Anyone lived in a pretty how town

were to live in a world where only 10 poems were allowed to be read and studied, ideally, the 10 poems selected would be the most figuratively, structurally, and mechanically fit of all pieces in history. In my opinion, the 1940 poem “Anyone Lived in a Pretty How Town” by E.E. Cummings is one of the most intriguing poems written and would surely be featured as one of the 10 selected pieces of reading. Though it features bizarre syntax which, at times, is hard to decipher, the poem is one that is both

“anyone lived in a pretty how town” by E.E. Cummings can be interpreted both literally and figuratively. Literally, the poem can be read to mean that someone lived in a town where everyone was unhappy, unloving, and cruel. The people went through life growing up, forgetting their lonely, loveless childhoods, while others died unloved with nobody missing them, therefore the town continued to repeat the cycle of unhappiness for every following generation. Figuratively, the poem can be viewed as a love

The poem “anyone lived in a pretty how town” by E.E. Cummings talks about the cycle of life and the importance of structure, symbolism, and language of the poem. For instance, the poem has nine stanzas, which has a rhyming pattern of AABC. The rhythm of the poem is significant for it supports one of themes, the cycle of life. Cumming uses season to explain the poem's progress. “spring summer autumn winter” (3) and “sun moon stars rain” (8) symbolizes time passing, which represents life passing. In

An Analysis of E.E. Cummings' Anyone Lived in a Pretty How Town In reading this poem the first time, I had no clue as to what Cummings was speaking of. However, after many times through and several on-line readings, I believe that I have some semblance as to what Cummings was trying to convey in this poem. In reading this poem through on my own the first time, I saw Anyone as any person. However, Anyone is actually an individual, as is Noone. Anyone is seen to be a happy person as in line 4

a moment in time otherwise lost in the blink of an eye. British poet Dylan Thomas and American poet E.E. Cummings have both been noted for the recurring themes of passage of time in their poetry. In Thomas’ "Fern Hill" and Cummings’ "anyone lived in a pretty how town," both modern poets utilize a juxtaposition of paradoxes to express the irrevocable passage of time and the loss of innocence attributed to it. While Thomas projects his mature feelings into a nostalgic site of his childhood, Cummings

Through their writings the author’s conveyed their fears and attitudes towards their impending doom, this sparking the change in the literary world today. In modernism there are a few key themes that E.E. Cummings exhibits in his work, “Anyone lived in a pretty how town.” One most common modernist literature represented is paradox through themes of cycles. Death is common among this piece of modernist literature, which reflects on the destruction of one’s life. Another element of modernist literature

In his poem, “anyone lived in a pretty how town,” E. E. Cummings describes the life lived by the average joe, symbolized by protagonist “anyone,” in the average “pretty how town” setting. Cummings asserts that children will be born and raised to all be the “same,” with no individuality, then grow into “busy” adults who “cared for anyone not at all,” and perhaps one day get married, live their lives, and die, still with “nevers,” or an unfulfilled bucket list. It is through the use of repetition,

In the poem Anyone Lived in a Pretty how Town E. E. Cummings plays with jumbled syntax, a seemingly random rhyme scheme, and the paradox of non-identical repetition to convey his message about the ordinariness of daily life, the passing of time, and the inclusive anonymity of people we encounter in our lives. Anyone Lived in a Pretty how Town describes the daily lives of the people who live in a certain, nameless town. The town is not named and neither are any of the townspeople, other than to give

in, anyone lived in a pretty how town, the most prevalent are paradox in the form of cycles, the idea of a menacing death, and abnormal poetic structuring of the poem. A paradox is one many common modern literature represented is through themes of cycles. Death, common among this piece of modern literature reflects on the destruction of one’s life. The frequent writing style of the author’ is another element of modern literature is which exemplifies the

omnipresent narrator for the life of “anyone” and his love, “noone”. They are a couple ostracized by society, ignored by everyone but the children. Their situation reflects Cumming’s scorned bohemian lifestyle. The phrase “spring summer autumn winter” repeats throughout the poem indicating passage of time (3). Another repetition is, “(with up so floating many bells down)” (2). Bells are symbol of beginnings and endings, of weddings and funerals (Hunt). Together, “anyone” and “noone” mature in their love