmers Harbaugh (1849–1924) |
Graves by Francis Saltus Saltus (1849–1889) |
Griggsby’s Station by James Whitcomb Riley (1849–1916) |
Grizzly by Bret Harte (1836–1902) |
Guido’s Aurora by Thomas William Parsons (1819–1892) |
Guild’s Signal by Bret Harte (1836–1902) |
Gulf-Stream by Sarah Chauncey Woolsey (Susan Coolidge) (1835–1905) |
Gulf-Weed by Cornelius George Fenner (1822–1847) |
Habeas Corpus by Helen Hunt Jackson (1830–1885) |
Hail Columbia by Joseph Hopkinson (1770–1842) |
Hans Breitmann’s Barty by Charles Godfrey Leland (1824–1903) |
Hawthorne by Henry Wadsworth Longfellow (1807–1882) |
Hearing the News in Idaho by Charles Henry Phelps (1853–1933) |
Heaven, O Lord, I Cannot Lose by Edna Dean Proctor (1829–1923) |
Hebe by James Russell Lowell (1819–1891) |
Heliotrope by Harry Thurston Peck (1856–1914) |
He May Go—If He Can by Frances Sargent Osgood (1811–1850) |
Her Last Verses by Frances Sargent Osgood (1811–1850) |
Hilda by John Vance Cheney (1848–1922) |
Hilda’s Little Hood by Hjalmar Hjorth Boyesen (1848–1895) |
His Battles o’er Again by David Humphreys (1752–1818) |
His Mother’s Joy by John White Chadwick (1840–1904) |
His Share and Mine by Sarah Morgan Bryan Piatt (1836–1919) |
“Hoc Erat in Votis” by George Washington Doane (1799–1859) |
Home, Sweet Home! by John Howard Payne (1791–1852) |
Hopefully Waiting by Anson Davies Fitz Randolph (1820–1896) |
How He Saved St. Michael’s by Mary Anna Phinney Stansbury (b. 1842) |
Hugh Latimer by Henry Augustin Beers (1847–1926) |
Hymn to the Stars by Oliver William Bourne Peabody (1799–1848) |
Hymn Written During a Voyage by Mather Byles (1707–1788) |
Ichabod! by John Greenleaf Whittier (1807–1892) |
“I Count my Time by Times that I meet Thee” by Richard Watson Gilder (1844–1909) |
Ideals by David Atwood Wasson (1823–1887) |
Identity by Thomas Bailey Aldrich (1836–1907) |
If Death be Final by Christopher Pearse Cranch (1813–1892) |
If I should Die To-night by Arabella (Belle) Eugenie Smith (1844–1916) |
Immortality by Washington Allston (1779–1843) |
Implora Pace by Charles Lotin Hildreth (1856–1896) |
In a Copy of Omar Khayyám by James Russell Lowell (1819–1891) |
In Arabia by James Berry Bensel (1856–1886) |
In dat Great Gittin’-Up Mornin’ by Negro Hymns and Songs: Spirituals |
In de Mornin’ by Negro Hymns and Songs: Spirituals |
Independence Day by Royall Tyler (1757–1826) |
Indian Pipe by Elaine Goodale Eastman (1863–1953) |
In Exitu by James Gates Percival (1795–1856) |
In Explanation by Walter Learned (1847–1915) |
In Harbor by Paul Hamilton Hayne (1830–1886) |
In Praise of Laurelled Women by John Blair Linn (1777–1804) |
In Praise of Master Stone by John Cotton (1585–1652) |
In Praise of Mistress Bradstreet by Nathaniel Ward (1578–1652) |
In Praise of the Renowned Cotton Mather by Benjamin Tompson (1642–1714) |
In Rama by George Alfred Townsend (1841–1914) |
In Saint Joseph’s by Thomas William Parsons (1819–1892) |
In School-Days by John Greenleaf Whittier (1807–1892) |
Inscription on a Soldiers’ Monument by Joseph Anderson (1836–1916) |
Inscriptions by Walt Whitman (1819–1892) |
In Sorrow’s Hour by Lizette Woodworth Reese (1856–1935) |
In State by Forceythe Willson (1837–1867) |
Interludes from “Bitter-Sweet” by Josiah Gilbert Holland (1819–1881) |
Interpretation by Richard Realf (1832–1878) |
In the Battle by Lucretia Gray Noble (1836–1927) |
In the Dark by Frances Louisa Bushnell |
In the Dark by Robert Underwood Johnson (1853–1937) |
In the Fields by Roger Wolcott (1679–1767) |
In the Old Churchyard at Fredericksburg by Frederick Wadsworth Loring (1848–1871) |
In the Prison Pen by Herman Melville (1819–1891) |
In the Slant o’ the Sun by Amelia Walstien Carpenter (b. 1840) |
In the Tunnel by Bret Harte (1836–1902) |
In the Twilight by James Russell Lowell (1819–1891) |
In Time to Come by Louise Chandler Moulton (1835–1908) |
In Tropic Rains by John Boyle O’Reilly (1844–1890) |
Israfel by Edgar Allan Poe (1809–1849) |
It is not Death to Die by George Washington Bethune (1805–1862) |
It Snows by Sarah Josepha Buell Hale (1788–1879) |
I Would not Live Alway by William Augustus Muhlenberg (1796–1877) |
Jacqueline by William Haines Lytle (1826–1863) |
Jeannie Marsh by George Pope Morris (1802–1864) |
Jerry an’ Me by Hiram Rich (b. 1831) |
John Pelham by James Ryder Randall (1839–1908) |
Joy, Shipmate, Joy! by Walt Whitman (1819–1892) |
Jugurtha by Henry Wadsworth Longfellow (1807–1882) |
June by William Cullen Bryant (1794–1878) |
Kit Carson’s Ride by Joaquin (Cincinnatus Hiner) Miller (1837–1913) |
Knee-Deep in June by James Whitcomb Riley (1849–1916) |
Knight Falstaff by Louise Imogen Guiney (1861–1920) |
Lady Wentworth by Henry Wadsworth Longfellow (1807–1882) |
Lady Yeardley’s Guest by Margaret Junkin Preston (1820–1897) |
La Grisette by Oliver Wendell Holmes (1809–1894) |
Lament of a Mocking-Bird, by Frances Anne Kemble (1809–1893) |
Largess by Anne Charlotte Lynch Botta (1815–1891) |
Latent by Kate Putnam Osgood (1841–1910) |
Laurence by Rossiter Johnson (1840–1931) |
Lay dis Body Down by Negro Hymns and Songs: Spirituals |
Leaves at my Window by John James Piatt (1835–1917) |
Les Morts Vont Vite by Henry Cuyler Bunner (1855–1896) |
Let Us Alone by Henry Howard Brownell (1820–1872) |
Let Us Be Happy As Long As We Can by Joseph Stansbury (1750–1809) |
Liberty by John Hay (1838–1905) |
Liberty for All by William Lloyd Garrison (1805–1879) |
Liberty Tree by Thomas Paine (1737–1809) |
Life’s Answer by Milicent Washburn Shinn (1858–1940) |
Lines on the Death of His Son Charles by Daniel Webster (1782–1852) |
Lines Spoken by a Boy of Seven Years by David Everett (1770–1813) |
Lines to a Lady by George Denison Prentice (1802–1870) |
Listening to Music by Richard Watson Gilder (1844–1909) |
Little Giffen by Francis Orrery Ticknor (1822–1874) |
Little People by Charles de Kay (1848–1935) |
Lohengrin by Sarah Chauncey Woolsey (Susan Coolidge) (1835–1905) |
Lord Dunmore’s Petition to the Legislature of Virginia by Philip Freneau (1752–1832) |
Loss by James Herbert Morse (1841–1923) |
Love’s Autumn by Paul Hamilton Hayne (1830–1886) |
Love’s Young Dream by George Augustus Baker (1849–1906) |
Lovewell’s Fight by Anonymous |
Lyon by Henry Peterson (1818–1891) |
Magdalen by Harriet Prescott Spofford (1835–1921) |
Mankind’s Highest by William Roscoe Thayer (Paul Hermes) (1859–1923) |
“Many Things Thou hast Given me, Dear Heart” by Alice Wellington Rollins (1847–1897) |
Many Thousand Go by Negro Hymns and Songs: Miscellaneous |
Marching Through Georgia by Henry Clay Work (1832–1884) |
Marco Bozzaris by Fitz-Greene Halleck (1790–1867) |
Marguerite by John Greenleaf Whittier (1807–1892) |
Mariette by Dora Read Goodale (1866–1953) |
Marion Moore by James Gowdy Clark (1830–1897) |
Martha by Julia C. R. Dorr (1825–1913) |
Massa’s in de Cold Ground by Stephen Collins Foster (1826–1864) |
Maud Muller by John Greenleaf Whittier (1807–1892) |
Maurice de Guérin by Maurice Francis Egan (1852–1924) |
May in Kingston by Henry Abbey (1842–1911) |
Mazurka by Samuel Ward (1814–1884) |
Memories by John Esten Cooke (1830–1886) |
Memory by Charles Henry Lüders (1858–1891) |
Mercedes by Elizabeth Drew Barstow Stoddard (1823–1902) |
Merlin by Ralph Waldo Emerson (1803–1882) |
M’Fingal’s Dole by John Trumbull (1750–1831) |
Midsummer Night by John Henry Boner (1845–1903) |
Milking-Time by William Wallace Harney (1831–1912) |
Milton’s Prayer of Patience by Elizabeth (Lloyd) Howell (1811–1896) |
Miserrimus by Richard Henry Stoddard (1825–1903) |
Mist by Henry David Thoreau (1817–1862) |
Mithridates by Ralph Waldo Emerson (1803–1882) |
Monterey by Charles Fenno Hoffman (1806–1884) |
Mors Triumphalis by Richard Watson Gilder (1844–1909) |
Moscow by Edna Dean Proctor (1829–1923) |
Mother Margary by George Shepard Burleigh (1821–1903) |
Mount Shasta by Joaquin (Cincinnatus Hiner) Miller (1837–1913) |
Moustache by Louise Imogen Guiney (1861–1920) |
Mr. Hosea Biglow to the Editor of the Atlantic Monthly by James Russell Lowell (1819–1891) |
Mr. Merry’s Lament for “Long Tom” by John Gardiner Calkins Brainard (1795–1828) |
Music by Rembrandt Peale (1778–1860) |
Music by Edith Matilda Thomas (1854–1925) |
Music in Camp by John Randolph Thompson (1823–1873) |
Music in the Night by Harriet Prescott Spofford (1835–1921) |
Music of the Night by John Neal (1793–1876) |
My Beads by Abram Joseph Ryan (1838–1886) |
My Bird by Emily Chubbuck Judson (Fanny Forrester) (1817–1854) |
My Child by John Pierpont (1785–1866) |
My Father’s Child by Gertrude Bloede (Stuart Sterne) (1845–1905) |
My Landlady’s Nose by Alexander Wilson (1766–1813) |
My Little Girl by Samuel Minturn Peck (1854–1938) |
My Lost Youth by Henry Wadsworth Longfellow (1807–1882) |
“My Love for Thee doth March like Armèd Men” by Richard Watson Gilder (1844–1909) |
My Maryland by James Ryder Randall (1839–1908) |
My Native Land by John Boyle O’Reilly (1844–1890) |
My Old Kentucky Home, Good-Night by Stephen Collins Foster (1826–1864) |
My Other Me by Grace Denio Litchfield (1849–1944) |
My Queen by William Winter (1836–1917) |
My Walk to Church by Horatio Nelson Powers (1826–1890) |
Nature by Henry Wadsworth Longfellow (1807–1882) |
Near the Lake by George Pope Morris (1802–1864) |
Nebuchadnezzar by Irwin Russell (1853–1879) |
Nelly by Irwin Russell (1853–1879) |
Nelly Bly by Stephen Collins Foster (1826–1864) |
New England by James Gates Percival (1795–1856) |
Night and Day by Sidney Lanier (1842–1881) |
Night in New York by George Parsons Lathrop (1851–1898) |
Noblesse Oblige by Robert Underwood Johnson (1853–1937) |
O Birds that Flit by Ocean’s Rim by Edward King (1848–1896) |
O Captain! My Captain! by Walt Whitman (1819–1892) |
October by Benjamin Franklin Taylor (1819–1887) |
Ode: ‘I am the spirit of the morning sea’ by Richard Watson Gilder (1844–1909) |
Odin Dethroned by William Leighton (1833–1911) |
O’er de Crossin’ by Negro Hymns and Songs: Spirituals |
Of Abigail, His Wife by Cotton Mather (1663–1728) |
Of Dr. Byles’s Cat by Joseph Green (1706–1780) |
Of John Winthrop. Esq. by Captain Edward Johnson (1599?–1672) |
Of Love and Beauty by John Adams (1704–1740) |
Of Meeting a Godly Knave in Maryland by Ebenezer Cook (c. 1667–c. 1732) |
Of the Fair Susan by Ann Eliza Bleecker (1752–1783) |
Of the Four Ages of Man by Anne Bradstreet (c. 1612–1672) |
Of the Heavenly Bodies by Roger Williams (1604?–1683) |
Of the Reverend Mr. Higginson by Captain Edward Johnson (1599?–1672) |
Of Thine Own Country Sing by William Ross Wallace (1819–1881) |
Old by Ralph Hoyt (1806–1878) |
Old and Young by Christopher Pearse Cranch (1813–1892) |
Old Folks at Home by Stephen Collins Foster (1826–1864) |
Old Grimes by Albert Gorton Greene (1802–1868) |
Old Ireland by Walt Whitman (1819–1892) |
Old Ironsides by Oliver Wendell Holmes (1809–1894) |
Olivia by Edward Pollock (1823–1858) |
Omar Khayyám by Frank Dempster Sherman (1860–1916) |
On a Bust of Dante by Thomas William Parsons (1819–1892) |
On a Great Poet’s Obscurity by Robert Underwood Johnson (1853–1937) |
On a Lady, Singing by Anonymous |
On an Intaglio Head of Minerva by Thomas Bailey Aldrich (1836–1907) |
On a Patient Killed by a Cancer Quack by Lemuel Hopkins (1750–1801) |
On a Portrait of Servetus by Richard Watson Gilder (1844–1909) |
On a Travelling Speculator by Philip Freneau (1752–1832) |
On Barney’s Victory over the Ship “General Monk” by Philip Freneau (1752–1832) |
On General Ethan Allen by Lemuel Hopkins (1750–1801) |
On Imagination by Phillis Wheatley (1753–1784) |
On Lending a Punch-Bowl by Oliver Wendell Holmes (1809–1894) |
On Life by David Humphreys (1752–1818) |
On Listening to a Cricket by Andrews Norton (1786–1853) |
On Recrossing the Rocky Mountains in Winter after Many Years by John Charles Frémont (1813–1890) |
On Snow-flakes Melting on His Lady’s Breast by William Martin Johnson (1771?–1797) |
On the Campagna by Elizabeth Drew Barstow Stoddard (1823–1902) |
On the Capture of the “Guerriere” by Anonymous |
On the Death of C. E., an Infant of Twelve Months by Phillis Wheatley (1753–1784) |
On the Death of Joseph Rodman Drake by Fitz-Greene Halleck (1790–1867) |
On the Defeat of a Great Man by William Wilberforce Lord (1819–1907) |
On the Fly-Leaf of a Book of Old Plays by Walter Learned (1847–1915) |
On the Hundredth Anniversary of the French Revolution by George Edward Woodberry (1855–1930) |
On the Late S. T. Coleridge by Washington Allston (1779–1843) |
On the Life-Mask of Abraham Lincoln by Richard Watson Gilder (1844–1909) |
On the Prospect of Planting Arts and Learning in America by George Berkeley (1685–1753) |
On the Ruins of a Country Inn by Philip Freneau (1752–1832) |
On the Shore by Robert Kelley Weeks (1840–1876) |
On the Trapping of a Mouse that Lived in a Lady’s Escritoire by Clarence Clough Buel (1850–1933) |
On the Women Fortifying Boston Neck by Benjamin Tompson (1642–1714) |
Opening Scene of “Prince Deukalion” by Bayard Taylor (1825–1878) |
Opportunity by Edward Rowland Sill (1841–1887) |
O Soft Spring Airs! by Harriet Prescott Spofford (1835–1921) |
Our Dead by Arlo Bates (1850–1918) |
Our First Century by George Edward Woodberry (1855–1930) |
Our Orders by Julia Ward Howe (1819–1910) |
Our Own by Margaret Elizabeth Sangster (1838–1912) |
O Vast Rondure! by Walt Whitman (1819–1892) |
Palabras Cariñosas by Thomas Bailey Aldrich (1836–1907) |
Paolo and Francesca by George Henry Boker (1823–1890) |
Paradisi Gloria by Thomas William Parsons (1819–1892) |
Passing by Alice Williams Brotherton (1848–1930) |
Paula’s Epitaph by Louise Imogen Guiney (1861–1920) |
Peach-Blossom by Bayard Taylor (1825–1878) |
Pepita by Frank Dempster Sherman (1860–1916) |
Perpetuity by Clinton Scollard (1860–1932) |
Persia by Richard Henry Stoddard (1825–1903) |
Pessim by Coates Kinney (1826–1904) |
“Picciola” by Robert Henry Newell (1836–1901) |
Plain Language from Truthful James by Bret Harte (1836–1902) |
Plato by Theodore Dwight Woolsey (1801–1889) |
Poe by William Winter (1836–1917) |
Poe’s Cottage at Fordham by John Henry Boner (1845–1903) |
Poetry by Edwin Markham (1852–1940) |
Politics at the Log-Rolling by John Alfred Macon (b. 1851) |
Poor Little Joe by David Law Proudfit (1842–1897) |
Popular Songs and Ballads of the Civil War: Northern I: All Quiet Along the Potomac by Ethelinda Elliott Beers (Ethel Lynn) (1827–1879) |
Popular Songs and Ballads of the Civil War: Northern II: When Johnny Comes Marching Home by Charles Carroll Sawyer (b. 1833) |
Popular Songs and Ballads of the Civil War: Northern II: When Johnny Comes Marching Home by Patrick Sarsfield Gilmore (1829–1892) |
Popular Songs and Ballads of the Civil War: Northern I: The Battle Cry of Freedom by George Frederick Root (1820–1895) |
Popular Songs and Ballads of the Civil War: Northern I: The Fancy Shot by Charles Dawson Shanly (1811–1875) |
Popular Songs and Ballads of the Civil War: Northern I: Three Hundred Thousand More by James Sloan Gibbons (1810–1892) |
Popular Songs and Ballads of the Civil War: Northern I: Union Army Chorus by Anonymous |
Popular Songs and Ballads of the Civil War: Southern: “Call All” by Anonymous |
Popular Songs and Ballads of the Civil War: Southern: Dixie by Albert Pike (1809–1891) |
Popular Songs and Ballads of the Civil War: Southern: Rebels by Anonymous |
Popular Songs and Ballads of the Civil War: Southern: The Bonnie Blue Flag by Harry Macarthy (1834–1888) |
Popular Songs and Ballads of the Civil War: Southern: “The Brigade Must Not Know, Sir!” by John Williamson Palmer (1825–1906) |
Post-Meridian by Wendell Phillips Garrison (1840–1907) |
Prairie Summer by Amanda Theodocia Jones (1835–1914) |
Praxiteles and Phryne by William Wetmore Story (1819–1895) |
Prayer by Benjamin Allen (1789–1829) |
Prescience by Thomas Bailey Aldrich (1836–1907) |
Private Devotion by Phoebe (Hinsdale) Brown (1783–1861) |
Prologue to a Comedy by Philip Freneau (1752–1832) |
Providence and the Pilgrim by William Bradford (1590–1657) |
Pussy Willow by Annie Douglas (Green) Robinson (1842–1913) |
Quatrain by James Benjamin Kenyon (1858–1924) |
Quatrains by Thomas Bailey Aldrich (1836–1907) |
Rain in Summer by Henry Wadsworth Longfellow (1807–1882) |
Rare Moments by Charles Henry Phelps (1853–1933) |
Receipt to Make a Magazine by William Biglow (1773–1844) |
Recognition by John White Chadwick (1840–1904) |
Reconciliation by Caroline Atherton Mason (1823–1890) |
Red Jacket by Fitz-Greene Halleck (1790–1867) |
Religion Westward Bent by George Herbert (1593–1633) |
Requiem by George Lunt (1803–1885) |
Requiescat by James Benjamin Kenyon (1858–1924) |
Rest by John Sullivan Dwight (1813–1893) |
Réveille by Michael O’Connor (1837–1862) |
Riding Down by Nora Perry (1831–1896) |
Rivals by Virginia Peyton Fauntleroy |
Robert of Lincoln by William Cullen Bryant (1794–1878) |
Robinson Crusoe by Charles Edward Carryl (1841–1920) |
Rocked in the Cradle of the Deep by Emma Hart Willard (1787–1870) |
Roll-Call by Nathaniel Graham Shepherd (1835–1869) |
Roll, Jordan, Roll by Negro Hymns and Songs: Spirituals |
Sacrilege by Thomas Stephens Collier (1842–1893) |
Sambo’s Right to be Kilt by Charles Graham Halpine (1829–1868) |
Samuel Hoar by Franklin Benjamin Sanborn (1831–1917) |
Saturninus by Katherine Eleanor Conway (1853–1927) |
Savannah Firemen’s Song by Negro Hymns and Songs: Miscellaneous |
Scenes from “Evangeline” by Henry Wadsworth Longfellow (1807–1882) |
Scenes from “Pendragon” by William Young (1847–1920) |
Schumann’s Sonata in A Minor by Celia Laighton Thaxter (1835–1894) |
Sea-Weeds by Annie Chambers Ketchum (1824–1904) |
Segovia and Madrid by Rose Terry Cooke (1827–1892) |
Shadow-Evidence by Mary Mapes Dodge (1831–1905) |
Shakespeare by Henry Ames Blood (1836–1900) |
She Came and Went by James Russell Lowell (1819–1891) |
Sheridan at Cedar Creek by Herman Melville (1819–1891) |
Sheridan’s Ride by Thomas Buchanan Read (1822–1872) |
She was a Beauty by Henry Cuyler Bunner (1855–1896) |
Sidney Godolphin by Clinton Scollard (1860–1932) |
“Since Cleopatra Died” by Thomas Wentworth Higginson (1823–1911) |
Sir Humphrey Gilbert by Henry Wadsworth Longfellow (1807–1882) |
Sir Marmaduke’s Musings by Theodore Tilton (1835–1907) |
Siva, Destroyer by George Perry (1828–1888) |
Six Hobnails by Nathaniel Ward (1578–1652) |
Skipper Ireson’s Ride by John Greenleaf Whittier (1807–1892) |
Sleep by Julia C. R. Dorr (1825–1913) |
Sleep by Thomas Bailey Aldrich (1836–1907) |
Sleighing Song by Anonymous |
Slumber Song by Elisabeth Cavazza |
Solitude by Ella Wheeler Wilcox (1850–1919) |
Some Day of Days by Nora Perry (1831–1896) |
Sometime by May Riley Smith (1842?–1927) |
Song: ‘A bird in my bower’ by Francis Howard Williams (1844–1922) |
Song: ‘Boy, shut to the door, and bid trouble begone’ by William Cliffton (1772–1799) |
Song: ‘Dear eyes, forbear to weep’ by Kate M. Bishop |
Song in March by William Gilmore Simms (1806–1870) |
Song of Braddock’s Men by Verse of the French and Indian War |
Song of Egla by Maria Gowen Brooks (Maria del Occidente) (1794?–1845) |
Song of Eros, in “Agathon” by George Edward Woodberry (1855–1930) |
Song of the Chattahoochee by Sidney Lanier (1842–1881) |
Song of the Elfin Steersman by George Hill (1796–1871) |
Song of the North Wind by James Benjamin Kenyon (1858–1924) |
Song of the Seeds by Florence Smith (1845–1871) |
Song: ‘O touch me not, unless thy soul’ by Ella Dietz Clymer (b. 1856?) |
Song: ‘Slipping, drifting with the tide’ by Mary Newmarch Prescott (1849–1888) |
Songs of the Puritans by The Bay Psalm Book |
Song: ‘’Tis said that absence conquers love!’ by Frederick William Thomas (1806–1866) |
Song: ‘We sail toward evening’s lonely star’ by Celia Laighton Thaxter (1835–1894) |
Song: ‘Who has robbed the ocean cave’ by John Shaw (1778–1809) |
Song: ‘Your heart is a music-box’ by Frances Sargent Osgood (1811–1850) |
Sonnet by James Gates Percival (1795–1856) |
Sonnet: ‘Men change,—that heaven above not more’ by William Ellery Channing (1818–1901) |
Sonnets of Character by Amos Bronson Alcott (1799–1888) |
’Späcially Jim by Bessie Morgan |
Spinning by Helen Hunt Jackson (1830–1885) |
Spirit that Form’d this Scene by Walt Whitman (1819–1892) |
Spring in Winter by Charlotte Fiske Bates (1838–1916) |
Spring Song by George William Curtis (1824–1892) |
Stanzas by Christopher Pearse Cranch (1813–1892) |
Stanzas from “Fryeburg” by Henry Bernard Carpenter (1840–1890) |
Stanzas: ‘My life is like the summer rose’ by Richard Henry Wilde (1789–1847) |
Star Dust by Charles Henry Lüders (1858–1891) |
“Star of my Dying-Time” by Katherine Eleanor Conway (1853–1927) |
Stars Begin to Fall by Negro Hymns and Songs: Spirituals |
Starting from Paumanok by Walt Whitman (1819–1892) |
Stonewall Jackson by Henry Lynden Flash (1835–1914) |
Stonewall Jackson’s Way by John Williamson Palmer (1825–1906) |
Storm—The King by Francis Miles Finch (1827–1907) |
St. Theodule by Starr Hoyt Nichols (1834–1909) |
Sub Rosa by George Lunt (1803–1885) |
Summer Love by William Henry Venable (1836–1920) |
Summer Night by Milicent Washburn Shinn (1858–1940) |
Sunlight and Starlight by Adeline Dutton Train Whitney (1824–1906) |
Sweet Impatience by George Arnold (1834–1865) |
Swing Low, Sweet Chariot by Negro Hymns and Songs: Spirituals |
Syrinx by Edith Matilda Thomas (1854–1925) |
Tacking Ship Off Shore by Walter Mitchell (1826–1908) |
Tarpeia by Louise Imogen Guiney (1861–1920) |
Taxation of America by Revolutionary Songs and Ballads |
Telling the Bees by John Greenleaf Whittier (1807–1892) |
Terminus by Ralph Waldo Emerson (1803–1882) |
Terpsichore in the Flat Creek Quarters by John Alfred Macon (b. 1851) |
Thalatta! Thalatta! by Joseph Brownlee Brown (1824–1888) |
Thanatopsis by William Cullen Bryant (1794–1878) |
The Actor by Clinton Scollard (1860–1932) |
The Aged Stranger by Bret Harte (1836–1902) |
The Alarming Progress of Luxury in New England by Benjamin Tompson (1642–1714) |
The American Flag by Joseph Rodman Drake (1795–1820) |
The American Hero by Nathaniel Niles (1741–1828) |
The Antiquity of Freedom by William Cullen Bryant (1794–1878) |
The Ascent of the Saint by Benjamin Coleman (1673–1747) |
The Autumn Evening by William Bourne Oliver Peabody (1799–1847) |
The Ballad of Nathan Hale by Revolutionary Songs and Ballads |
The Ballad of the Colors by Thomas Dunn English (1819–1902) |
The Ballad of the French Fleet by Henry Wadsworth Longfellow (1807–1882) |
The Baltimore Bird by Alexander Wilson (1766–1813) |
The Band in the Pines by John Esten Cooke (1830–1886) |
The Banjo by Irwin Russell (1853–1879) |
The Banner of the Jew by Emma Lazarus (1849–1887) |
The Barefoot Boy by John Greenleaf Whittier (1807–1892) |
The Baron’s Last Banquet by Albert Gorton Greene (1802–1868) |
The Battle-Field by William Cullen Bryant (1794–1878) |
The Battle of the Kegs by Francis Hopkinson (1737–1791) |
The Bells of Lynn by Henry Wadsworth Longfellow (1807–1882) |
The Bergamot by William Wallace Harney (1831–1912) |
The Bibliomaniac’s Prayer by Eugene Field (1850–1895) |
The Birch-Tree by James Russell Lowell (1819–1891) |
The Birds, the Beasts, and the Bat by Francis Hopkinson (1737–1791) |
The Bivouac of the Dead by Theodore O’Hara (1820–1867) |
The Black Regiment by George Henry Boker (1823–1890) |
The Blue and the Gray by Francis Miles Finch (1827–1907) |
The Bluebird by Maurice Thompson (1844–1901) |
The Bobolink by Thomas Hill (1818–1891) |
The Bobolinks by Christopher Pearse Cranch (1813–1892) |
The Bookstall by Clinton Scollard (1860–1932) |
The Bookworm by Royall Tyler (1757–1826) |
The Brave Old Ship, the Orient by Robert Traill Spence Lowell (1816–1891) |
The Briefless Barrister by John Godfrey Saxe (1816–1887) |
The Brown Thrush by William Davis Gallagher (1808–1894) |
The Bucket by Samuel Woodworth (1784–1842) |
The Bugle by Grenville Mellen (1799–1841) |
The Burden of the Desert by William Gilmore Simms (1806–1870) |
The Burning of Fairfield by Timothy Dwight (1752–1817) |
The Captain’s Feather by Samuel Minturn Peck (1854–1938) |
The Celestial Passion by Richard Watson Gilder (1844–1909) |
The Centoaph by James Thomson McKay (1843–1890) |
The Challenge by Fitz-James O’Brien (1828–1862) |
The Chambered Nautilus by Oliver Wendell Holmes (1809–1894) |
The Changeling by John Greenleaf Whittier (1807–1892) |
The Chanting Cherubs—a Group by Greenough by Richard Henry Dana, Sr. (1787–1879) |
The Child in the Street by John James Piatt (1835–1917) |
The Children by Charles Monroe Dickinson (1842–1924) |
The Chimes of England by Arthur Cleveland Coxe (1818–1896) |
The Chimney Nest by Mary Barker Carter Dodge |
The Church Universal by Samuel Longfellow (1819–1892) |
The City in the Sea by Edgar Allan Poe (1809–1849) |
The City of God by Samuel Johnson (1822–1882) |
The Closing Scene by Thomas Buchanan Read (1822–1872) |
The Clouds by William Croswell (1804–1851) |
The Cocoa-Tree by Charles Warren Stoddard (1843–1909) |
The Colossi by Thomas Gold Appleton (1812–1884) |
The Combat of Lars and Per by Bayard Taylor (1825–1878) |
The Coming of the Spring by Nora Perry (1831–1896) |
The Commonwealth by Lord Byron (1788–1824) |
The Congress by Revolutionary Songs and Ballads |
The Conquered Banner by Abram Joseph Ryan (1838–1886) |
The Contented Man by John Adams (1704–1740) |
The Coral Grove by James Gates Percival (1795–1856) |
The Cotton Boll by Henry Timrod (1828–1867) |
The Council Scene in “Metamora” by John Augustus Stone (1801–1834) |
The Country Lovers by Thomas Green Fessenden (1771–1837) |
The Country Parson by Elizabeth Graeme Ferguson (1737–1801) |
The Courtin’ by James Russell Lowell (1819–1891) |
The Cowboy by John Antrobus (1831–1907) |
The Cranes of Ibycus by Emma Lazarus (1849–1887) |
The Crossed Swords by Nathaniel Langdon Frothingham (1793–1870) |
The Cross of Gold by David Gray (1836–1888) |
The Crowing of the Red Cock by Emma Lazarus (1849–1887) |
The Crown by Ray Palmer (1808–1887) |
The Culprit Fay by Joseph Rodman Drake (1795–1820) |
The Cumberland by Henry Wadsworth Longfellow (1807–1882) |
The Curse of the Competent; or, The Lay of the Last Genius by Henry James Finn (1787–1840) |
The Dance by Revolutionary Songs and Ballads |
The Danza by Arlo Bates (1850–1918) |
The Daughter of Mendoza by Mirabeau Buonaparte Lamar (1798–1859) |
The Day of Doom by Michael Wigglesworth (1631–1705) |
The Days of Grogram Grandames by William Irving (1766–1821) |
The Dead by Jones Very (1813–1880) |
The Dead Doll by Margaret Thomson Janvier (Margaret Vandegrift) (1845–1913) |
The Dead Moon by Danske Dandridge (1858–1914) |
The Dead Solomon by John Aylmer Dorgan (1836–1867) |
The Death of Children by John Quincy Adams (1767–1848) |
The Death of Jack Cade by Robert Taylor Conrad (1810–1858) |
The Death of Memnon by Henry Guy Carleton (1856–1910) |
The Death of the Flowers by William Cullen Bryant (1794–1878) |
The Death of the White Heron by Maurice Thompson (1844–1901) |
The Death of Winter by Robert Burns Wilson (1850–1916) |
The Death of Wolfe by Verse of the French and Indian War |
The Deaths of Evanthe and Arsaces by Thomas Godfrey (1736–1763) |
The Demon-Lover by James Abraham Hillhouse (1789–1841) |
The Divan by Richard Henry Stoddard (1825–1903) |
The Draught by Charles Henry Lüders (1858–1891) |
The Dream by Levi Frisbie (1783–1822) |
The Drowned Mariner by Elizabeth Oakes Smith (1806–1893) |
The Dunce’s Refuge by John Trumbull (1750–1831) |
The Dying Archangel by Edgar Fawcett (1847–1904) |
The Eagle’s Fall by Charles Goodrich Whiting (1842–1922) |
The Eclipse of Faith by Theodore Dwight Woolsey (1801–1889) |
The Elf Child by James Whitcomb Riley (1849–1916) |
“Thee, loved one, do the Rocks and Woodlands Sing” by Theodore Parker (1810–1860) |
The Exile at Rest by John Pierpont (1785–1866) |
The Family Blood by Aaron Cleveland (1744–1815) |
The Family Meeting by Charles Sprague (1791–1875) |
The Farewell of a Virginia Slave Mother to her Daughters sold into Southern Bondage by John Greenleaf Whittier (1807–1892) |
The Fate of John Burgoyne by Revolutionary Songs and Ballads |
The First American Comedy Regularly Produced by Royall Tyler (1757–1826) |
The First Christmas in New England by Hezekiah Butterworth (1839–1905) |
The First Cricket by William Dean Howells (1837–1920) |
The First Snow-Fall by James Russell Lowell (1819–1891) |
The First Step by Andrew Bice Saxton (1856–1936) |
The Fisher’s Boy by Henry David Thoreau (1817–1862) |
The Flight from the Convent by Theodore Tilton (1835–1907) |
The Flight of the War-Eagle by Obadiah Cyrus Auringer (1849–1937) |
The Flight of Youth by Richard Henry Stoddard (1825–1903) |
The Flower-Seller by William Young (1847–1920) |
The Flown Soul by George Parsons Lathrop (1851–1898) |
The Fool’s Prayer by Edward Rowland Sill (1841–1887) |
The Fugitive Slave’s Apostrophe to the North Star by John Pierpont (1785–1866) |
The Garden at Bemerton by Lizette Woodworth Reese (1856–1935) |
The Gift of Poetry by Nathaniel Ward (1578–1652) |
The Grave of Rose by John James Piatt (1835–1917) |
The Gray Swan by Alice Cary (1820–1871) |
The Guest by Harriet McEwen Kimball (1834–1917) |
The Harvest-Call by William H. Burleigh (1812–1871) |
The Hasty Pudding by Joel Barlow (1754–1812) |
The Heart’s Song by Arthur Cleveland Coxe (1818–1896) |
The Hero of the Commune by Margaret Junkin Preston (1820–1897) |
The Higher Good by Theodore Parker (1810–1860) |
The Hour of Peaceful Rest by William Bingham Tappan (1794–1849) |
The House of Death by Louise Chandler Moulton (1835–1908) |
The Humble-Bee by Ralph Waldo Emerson (1803–1882) |
The Hymn of Force by William Roscoe Thayer (Paul Hermes) (1859–1923) |
The Indian Burying-Ground by Philip Freneau (1752–1832) |
The Key-Note by Mary Emily Bradley (1835–1898) |
The King by Charles Lotin Hildreth (1856–1896) |
The Land of Dreams by Samuel Eleazer Mann (1853–1918) |
The Last Cæsar by Thomas Bailey Aldrich (1836–1907) |
The Last Furrow by Edwin Markham (1852–1940) |
The Last Gentian by Thomas William Parsons (1819–1892) |
The Last Leaf by Oliver Wendell Holmes (1809–1894) |
The Last Tempest by Mather Byles (1707–1788) |
The Lay of Dan’l Drew by Charles Henry Webb (1834–1905) |
The Lesson of Life by Roger Wolcott (1679–1767) |
The Letter of Marque by Caroline Frances Orne (1818–1905) |
The Library by Frank Dempster Sherman (1860–1916) |
The Light’ood Fire by John Henry Boner (1845–1903) |
The Lip and the Heart by John Quincy Adams (1767–1848) |
The Little Beach-Bird by Richard Henry Dana, Sr. (1787–1879) |
The Little Knight in Green by Katharine Lee Bates (1859–1929) |
The Little Orator by Thaddeus Mason Harris (1768–1842) |
The Living Temple by Oliver Wendell Holmes (1809–1894) |
The Loon by Alfred Billings Street (1811–1881) |
The Lost Battle by Rose Hawthorne Lathrop (Mother Alphonsa) (1851–1926) |
The Lost Pleiad by William Gilmore Simms (1806–1870) |
The Love-Knot by Nora Perry (1831–1896) |
The Lover’s Song by Edward Rowland Sill (1841–1887) |
The Maid of St. Helena by Charles Henry Phelps (1853–1933) |
The Majority by Tracy Robinson (1833–1915) |
The Marshes of Glynn by Sidney Lanier (1842–1881) |
The Mates by Maria Gowen Brooks (Maria del Occidente) (1794?–1845) |
The Mayflower by Erastus Wolcott Ellsworth (1822–1902) |
The May Sun Sheds an Amber Light by William Cullen Bryant (1794–1878) |
The Meeting by Edgar Fawcett (1847–1904) |
The Memory of the Heart by Daniel Webster (1782–1852) |
The Mint Julep by Charles Fenno Hoffman (1806–1884) |
The Mocking Bird by Sidney Lanier (1842–1881) |
The Moorings by William Wallace Harney (1831–1912) |
The Morning-Glory by Maria (White) Lowell (1821–1853) |
The Morning Street by John James Piatt (1835–1917) |
The Moss Supplicateth for the Poet by Richard Henry Dana, Sr. (1787–1879) |
The Mountebanks by Charles Henry Lüders (1858–1891) |
The Mower in Ohio by John James Piatt (1835–1917) |
The Much-Loved Child by Aquila Rose (1695–1723) |
The New Castalia by William Hayes Ward (1835–1916) |
The New England Preachers by Anonymous |
The New Wife and the Old by John Greenleaf Whittier (1807–1892) |
The New Year by Maybury Fleming (b. 1853) |
Then shall I Triumph by Charles de Kay (1848–1935) |
Theocritus by Annie Adams Fields (1834–1915) |
Theocritus by Maurice Francis Egan (1852–1924) |
The Old Abbeys by Arthur Cleveland Coxe (1818–1896) |
The Old Beau by Edgar Fawcett (1847–1904) |
The Old Man and Jim by James Whitcomb Riley (1849–1916) |
The Old Man’s Carousal by James Kirke Paulding (1778–1860) |
The Old Piano by Amelia Edith Huddleston Barr (1831–1919) |
The Old Ship of Zion by John Alfred Macon (b. 1851) |
The Old Story by Mary Emily Bradley (1835–1898) |
The Old Story by Mary Newmarch Prescott (1849–1888) |
The O’Lincoln Family by Wilson Flagg (1805–1884) |
The Organ by Francis Hopkinson (1737–1791) |
The Other World by Harriet Beecher Stowe (1811–1896) |
The Parson’s Psalm by Joseph Green (1706–1780) |
The Parting Glass by Philip Freneau (1752–1832) |
The Past by William Cullen Bryant (1794–1878) |
The Patriot by Thomas Godfrey (1736–1763) |
The Phœbe-Bird by George Parsons Lathrop (1851–1898) |
The Pilgrims by John Boyle O’Reilly (1844–1890) |
The Pious Editor’s Creed by James Russell Lowell (1819–1891) |
The Planting of the Apple-Tree by William Cullen Bryant (1794–1878) |
The Poet by Cornelius Mathews (1817–1889) |
The Poet by Joel Benton (1832–1911) |
The Portrait by Sarah Helen Power Whitman (1803–1878) |
The Prairie Plover by William Osborn Stoddard (1835–1925) |
The Present Age by Revolutionary Songs and Ballads |
The Prince’s Vision by James Ralph (d. 1762) |
The Problem by Ralph Waldo Emerson (1803–1882) |
The Problem by Charlotte Fiske Bates (1838–1916) |
The Progress of Sir Jack Brag by Revolutionary Songs and Ballads |
The Quaker Widow by Bayard Taylor (1825–1878) |
The Quiet Pilgrim by Edith Matilda Thomas (1854–1925) |
The Ragged Regiment by Alice Williams Brotherton (1848–1930) |
The Raven by Edgar Allan Poe (1809–1849) |
There is a Land Immortal by Thomas MacKellar (1812–1899) |
There’ll Come a Day by Margaret Junkin Preston (1820–1897) |
The Republic by Henry Wadsworth Longfellow (1807–1882) |
The Revellers by William Davis Gallagher (1808–1894) |
The Revenge of Hamish by Sidney Lanier (1842–1881) |
The Rhodora by Ralph Waldo Emerson (1803–1882) |
The River-God by Charles Henry Lüders (1858–1891) |
The Roman Father by John Howard Payne (1791–1852) |
The Sandpiper by Celia Laighton Thaxter (1835–1894) |
The Sea Mark by Captain John Smith (1580–1631) |
The Sentinel Year by William Osborn Stoddard (1835–1925) |
The Shadow by Richard Henry Stoddard (1825–1903) |
The Shadow by Minot Judson Savage (1841–1918) |
The Silent by Jones Very (1813–1880) |
The Singer of One Song by Henry Augustin Beers (1847–1926) |
The Skater by Orth Harper Stein (1862–1901) |
The Skaters by Fitz-James O’Brien (1828–1862) |
The Skeleton in Armor by Henry Wadsworth Longfellow (1807–1882) |
The Sky Is a Drinking-Cup by Richard Henry Stoddard (1825–1903) |
The Smooth Divine by Timothy Dwight (1752–1817) |
The Snowbird by Dora Read Goodale (1866–1953) |
The Snow-storm by Ralph Waldo Emerson (1803–1882) |
The Society upon the Stanislaus by Bret Harte (1836–1902) |
The Song of the Camp by Bayard Taylor (1825–1878) |
The Sonnet by Richard Watson Gilder (1844–1909) |
The Soul’s Defiance by Lavinia Stoddard (1787–1820) |
The Sparrow by Robert Dinsmoor (1757–1836) |
The Spectre-Horse by Richard Henry Dana, Sr. (1787–1879) |
The Sphinx by Henry Howard Brownell (1820–1872) |
The Sphinx of Ice by Edgar Fawcett (1847–1904) |
The Stab by William Wallace Harney (1831–1912) |
The Stars by Mary Mapes Dodge (1831–1905) |
The Star-Spangled Banner by Francis Scott Key (1779–1843) |
The Stirrup-Cup by John Hay (1838–1905) |
The Stone Fleet by Herman Melville (1819–1891) |
The Strong Heroic Line by Oliver Wendell Holmes (1809–1894) |
The Sunshine of Thine Eyes by George Parsons Lathrop (1851–1898) |
The Tax on Old Bachelors by Seba Smith (1792–1868) |
The Teaching of the Grave by Mather Byles (1707–1788) |
The Telegrams by Julia Ward Howe (1819–1910) |
The Thousand and Thirty-Seven by Charles Graham Halpine (1829–1868) |
The Tide Rises, the Tide Falls by Henry Wadsworth Longfellow (1807–1882) |
The Trial of the Dead by Lydia Huntley Sigourney (1791–1865) |
The Triumph of Hector by William Munford (1775–1825) |
The Tryst by Charles Henry Lüders (1858–1891) |
The Tunes Dan Harrison Used to Play by William Henry Venable (1836–1920) |
The Two Angels by Henry Wadsworth Longfellow (1807–1882) |
The Two Friends by Charles Godfrey Leland (1824–1903) |
The Two Mariners by Florus Beardsley Plimpton (1830–1886) |
The Two Mothers by Epiphanius Wilson (1845–1916) |
The Two Mysteries by Mary Mapes Dodge (1831–1905) |
The Unfinished Prayer by Anonymous |
The Vagabonds by John Townsend Trowbridge (1827–1916) |
The Valley by Edwin Markham (1852–1940) |
The V-a-s-e by James Jeffrey Roche (1847–1908) |
The Village Blacksmith by Henry Wadsworth Longfellow (1807–1882) |
The Violin by Adoniram Judson Sage (1836–1902) |
The Virginians of the Valley by Francis Orrery Ticknor (1822–1874) |
The Voice of the Grass by Sarah Roberts (1812–1869) |
The Voice of the Pine by Charles Timothy Brooks (1813–1883) |
The Volunteer by Elbridge Jefferson Cutler (1831–1870) |
The Waiting Chords by Stephen Henry Thayer (1839–1919) |
The Waking of the Sun by Nathaniel Ames (1708–1764) |
The Warden of the Cinque Ports by Henry Wadsworth Longfellow (1807–1882) |
The War of the Dryads by Henry Ames Blood (1836–1900) |
The Wasp by Francis Hopkinson (1737–1791) |
The Watch-Fire by Titus Munson Coan (1836–1921) |
The Watch of Boon Island by Celia Laighton Thaxter (1835–1894) |
The Way by William Steele Shurtleff (1830–1896) |
The Way of the World by John Godfrey Saxe (1816–1887) |
The Way to Arcady by Henry Cuyler Bunner (1855–1896) |
The Wedding on the Creek by John Alfred Macon (b. 1851) |
The Wedding Veil by Elizabeth Hussey Whittier (1815–1864) |
The Widowed Heart by Albert Pike (1809–1891) |
The Wife by William Livingston (1723–1790) |
The Wild Honeysuckle by Philip Freneau (1752–1832) |
The Wild Ride by Louise Imogen Guiney (1861–1920) |
The Willis by David Law Proudfit (1842–1897) |
The Winged Worshippers by Charles Sprague (1791–1875) |
The Wish by Thomas Godfrey (1736–1763) |
The Witch in the Glass by Sarah Morgan Bryan Piatt (1836–1919) |
The Witch of York by George Washington Wright Houghton (1850–1891) |
The Wood-Sprite by Roger Riordan (1848–1904) |
The Wraith of Odin by Henry Wadsworth Longfellow (1807–1882) |
The Yankee Man-of-War by Anonymous |
The Year of Jubilee by Henry Clay Work (1832–1884) |
Thoreau’s Flute by Louisa May Alcott (1832–1888) |
Time, Tireless Tramp by Clifford Anderson Lanier (1844–1908) |
’Tis But a Little Faded Flower by Ellen Clementine Howarth (1827–1899) |
To Aaron Burr, under Trial for High Treason by Sarah Wentworth Apthorp Morton (1759–1846) |
To a Comrade by Harrison Smith Morris (1856–1948) |
To a Doubter by Arthur Wentworth Hamilton Eaton (1849–1937) |
To a Honey Bee by Philip Freneau (1752–1832) |
To a Lily by James Matthews Legaré (1823–1859) |
To America by George Henry Boker (1823–1890) |
To an Italian Beggar-Boy by Elizabeth Clementine Kinney (1810–1889) |
To an Oriole by Edgar Fawcett (1847–1904) |
To a Spider by Samuel Low (b. 1765) |
To a Waterfowl by William Cullen Bryant (1794–1878) |
To David Friedrich Strauss by Epes Sargent (1813–1880) |
To-day by Milicent Washburn Shinn (1858–1940) |
To Elsie by Nathaniel Langdon Frothingham (1793–1870) |
To England by George Henry Boker (1823–1890) |
To Helen by Edgar Allan Poe (1809–1849) |
To His Companion at Sea by Aquila Rose (1695–1723) |
To His Wife by Joseph Stansbury (1750–1809) |
To May by Nathaniel Evans (1742–1767) |
“To me Thou Cam’st” by Theodore Parker (1810–1860) |
To-morrow by William Ellery Channing (1818–1901) |
To Night by Louise Chandler Moulton (1835–1908) |
To One in Paradise by Edgar Allan Poe (1809–1849) |
To Sally by John Quincy Adams (1767–1848) |
To Seneca Lake by James Gates Percival (1795–1856) |
To Sleep by William Cliffton (1772–1799) |
To Sleep by Maybury Fleming (b. 1853) |
To the Dandelion by James Russell Lowell (1819–1891) |
To the Daughter of an Old Sweetheart by George Denison Prentice (1802–1870) |
To the Fringed Gentian by William Cullen Bryant (1794–1878) |
To the Gods by Anonymous |
To the Heirs of the Pilgrims by Benjamin Church (1734–1778) |
To the Man-of-War Bird by Walt Whitman (1819–1892) |
To the Mocking-Bird by Richard Henry Wilde (1789–1847) |
To the Mocking-Bird by Albert Pike (1809–1891) |
To the Moon by Margaretta V. Faugeres (1771–1801) |
To the Right Honorable William, Earl of Dartmouth by Phillis Wheatley (1753–1784) |
To the Shade of Washington by Richard Alsop (1761–1815) |
To the Virginian Voyage.html”>Michael Drayton (1563–1631) |
To Time by Susanna Rowson (1762–1824) |
Tourguénieff by William Morton Payne (1858–1919) |
Tradition of Conquest by Sarah Morgan Bryan Piatt (1836–1919) |
Transfigured by Sarah Morgan Bryan Piatt (1836–1919) |
Transition by Stephen Decatur Smith, Jr. (b. 1861) |
Trust and Submission by Andrews Norton (1786–1853) |
Tuloom by Erastus Wolcott Ellsworth (1822–1902) |
Twenty Bold Mariners by Rose Hawthorne Lathrop (Mother Alphonsa) (1851–1926) |
Twilight at Sea by Amelia B. Welby (1819–1852) |
Two Pictures by Annie Douglas (Green) Robinson (1842–1913) |
Uhland by William Allen Butler (1825–1902) |
Ulalume by Edgar Allan Poe (1809–1849) |
Ulf in Ireland by Charles de Kay (1848–1935) |
Under the Blue by Francis Fisher Browne (1843–1913) |
Under the Palms by Frederick K. Crosby (1845–1874) |
Under the Snow by Robert Collyer (1823–1912) |
Unreturning by Elizabeth Drew Barstow Stoddard (1823–1902) |
Unseen Spirits by Nathaniel Parker Willis (1806–1867) |
Upon a Purple Cap by George Alsop (b. 1638) |
Upon a Winter Morning by Maybury Fleming (b. 1853) |
Upon Mrs. Anne Bradstreet Her Poems by John Rogers (1630–1684) |
Upon Seeing a Funeral in the Street by Langdon Elwyn Mitchell (1862–1935) |
Vanity of Vanities by Michael Wigglesworth (1631–1705) |
Vanquished by Francis Fisher Browne (1843–1913) |
Venice by Henry Wadsworth Longfellow (1807–1882) |
Venus of the Louvre by Emma Lazarus (1849–1887) |
Via Sacra by Charles Anderson Dana (1819–1897) |
Vicksburg by Paul Hamilton Hayne (1830–1886) |
Virginia Creepers by Armistead Churchill Gordon (1855–1931) |
Waikiki by Rollin Mallory Doggett (1831–1901) |
Waiting by John Burroughs (1837–1921) |
Waiting by Charles Henry Crandall (1858–1923) |
Waiting for the Bugle by Thomas Wentworth Higginson (1823–1911) |
Wandering Along a Waste by Richard Henry Stoddard (1825–1903) |
War and Washington by Jonathan Mitchel Sewall (1748–1808) |
Warren’s Address to the American Soldiers by John Pierpont (1785–1866) |
Watching by Emily Chubbuck Judson (Fanny Forrester) (1817–1854) |
We Lay us Down to Sleep by Louise Chandler Moulton (1835–1908) |
Western Australia by John Boyle O’Reilly (1844–1890) |
We Walked among the Whispering Pines by John Henry Boner (1845–1903) |
What a Witch and a Thief Made by William Douglas O’Connor (1832–1889) |
What have I Done? by Lillien Blanche Fearing (1863–1901) |
What Is Happiness? by Joseph Brown Ladd (1764–1786) |
What Mr. Robinson Thinks by James Russell Lowell (1819–1891) |
What my Lover Said by Homer Greene (1853–1940) |
What Sees the Owl? by Elizabeth Sears Bates Gerberding |
When Did We Meet? by Elaine Goodale Eastman (1863–1953) |
When I am Dead by Ella Dietz Clymer (b. 1856?) |
When the Cows Come Home by Agnes E. Mitchell |
When the Frost is on the Punkin by James Whitcomb Riley (1849–1916) |
When the Grass shall Cover Me by Ina Donna Coolbrith (1841–1928) |
Whispers of Heavenly Death by Walt Whitman (1819–1892) |
White Azaleas by Harriet McEwen Kimball (1834–1917) |
Why Should we Care? by Sarah Morgan Bryan Piatt (1836–1919) |
Why the Robin’s Breast was Red by James Ryder Randall (1839–1908) |
Why Thus Longing? by Harriet Winslow Sewall (1819–1889) |
Wild Coreopsis by Clinton Scollard (1860–1932) |
Will by Ella Wheeler Wilcox (1850–1919) |
William Shakespeare by Richard Henry Stoddard (1825–1903) |
Winter Days by Henry Abbey (1842–1911) |
Winter Starlight by Frank Dempster Sherman (1860–1916) |
Winter Woods by George Cooper (1840–1927) |
With a Decanter of Madeira by Silas Weir Mitchell (1829–1914) |
With a Nantucket Shell by Charles Henry Webb (1834–1905) |
With a Rose from Conway Castle by Julia C. R. Dorr (1825–1913) |
Woman’s Trifling Needs by Mercy Otis Warren (1728–1814) |
Woodbines in October by Charlotte Fiske Bates (1838–1916) |
Woodman, Spare that Tree! by George Pope Morris (1802–1864) |
Written in Athens by Joaquin (Cincinnatus Hiner) Miller (1837–1913) |
Yankee Doodle by Revolutionary Songs and Ballads |
Yankee Doodle’s Expedition to Rhode Island by Revolutionary Songs and Ballads |
Yawcob Strauss by Charles Follen Adams (1842–1918) |
Yourself by Jones Very (1813–1880) |
Youth and Age by Richard Dabney (1787?–1825) |
Youth, Day, Old Age and Night by Walt Whitman (1819–1892) |