Where Are You Going, Where Have You Been

is a pretty fifteen year-old girl, beginning the process of maturation into adulthood. She begins to

In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house

She knows he is threatening her and her family but it seems she is controlled by an unknown source that makes her go with him. Someone could argue that Connie went willingly to protect her family, but that seems weird since she tried to call for help. When she tried to call for help it seemed like Arnold Friend was controlling her so that she wasn’t able to call for help. Arnold Friend has a mysterious control over Connie that makes the reader believe that she is under his control. The story says, “She felt her pounding heart. Her hand seemed to enclose it. She thought for the first time in her life that it was nothing that was hers, that belonged to her, but just a pounding, living thing inside this body that wasn’t really hers either”(Oates 325). This could prove that she didn’t have control over the situation, kind of like someone or something was controlling her.

Connie does not want to be the nice and innocent pretty girl. She wants to be known for being very sexual. In the story she makes fun of her sister June because she is very modest and not sexual and causes conflict with their family. Also June is overweight twenty-four years old and still living at home. But she also does chores and does them without complaining to her parents. While Connie is a way from home she has two totally different ways of acting. Be that as it may, Arnold friend ‘s landing in her home drives her two sides to consolidate fiercely. As it were, Connie is not completely sexual until Arnold's interruption into her home until then; her sexuality was something outside of her "actual" self, the self that she permitted her family to see. Arnold also has a friend named Ellie. While Arnold drives up to Connie’s house Ellie stays in the car and she listens to music while Arnold speaks to Connie. Also Connie’s mother shows a large amount of frustration towards her and the way she acts and dresses. Connie and her mother fight constantly. But towards the end of the story when Connie is attacked my Arnold she cries out to her

"Where are you going where have you been?" is a short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie to eat dinner with him, and Connie leaves her friend at the restaurant’s counter to go with him. As Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He smiles at her and says, “Gonna get you, baby.”. Connie confused, walks away quickly confused not really knowing what actually happened, and Eddie notices nothing. They spend three hours of their night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a family barbeque leaving her all by herself. While she was at home alone, she was listening to her radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of the window to see

Connie is a young fifteen year old who cares about her sexual drive that men have toward her. “The 1960s unleashed the so called sexual revolution. It seemed more a source of comic relief and tragic nostalgic recirculation than political inspiration…” This revolution consisted of women demanding their own rights so they could become more and more independent. There were significant shifts in social attitudes, behaviors, and institutional regulations at the beginning of the 60’s and also lasted through the 70’s. The sexual drive increased majorly and the amount of women that had sex before marriage also sky rocketed. In Where Are you Going, Where Have You Been, Connie wants sexual attention from men, and that hurts her self-confidence and

In the following works: “Everyday Use” by Alice Walker, and “Where Are You Going, Where have You Been?” by Joyce Carol Oates both authors display how dynamic characters do/don’t relate to their families, excluding themselves and/or accepting their worth.

The Cultural Revolution and Sexual Desires in Oates’s “Where Are You Going, Where Have You Been”

In Oates's "Where Are You Going, Where Have You Been?" it portrays the confusing nature of sexuality. A story set in the America of mid-1900s. A conflict of morals characterized this time, especially sexually related ones. There was a hot debate on the topic of sexuality among adolescents. The roles of women were being challenged and quickly changing. This story describes a psychosexual episode between a male predator and the protagonist, a female

Many people live life in a “fantasy world” and sometimes when they dream, that fantasy could end up like it is really happening. In the short story,Where Are You Going, Where Have You Been by Joyce Carol Oates there is a likely chance that Connie’s encounter was a dream. Through further analysis it is revealed that Joyce Carol Oates’ short story is merely a dream in which Connie’s odd wish is fulfilled, all of which is achieved through setting, characterization, and plot.

Through its contrasting reality and dreamlike scenes, Oates’ “Where Are You Going, Where Have You Been?” uses details from a true American horror story to convey a message about society, youth and a loss of innocence. Arizona native Charles Schmid murdered Alleen Rowe on May 31, 1964. Schmid was considered a serial killer and was subsequently arrested and convicted of the heinous crimes that he was accused of. The profile of Schmid as a short man who wore makeup, wigs and altered boots to make

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

A short story titled "Where Are You Going, Where Have You Been?" tells a tale of an adolescent girl who suffers consequences of growing up in the unsupportive environment and the society preoccupied by the media. It is considered to be the most famous work of Joyce Carol Oates, an American writer, the winner of many significant literary awards and a two- time candidate for the Nobel Prize in Literature. The story was first published in the fall of 1966. It is dedicated "to Bob Dylan", as though, after having heard Dylan's song "It's all over now, Baby Blue" Oates got inspiration for the story. She was also influenced by the article about Charles Schmid, a twenty-

In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” the author sets the feeling of danger and uncertainty stemming from events occurring throughout the story with the utilization of themes from Thomas C. Foster’s “ How to Read Literature Like a Professor” specifically with references to seasons, the bible, and significant symbolisms.

     Does she take the chance on calling the cops? Or should she get in the car with Arnold Friend? Either way I think she knew that the outcome was going to be death. The story ends with Connie on her way out to the car. She put out her hand against the screen. She watched herself push the door slowly open as if she were back sage somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited. (164) Why does Connie make this decision? The story does not say, but as the reader I think that Connie was thinking if she stayed that he would harm her and her family, but if she went with