Wyndham Lewis recognizes, “Wherever there is objective truth, there is satire.” Most readers don't recognize this until they feel insulted, mostly due to the fact that humans don’t acknowledge their lifestyle flaws until others make them known. This concept has come to be the brick and mortar of the wry play The Importance of Being Earnest by Oscar Wilde The significance of the notion of being earnest is contradicted in the play, through Wilde’s clever use of words, characters digression of societal normalcy, and triviality of Victorian concepts. Cynical character Algernon asserts that women of Victorian society reinforce the importance of orderly money as a type of social contract. On page 3, it is quickly established the type of …show more content…
I call that business,”(Wilde, 15). As for Lady Bracknell, she becomes a contradiction claiming, “...when I was married to Lord Bracknell I had no fortune of any kind,” (Wilde, 64), yet she proposes an immense inquisition towards Jack regarding her wanting Gwendolen to marry rich. Wilde’s diverse usage of character's moralities in the play allots for the depiction of Victorian conversation, behavior, and responsibility. Oscar Wilde’s masterful use of allusion, the neologism of the word “Bunbury” and the mockery of Victorian society establish the theme of duality embedded throughout the play, The Importance of Being Ernest. Newhouse 3 Wilde presents a very resourceful platform for public criticism and debate through the clever use of is characters’ personalities and opinions. Friends Jack and Algernon represent a second then triviality through their acts and notions of a desire to be christened in the name of Ernest to gain the affections of two likewise paradoxical women; Gwendolyn and Cecily. On page 40, Jack asserts, “I would like to be christened myself…” before obviously claiming that he has no recollection any previous christening like that of every other infant at the time (Wilde, 40). Later on page 47, Algernon enquires about ten very same rectors and expresses his urgency to be christened the same name of this Ernest (Wilde, 47). The hand-in-hand involvement names and christening an excessive need to display one’s 'public’ nature as good, honest men, which,
By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies
Oscar Wilde’s play entitled “The Importance of Being Earnest” illustrates the concept of dual personality, fantasy, love, and lies. Jack, Algernon, Gwendolyn, and Cecily all live in lies. They are manipulated by their fantasies and desire for perfect relationship and love. Jack, the protagonist in the play, is the root of lies because of his imaginary brother named Earnest. Algernon uses the name to win Cecily, while Gwendolyn and Cecily are both fascinated by this name because it expresses strength and perfection of manhood. Due to their search and desire to have Earnest, the male and female characters escape from the reality. Therefore, Wilde in The Importance of Being Earnest portrays a gender doubled
One might believe that honesty is one of the building blocks of a society and is what initiates trust between people; furthermore, the Victorian era was a time period in British history where rules and morals appeared to be strict. The Importance of Being Earnest, by Oscar Wilde, a nineteenth century author who was one of the most acclaimed playwrights of his day, is a play set in the Victorian time period that demonstrates how trivial telling the truth was. Different characters throughout Wilde’s play establish their dishonestly through hiding who they really are and pretending to be someone whom they are not. In an essay titled “From ‘Oscar Wilde’s Game of Being Earnest,’” Tirthankar Bose describes the characters from The Importance of Being Earnest as playing games with one another, which is a result of the deceit that was present in the play. Although the Victorian time period is a time characterized by strong morals and values, The Importance of Being Earnest proves this notion to not apply to telling the truth and ultimately questions why truth is not valued in the Victorian time period amongst other strictly upheld values. Honesty is not valued throughout the play because some of the characters felt to need to appear as if they represented the strict morals that were common throughout the time period.
“The Importance of Being Earnest,” a satirical play written by Oscar Wilde, discusses a vast variety of criticisms regarding the late Victorian societal period. In this comedic drama, focusing on and analyzing certain minor characters leads to a more effective interpretation of the messages attempting to be portrayed to the audience. For example, through the persona of Lady Bracknell, Wilde effectively mocks the concept of marriage for social status rather than love. Additionally, interpreting the roles of the lower class servants allows the readers to internalize the desperate need for social reform that the author felt at the time period. Finally, the entire concept of Bunburyism, or masquerading as an alternate persona, satirizes the hypocrisy of the Victorian Era.
It has been said that ‘comedy, beginning in turmoil but ending in harmony, celebrates life.’ This relates well to ‘The Importance of Being Earnest’ where Wilde proves that this comedy of manners does conform to this model since it traces the movement from distress to happiness. In this comedy of manners there is a movement from distress to happiness, even though some characters such as Algernon do not learn any lessons and stays ‘bad’.
In the play, The Importance of Being Earnest by Oscar Wilde, there is a lot of humor that can be found. Specifically, developed behind the characters in this play that display many instances of irony and how important it was to fit into the “status quo” of this time period. There are specific behaviors from the characters of Lady Bracknell, Gwendolen, and Algernon that portray Wilde’s opinion of society during the Victorian Age. The attitude of these characters is snobbish and their manners display double standards and superiority. The play’s use of mockery and irony of these satirical situations is meant to publicly ridicule the self- loving attitude of the upper class while exposing their true absence of intelligence which causes their absurd social behaviors
Cecily and Gwendolen were perfectly happy to become attached to something that appears to be true and real rather than taking a closer look to expose the genuine nature of Jack and Algernon proves that the two young women were more attached to the name of both men, and did not consider their actions and words to verify them not being earnest – exposing both women as superficial. Algernon’s occupation with his outer appearance and Lady Bracknell’s need to look good in the eyes of others proves them both to be superficially committed to their external manifestations. It is possible that Wilde was revealing what the upper class life resulted in, and that as one rises higher in status one loses themselves, becoming preoccupied with what others want and what others think, forgetting one’s true
- first the name Ernest, which is the main focus of the play, and also
Wilde uses Gwendolen’s and Cecily’s obviously superficial affection towards each other to again accentuate and criticize the importance that the Victorian’s placed on an individual’s name. The practice of naming others as a means to display one’s own dominance is satirized by the irony in the argument between the two young ladies. The audience detects that they are undoubtedly fighting over Ernest as well as superiority, but their true feelings are ironically hidden (rather poorly) under fake earnestness. Garland states that, “both women attempt to define the existence of their opponent through rapidly shifting expression of Identity” (272), and cause a quiet fire in the atmosphere of the scene. Since their fight is so indirect and blatantly petty, Wilde is able to comically criticize females of victorian society that are represented by Gwendolen and Cecily.
It is a well known phenomenon that many authors' lives are reflected through a character in their work. In Oscar Wilde's The Importance of Being Earnest, the double life, or double identity, can be seen as the central metaphor in the play, epitomized in Algernon's creation of "Bunbury" or "Bunburying". As this term is the only fictitious word employed throughout the text, it is crucial to critically analyze not only its use and implications, but more importantly, the character who coins the term; Algernon Moncrieff. In addition, it is also significant to note the marked differences between Algernon and Jack's perceptions of the notion of bunburying, as it further develops Algernon's character within the text. But perhaps the single most
While those of the Victorian upper class were usually the most refined and intelligent, Wilde portrays them as ignorant and dense. One of the most well described ladies, Miss Prism, is shown to be the least aware. “The most cultivated of ladies, and the very picture of respectability”(63). She is ultimately the most absent minded and leaves baby Jack in a handbag in a cloak room of a major railway station. Through Miss Prism, Wilde is able to propagandize the intelligence the aristocrats usually embody. In addition to this, Wilde refutes the morality of the Victorian elite. The main two characters, Jack and Algernon, are deceptive and are rarely seen to have any morals. Reviewing this play with a sociological/Marxist perspective provides insight on how Wilde wants others to perceive the elite of
Oscar Wilde’s play The Importance of Being Earnest (.1993.) is an enlightening epitome of social class in the Victorian era. The satire is driven by the frivolous behaviour, superficial lives and artificial norms within the Victorian aristocracy. Incorporating his own opinion into the play, Wilde continually attacked and mocked their hypocrisy, views on marriage, and their mannerisms. Throughout the play, Wilde used an abundant range of literary techniques to reinforce his opinion. Irony, paradox and hyperboles, as well as witty epigrams and aphorisms were used astutely and were ubiquitous throughout the play. This contributed to the satirical style and tone of the text, and enabled Wilde to effectively communicate his critical perspective on social class in Victorian England.
Satire, in which Wilde places throughout the dialogue, is used to deride Victorian age concept of marriage and exhibit the theme to the audience. This is evident when Wilde addresses how Gwendolen and Cecily refuse to marry a man if their names were not
One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces
For Wilde, the word earnest comprised two different but related ideas: the notion of false truth and the notion of false morality, or moralism. The moralism of Victorian society—its smugness and pomposity—impels Algernon and Jack to invent fictitious alter egos so as to be able to escape the strictures of propriety and decency. However, what one member of society considers decent or indecent doesn’t always reflect what decency really is. One of the play’s paradoxes is the impossibility of actually being either earnest (meaning “serious” or “sincere”) or moral while claiming to be so. The