The Red House Research Paper

The bungalow design was influenced by a variety of social and economic trends that expanded the middle class and became a powerful means of transformation in American society. Arts and Crafts promoters associated the bungalow design with creative manual work, independence, and a way to return to manhood of common work practices. The bungalow

Mary Lawrence Masters created the 3 story brick building, that was used as a work space and a home!

The history of the Dyckman Farm House & Museum began after the American Revolution. William Dyckman, son of Jan Dyckman, build the house on Kingsbridge Road (Broadway). The Dyckman house was eventually passed to

Elizabeth Bay house that was built between 1835 and 1839 as the home of Alexander Macleay became one of the Australian historic houses and opened as a museum in 1977. This is a critical analysis of comparing and contrasting between the historic and contemporary design. The first object that has been chosen from Elizabeth Bay house was the ‘cabinet’ (picture 1) that was made for Alexander Macleay in the late 18th century and the second object is contemporary cabinet which is called “Delphine Cabinet” (picture 2) made by the company named Coco Republic design. In this critical analysis, firstly it will demonstrate the detail information of each item. Secondly, it will explain the significance between the two objects that related to the international design movement during their time.

Most of my childhood memories took place in the home that I remember best, the red house on Hawthorne Street, in Portland, Oregon. The house was three stories of endless adventure, with a great big backyard for any little girl's imagination to run wild. In fact, I spent so much time outside that I barely remember the house at all. Also, for some reason, my fondest memories took place during the summer while I lived there. I remember riding my tricycle on the sidewalk with the two twin boys across the street, and sharing my dolls with the little girl who lived in the yellow bungalow three houses down from mine. But, the memory that sticks out most is our forth of July block party.

In both "Rose for Emily" by William Faulkner and "The Destructors" by Graham Greene, the authors uses the houses to symbolize the reluctance to change in a modernizing world. A house is often a "comfort zone", a place where we feel safest. Because our homes become an oasis from society we customize them to fit our comforts. These comforts act as a stopwatch, resisting change. Emil, born a traditional southerner, experienced numerous occasions in which, a source betrayed her.

We saw Chiswick House; this is a William Kemp designed garden. Syon House, the London home of the Dukes of Northumberland; the ‘house’ was stunning inside. The conservatory is one of the best preserved in the UK. Glorious landscapes designed by Capability Brown, this year we celebrate 300 years since his birth. Beautiful scenes showing hundreds of daffodils, magnolias, camellias, rhododendrons and azaleas. There is such a huge variety of daffodils which we never see here, over the years

The houses in this street are all similar looking; they are all painted in khaki and are two stories tall. The only differences between houses is that some of them have balconies that are more like a gardens without plants from all the accumulated

Philip M Dingemanse is an acclaimed Tasmanian architect, he has won many awards and prizes, including the ‘2015 Emerging Architect Prize’ for his ‘Valley House’, and his ‘Southern Outlet House’ appeared on Channel Ten’s ‘The Living Room’. His designs focus on the incorporation of contemporary technologies and materials into one seamless, adventurous form that has a unique, modern style. This is seen in his works ‘Valley House’ and ‘Southern Outlet House’.

To transform your the home of a colonial design interior decoration work of art, there are 2 methods you might go. Either a really conventional, rustic feel style or a more extravagant feel that would have appeared in the grand houses of the colonial age. It is simple in the 21st century to develop both views a budget plan, so the option depends on you.

Through the analysis of both the Bertram house (Cape Town) and the Berkel-Enschot house (Netherlands), I will support this argument. INTRODUCTION OF THE HOUSES The Bertram house was completed in 1839 by John Barker, which he named after his first wife, ‘Anne Bertram Findlay’. The Bertram house is an English Georgian red brick household. The Georgian approach was devised solely for the middle

During the Arts and Crafts movement that took place in the 19th century, a new trend in home building and design showed up that changed homes across North America and Europe. These homes were normally designed by architects but it is writers like Henry Wilson that made these homes popular thus adding to the value as well as craving homeowners had for this design style. A true Craftsman or Bungalow style home had distinct characteristics both on the inside and out.

Robert Adam (1728–92) was one of the most important British architects working in the Neo-classical style and was a main force in the development of a unified style that extended beyond architecture and interiors to include both the fixed and moveable objects in a room. He was a essential Scottish neoclassical architect, interior designer and furniture designer of his century. He incorporated design ideas from ancient Greece and Rome into his forms and decoration. His famous London houses include Kenwood House, Osterley Park and Syon House. Robert Adam developed the "Adam Style", and his theory of "movement" in architecture, based on his studies of antiquity, by contrasting room sizes and decorative schemes.

Montacute House is built in 1598 by Sir Edward Phelips who was Rolls. The house is a very fine example of late Elizabethan architecture that is not ruined or changed in England. This building was in the period almost near renaissance classical. The grade 1 listed building by English heritage is designed by an unknown Architect and constructed with stone.

The Victorian style of houses dates back to the reign of Queen Victoria. This luxurious style comes in copious different varieties, but is all tied together with minuscule detail work. The Victorian era spurred a worldwide want to decorate houses with decorative trimming and beautiful colors to make them more ornamental. Pastel reds, blues, and greens were common in these houses, making them appear bright. They also had exquisite designs around the windows, spindles that twisted in bizarre shapes, and all kinds of different sized windows. These houses and styles were incredibly common as well as a result of mass-production, making the materials cheaper for production and shipping. Inventions such as the steam engine and railroads made shipping these materials much easier than ever before. This led to even more ornamental designs around gables, porches, and windows. Even porch fencing and posts were decorated with scroll-sawn spindles and cornice. These minuscule details that could be closely compared to the ever so popular lace of that time were integral to the Victorian house for the reason that it took empty areas and dressed them up. These grand and elegant victorian houses had complex looking exteriors and that’s likely to be by cause of the maze-like layout that creates odd shapes, the elaborate trimming, and the materials and colors used.