The Metamorphosis by Franz Kafka

The main character of Kafka’s book, The Metamorphosis, is a normal, everyday salesman named Gregor Samsa who happens to wake up one day only to find that he had suddenly become a hideous insect overnight. Throughout the book, Gregor experiences neglect, disgust, and eventually complete isolation

In the book, Metamorphosis, Frank Kafka tells the story of a dysfunctional family that becomes even more dysfunctional when their son, Gregor, transforms into a cockroach. Before and after his transformation, Gregor has a variety of identity and self-esteem issues. Through his transformation, many of these issues are maximized. He begins to not know who he is anymore, and he is disgusted by the fact that he has turned into a hideous creature, both figuratively and literally. This is demonstrated when he has woken up after turning into a cockroach with an itch. After he tries to scratch his itch, he notices one of his many insect legs and is revolted by the truth. The immensity of his disgust is portrayed in his reaction to his transformation into a bug. He does not react how most people would if they woke up one morning to find that they have been turned into what most would consider the world’s most repulsive insect. Instead of waking up in a panic, he simply reflects on his life as a human and how monotonous it was. In this reflection, it becomes clear that his family is codependent on him. Codependency is a major concern, and it should be addressed.

The novella The Metamorphosis by Franz Kafka was first published in 1915. This novella shows the degree of loyalty a family has to even their own family members; this case being Gregor Samsa, his mother, his father, and his sister Grete Samsa. Upon reading the novella, it becomes evident that Gregor’s care for his family is pure and genuine, which, throughout the short story, leaves a small feeling of melancholy due to the fact that the family never really returned that same gesture. Gregor works solely to support the Samsa family through their debts and his sister’s future through a job that he keeps due to his obligation as the money-maker of the family. Support, in both factors of the word, should be a

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

He worries about not showing up to his job on time or losing it entirely because he knows that his family depends on it. Ultimately, Gregor is concerned about how his inability to continue as the provider will affect his family. He believes his role as provider is a responsibility that he must carry out in sickness and in health. Indeed, family provides a part of a person’s sense of self, but it is the decision of each individual of how much of an influence family is. In Gregor’s case, it was an overwhelming influence because he was more concerned about what would happen to his family instead of what would happen to him physically and emotionally as a consequence of his transformation into a bug. This overwhelming influence is psychologically unhealthy because it can cause Gregor and other individuals to be so focused on their family’s needs that they forget about their own needs. Likewise, the other extreme is also unhealthy – leaving one’s family on their own with no concern about what could happen to them. It would be more psychologically healthy for a middle ground where individuals are concerned about their family’s well being and attempt to help them only when their family is in the most need. Otherwise, individuals should only wish them well and work on tending to their own needs to be emotionally and physically healthy.

Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.

The story initially involves Gregor’s physical appearance and his conscious awareness that he has become an insect. “When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed” (505). Quite in denial, he does not appear to be very bothered by his transformation, and sees it as any other disturbance to his sleep, “what if I went back to sleep for a while, and forgot about all this nonsense?” (505). As the story progresses, Gregor seems focused on ordinary concerns like missing the early morning train, losing his meaningless and unfulfilling job as a traveling salesman, or his family’s unstable financial situation. His life is completely consumed with work and his family’s needs. Undergoing more physical changes, Gregor’s normal human voice turns into that of a bug, which makes it difficult for him to communicate with his family or his manager, who says, “that was the voice of an animal” (511). His words were no longer comprehensible. Once he was able to open his bedroom door, revealing himself as an insect to the others did not ensue ideally. Gregor’s mother, father, sister, and manager all stood shocked, and ran away in horror at the sight. Ironically, one of the first things that Gregor sees outside the bedroom is a photograph of himself from his period in the army as a lieutenant, “his hand on his sabre, smiling confidently, the posture and uniform

What is betrayal actually? How do we visualize it? In what particular ways do we see it? A wide range of literature has been dedicated to the phenomenon of betrayal demonstrated in different ways. In the course of this essay two works of literature will be analyzed having regard to the issue of betrayal revealed therein. The work of art to be analyzed first will be The Metamorphosis by Franz Kafka. The Metamorphosis is a surreal story by Franz Kafka surrounding the tale of Gregor Samsa, who wakes up one day, reborn into a large insect. He wants to live a normal life, unfortunately, this is impossible because he cannot even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing a human form, the hero was beyond human existence. He is automatically deprived of the right to be a part of society.

The Metamorphosis is a novella written by German author Franz Kafka which was first published in 1915. The novella tells the story of Gregor Samsa, a traveling salesman who one day awoke to discover he had transformed into an insect like monstrosity. Throughout the story, Gregor struggles with the horrible prospect of coming to terms with his situation, as well as coping with the effects of his transformation, such as the fact that his family is repelled by his new form, and that he is no longer able to provide financially for them. Through Gregor’s reaction to the effects of his transformation on his life, Kafka critiques the situation of the common man in a modern world.

In The Metamorphosis by Franz Kafka, the straightforward style enhances the the nightmarish quality of the work. You can see that here, “He remembered that he had often felt a slight pain in bed, perhaps caused by lying awkwardly, but that had always turned out to be pure imagination and he wondered how his imaginings would slowly resolve themselves today. He did not have the slightest doubt that the change in his voice was nothing more than the first sign of a serious cold, which was an occupational hazard for travelling salesmen.” (The Metamorphosis.) Gregor, in The Metamorphosis has woken up transformed into a bug-like creature, but instead of the story having a horror, stressed style, it is very straightforward. Gregor, instead of worrying

His fate, it seems, is to provide for his family and there are several instances in which he laments his inability to provide for his mother, father, and dear sister. The narrator states, revealing one of these themes in “The Metamorphosis”, “Gregor’s sole desire was to do his utmost to help the family to forget as soon as possible the catastrophe which had overwhelmed the business and thrown them all into a state of complete despair” (95) and this sense of blind duty compels him to work a meaningless, menial job that has both figuratively and literally turned him into a filthy, scuttling, and helpless insect. While this is true on a more basic level, the root of Gregor’s problem stems from a deep-seated feeling of guilt, an emotion that eventually leads to his demise. By the end of the story, Gregor has completely lost his purpose and for a man that once existed simply as a utilitarian creature (again, like an insect since he lives only to fulfill his duty to the group). At one point, his feelings of uselessness are described as, ““Gregor was now cut off from his mother, who was perhaps nearly dying because of him; he dared not open the door for fear of frightening his sister, who had to stay with her mother, there was nothing he could do but wait; and harassed by self-reproach and worry he began to crawl to and fro” (109) and it is clear that the guilt of being useless is mounting and leading to his resignation in the face of

In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life

According to Kafka and existentialism, people have both an individual side and a side with the commitment of society. It is our choices that must be in moderation of the two, to maintain balance. If a person chooses himself over society, he will lose the support of society; however, if a person chooses society, he will lose his individuality. Gregor initially chooses society over himself, which in turn transformed him into the working drone he was. After his physical transformation, he is forced reassert his focus to himself, and society abandons him. Through Gregor’s plight, his family became cohesive and productive in society, each contributing through work and leisure. Gregor learned to live for himself too late to become a whole person. Gregor begins to look for entertainment and fun in the form of a bug, a form that knows nothing but work, by crawling up to the ceiling and hanging from there, or from wall to wall over the various objects, this gave him a feeling of “almost happy absent-mindedness” (32). Haven given up any hope of returning to his human form or being a civilized working part of society ever again, this was one of the only joys Gregor had left in his life. By ignoring the purpose of being an