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Literary Movement: Romantic And Transcendental Elements Of Poetry

Decent Essays

Each consecutive literary movement comes with new attitudes about writing styles and techniques. Whether it exists as a critical element in the poetry of the Romantic and Transcendental periods, or as a seemingly infinitesimal element of the Jazz Age, nature is a key component that appears throughout poetry. Although “I wandered lonely as a cloud”, “Song of Myself”, and “Nothing Gold Can Stay” are each from different literary periods, they are all tied together by a common thread: nature. The British Romantic period lasted from 1785-1832. According to Stuart Curran: "The most eccentric feature of this culture was that it was simply mad for poetry" (qtd in Greenblatt 11). Intellectual readers in this time period were fans of nature poetry. …show more content…

In his preface to Lyrical Ballads, he wrote that "all good poetry is the spontaneous overflow of powerful feelings" (qtd in Greenblatt 13). Wordsworth believed that poets, especially, experience a deeper connection with their feelings through nature. His pastoral poem "I wandered lonely as a cloud" is about a man who is able to find happiness in watching a field of dancing daffodils. He wrote, "ten thousand [daffodils] saw I at a glance; / Tossing their heads in a sprightly dance" (Wordsworth 11-12). He uses personification to create a greater connection between nature and the …show more content…

The poetry of this era was strikingly similar to that of the Romantic movement in that they believed in having a deep connection with nature. The movement’s leader, Ralph Waldo Emerson, believed that mankind should follow their intuition and that it’s easiest to follow one’s intuition while being out in nature. Transcendentalists strove for nonconformity and believed that everything—humankind, God, and Nature—was all connected through the Over-Soul (Ebenkamp and Hass 13). Walt Whitman, a follower of Emerson’s teachings, said that “[he] was simmering simmering simmering; Emerson brought me to a boil” (qtd in Ebenkamp and Hass 5). He was initially inspired by reading Romantic odes that “[had] the individual’s relation to nature and to imagination as their subjects… Like ‘Song of Myself’, the essays [advanced] an argument without advancing the structure of the argument” (Ebenkamp and Hass 5). Without Emerson’s essays about what it means to be a transcendentalist, “Song of Myself” would be

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