1. This question goes way back to the end of chapter 8 and the combined tones described there. You may wish to use table 8.1. Assume that a musical fourth is played, consisting of the notes G (196 Hz) and middle C (261.6 Hz). First, verify that the frequency ratio is that of a musical fourth (see the table if you are not sure). Then determine the first and second combination tones (again, use formulas from the table). If you are feeling bold, you can see what notes those combination tones are; they should be octaves of C! Frequency ratio: First combination tone: Second combination tone:

College Physics
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Chapter1: Units, Trigonometry. And Vectors
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1. This question goes way back to the end of chapter 8 and the combined tones described there. You may wish to
use table 8.1. Assume that a musical fourth is played, consisting of the notes G (196 Hz) and middle C (261.6
Hz). First, verify that the frequency ratio is that of a musical fourth (see the table if you are not sure). Then
determine the first and second combination tones (again, use formulas from the table). If you are feeling bold,
you can see what notes those combination tones are; they should be octaves of C!
Frequency ratio:
First combination tone:
Second combination tone:
Transcribed Image Text:1. This question goes way back to the end of chapter 8 and the combined tones described there. You may wish to use table 8.1. Assume that a musical fourth is played, consisting of the notes G (196 Hz) and middle C (261.6 Hz). First, verify that the frequency ratio is that of a musical fourth (see the table if you are not sure). Then determine the first and second combination tones (again, use formulas from the table). If you are feeling bold, you can see what notes those combination tones are; they should be octaves of C! Frequency ratio: First combination tone: Second combination tone:
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