The World Is Too Much With Us Personification

The poems “The World Is Too Much With Us” by William Wordsworth and “God’s Grandeur” by Gerard Manley Hopkins both present a common perspective of society and nature. While both poems are about a common subject, the poets write in 2 different ways. While both authors use personification, allusions, and imagery in their poems, they use them in different ways.

In William Wordsworth's sonnet "The World Is Too Much with Us" the speaker conveys his frustration about the state in which he sees the world. Throughout the poem the speaker emphatically states his dissatisfaction with how out of touch the world has become with nature. Typical of Italian sonnets, the first eight lines of the poem establish the problems the speaker is experiencing such discontent about. Subsequently, the next line reveals a change in tone where the speaker angrily responds to the cynicism and decadence of society. Finally, the speaker offers an impossible solution to the troubles he has identified. Through each line, the tone elevates from dissatisfaction to anger in an effort to make the reader sense the significance of

In “the sea view”, the atmosphere around the sea in the first 8 lines is thought to be one of “Heaven’s glorious works” (ll. 14). This means that the sea is divine and of God. In William Wordsworth’s poem, there is not much mention of “the Great God” (ll. 9) but the speaker talks of the possibility of losing faith in humanity and being “A Pagan” (ll. 10), and believe in Proteus and Triton to make sense of the world. In this poem, the speaker has lost his hope in humanity and turned his faith to sea deities.

Throughout the poems The World Is Too Much With Us, by William Wordsworth, and God’s Grandeur, written by Gerard Manley Hopkins, figurative language is used in order to share a view of modern nature and society. Poetic devices such as imagery, parallel structure, and alliteration are a few materials that both compare and contrast these two works. By incorporating these, each individual author enhances the overall meaning through the idea of adding depth to the writing. Wordsworth, the creator of The World Is Too Much With Us, uses his poem to serve as a reference to his beliefs on the malicious, cruel world around us, and how people are growing apart from nature. Along with this, Gerard Manley Hopkins’ words help build upon the beauty and importance of nature, and how God above keeps its well-being preserved. Due to all of this, each poem is given unique qualities that relate their meanings to one another.

Analysis of “The World Is Too Much With Us” The poem, “The World is Too Much With Us,” written by William Wordsworth who shows the tragic result of human kind losing sight of what truly matters to his belief, Nature. Each line was carefully crafted to express his warnings to the present and future generations. The diction used in Wordsworth poem shows the intense feelings he felt towards wishing to go back to simpler time when society was closer to nature than the changing times during the industrial revolution. Written out of anger and frustration, William is the speaker of the poem.

Bringing forth the fact that Wordsworth finds such “tranquil restoration” when he reminisces over these fond times and sights that it would also inhibit in him a feeling of “unremembered pleasure.” And though Wordsworth finds no sense of absolution with modern society, he doesn’t hate it for what it is. In fact, he simply just gives off this feeling that he simply doesn’t belong in cities or towns and instead jells more into natures embrace. Another reading post by Jaqueline coincides with Wordsworth’s views of the natural world. This is on full display when she herself mentions that she can heavily relate to the component of memory that that uses nature as a backdrop to fuel “current joys, hopefulness for the future, a sense of wholeness, healing and a knowledge.” The appreciation of such a connection is breathtaking and harkens back to the “aspect more sublime.” (37) which we also discussed in depth during last week’s lecture session. Jaqueline also brings up the fact that Wortdsworth doesn’t “mourn” the fact he has lost that connection to nature, that he simply must be happy with both who he is and how his nature with the world around him has matured since those days have come and passed. Exhuming the idea that Wordsworth has come to terms with the mankind’s overall evolution and relationship with the natural world. That is a past point brought up in my C3

Good morning and welcome to the number 1 radio show, The Beat Goes On, I am your host, Caleb Argent, and today we will be going on a journey of reflection as we analysis the power words have in evoking human emotion through poems and modern songs alike. Poetry has been motivating, inspiring and inviting people to reflect on themselves for centuries. It has made people look back on the errors of their ways and come to terms with their mistakes. Poetry has the power to do all this because of the way the words within are written. Poets in the Romantic age (1800-1850) were very avant-garde minded and due to this, most of the utmost controversial and well known poets come from this age. As a result of this we here at The Beat Goes on have decided that our journey of reflection will began at the peak of poems in the romantic era with a famous poet named William Wordsworth and his poem “The World Is To Much With Us” and end in the 21st century with a famous song called "Gone" by Jack Johnson. In William Wordsworth’s poem “The World Is To Much With Us” the theme shows us that humanity has lost its way or is losing its way. Over time this idea of “Humanity losing its way” has brought about many controversial opinions and arguments between people who agree with the statement and people who disagree. This theme has changed a lot over the ages due to the different levels of technical advances at the time. In William Wordsworth’s poem he mainly focuses on the way society no longer

William Wordsworth's poem The World Is Too Much With Us embodies the characteristics of a Petrarchan sonnet. Throughout the poem, the meter remains in iambic pentameter while the rhyme scheme shifts midway, beginning with ABBAABBA and concluding with CDCDCD. The shift marks the distinction between the octave and the sestet parts of the poem, indicating the poem's classification as this particular type of sonnet. With this format, the poem comes across in the style of a problem and solution or resolution, for which Petrarchan sonnets are famous. The octave allows Wordsworth to speak of his observation of our materialistic society whereas the sestet presents, in a way, Wordsworth’s personal solution to this dilemma. Although strictly speaking this may appear to be a stretch, this aspect of the Petrarchan sonnet can be utilized in varying styles.

The human tendency, described in the poem, is to foolishly “waste our powers” on material items rather than taking time to enjoy nature. Mankind is obsessed with “getting and spending” that we have become “out of tune” with the rest of the world to the point we do not anything of nature at all. The majority of the poem is a tribute to nature’s beauty so that others can experience it once industrialization consumes it. The past and memory are captured in Wordsworth’s poem through the experience of nature and its destruction from a first-person perspective. The concern of preserving the past to the Romantic poets it to pass on experiences of something beautiful that many do not take the time to see, and will soon cease to

This poem discusses Wordsworth’s ongoing frustration with the world around him. We are not paying attention to nature, but instead are focused on “getting and spending”. The recurring theme of excessive materialism flows through every line, all very relatable to the modern day. We are “out of tune” with the world, out of touch with our own spirituality,

The simple poem by William Wordsworth is nothing short of a deeper meaning, but you will never find this hidden meaning unless you read in between the lines. Within this second level of understanding is a similar meaning of that of the literal meaning. In a more critical analysis of “The World Is Too Much With Us” Wordsworth’s deeper meaning is

(“lonely rooms, and mid the din / Of towns and cities, I have owed to them / In hours of weariness, sensations sweet”). Once again repetition is used to firmly imprint the idea in our mind of how essential this memory has been to his happiness during testing times, “How oft, in spirit, have I turned to thee / … / How often has my spirit turned to thee”. The simplicity in which he aims to convey this idea relates back to his poetic purpose of recovering “the naked and native dignity of man” (Preface to the Lyrical Ballads, 1801), doing this required using “a selection of language really used by men” (Preface to the Lyrical Ballads, 1801). The use of repetition emphasises the point he is trying to convey, the audience is made focus on just how beneficial state of mind can be when we are in unpleasant circumstances. The first person narrative style places us in the shoes of Wordsworth, and we ponder the role positive thought has played in our own lives. With the poet himself, memories of nature sustained and restored him when weighed down by the burdens of the world, and we are compelled to question where he would be without

Wordsworth desired people to be more open in their mind and hearts so that people could view Nature more and receive more of its power by watching and taking part in it more often. He did not want anyone to read books anymore because you could not completely find happiness within the pages. One must venture out into Nature to feel her. It was up to us to consume the spirit of Nature.

The incorporation of Wordsworth beliefs about nature allowed him to reveal how the human heart derived joy. He considered nature to feature a living personality that exercised to produce healing effects to sorrow-stricken hearts. In his publications, Wordsworth portrays nature having moral influence over humans. In particular, he portrays it providing the best mother care that nursed people to elevate his influence (Wesling 59). This extended to reveal the mystic intercourse of nature that allowed human beings to grow up within her lap through moral perfection in all aspects. Besides, Wordsworth symbolizes light in The Tables Turned as source of sweet and freshening element allowing individuals to see and overcome dullness (Boyson 101). This again revealed in the Ode: Imitations of Immortality, where the speaker uses the light of common day as illuminating his soul and strengthening him to live positively (Juan 78).

What sets William Wordsworth’s attitude towards nature in his poetry, apart from his other contemporaries?