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The Influence that Issey Miyake´s Japanese Heritage Hand on his Designs

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Discuss the influence that Issey Miyake’s Japanese heritage had on his designs.
1971 Miyake’s intentions where To discover the traditional beauty of a Japan which is disappearing; to emphasise the importance of industrially produced clothes by using synthetic materials; to demonstrate the secret beauty of Japanese women. I am striving to create clothes which give paramount importance to the movement of the body. Rather than fashion that one puts on, I want to produce fashion that one takes off...for that is where the beauty of man’s primitive spirit is found. (Tokyo Vogue p44)
Even though Miyake gained traditional Western training he wanted to find his …show more content…

224). Jouve (1997) suggests that Miyake’s approach differs to Western design arguing that “he sees the body as a reed, a neutral flexible thing, in the tradition of the kimono. Yet Miyake suggests that the oversized and sculptural shapes have more to do with accessibility and the experience of the wearer: I want women to be able to wear my clothing in the kitchen, when they’re pregnant...My clothes are for the young, the old, the short, the tall. They’re ageless you see? (Frankel, 2001, p.48)
Miyake basic philosophy can be traced to the traditions of the kimono and, Samurais, paper arts, the tea ceremony and Buddhist concepts. The kimonos simple construction makes it accessible to very social strata of Japan. Despite being boxy, it drapes the body loosely with plenty of space between the body and cloth, allowing freedom of movement with simplicity of cut. While traditional Japanese clothes have been made of natural fibres such as cotton, silk and paper, Miyake places emphasis on the ancient interest and import of industrially produced clothes with synthetic materials. He sees technology as a way to revive rather than replace tradition and craftsmanship. He comments that “the joint power of technology and manual work enables us to revive the warmth of the human hand, in other words, to come close to the value inherent in artisanal work” (Sato, 1998, p. 55). By doing this he harnesses

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