The Black Cat, By Edgar Allan Poe

Written by Edgar Allan Poe, “The Raven” is a famous short poem known for the dark fantasy that it portrays. From the mindset of a first person narrative, one may experience the tale through the eyes of a haunted man who is in mourning for the death of his beloved Lenore. As this man sits in his chamber, within a dark and dreary December night, a “raven of the saintly days of yore” visits him. The raven is no ordinary bird, for it is like a ghost, silent, yet it answers every inquiry the man presents in it’s own personal way. This dark and tragic tale grabs one’s attention through the rhythmic, yet melancholy verses, through the classic references, and through the dark imagery that all play a critical role within this poem.

“The Raven” is a fictional poem written by Edgar Allan Poe in which the audience witnesses the narrator’s gradual change from a weary scholar to grieving lover. While falling asleep, he suddenly hears a tap at his chamber door. In alarm, the scholar tries to reason with himself and explain away the soft tapping. Eventually, he gains courage, opens the door, and finds it void of anyone. The narrator immediately wonders if it is perhaps his lost love, Lenore waiting for him, yet the only answer to his inquiry is his echoing voice. However, as he shuts the door, he hears a gentle tapping again, opens a window, and a raven enters. Poe’s use of a raven cannot be a coincidence. According to Gregory McNamee,

Romanticism is an intellectual, spiritual, and literary movement that begins at the start of the nineteenth century and concludes at the beginning of the twentieth century. Of the many characteristics that are associated with Romanticism, the characteristics that are most evident in literature from this period are the characteristics of individuality and imagination. The author Edgar Allen Poe exhibits these characteristics in his works “The Black Cat”, and the “The Raven”.

What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

Horror, what is it, according to literary historian J.A. Cuddon, it is “a piece of fiction in prose of variable length…which shocks or even frightens the reader, or perhaps induces a feeling of repulsion or loathing.” This sets the guidelines for how the generic horror piece is written, as long as it can scare the reader in one sense or the other, or cause them to loath a certain part or character, then it can be called horror. The horror today has roots stemming from old folklore and religious traditions which had elements that dealt with death, the afterlife, and the demonic, along with the things or thing that embody a person. Horror during the 18th century was called gothic horror and this particular type of horror was invented in the

Edgar Allan Poe has a distinctive and dark way of writing (Poe & Kennedy, pp.22). His mysterious style of writing appeals to passion and sentimentality. Poe’s most prominent works of fiction are gothic. His stories tend to have similar recurring theme of either death, lost love or both. Poe’s psychologically thrilling stories examining the depths of the humanoid psyche earned him much fame throughout his lifetime and after his death. And this distinctive style of writing made him possess his own style of wiring (Arbor, pp.71). There is a psychological concentration which is an important characteristic of Poe’s literatures, particularly the tales of horror that encompass his best and well-known works, such as The Black Cat and The Raven which

Throughout all the short stories and poems wrote by Edgar Allan Poe, some connections can be made on the content. The Black Cat, and The Raven, are two narratives wrote by Poe, that unveil the themes and symbols he often uses in his work. Poe is on the mysterious side, but he is also taking the life he is given, and making his narratives raw and realist by some degree. Poe uses techniques that left him express his imagination through writing. There are many different ideas and questions rising from all his work. The Black Cat and The Raven, are two narratives that use similar themes and symbols that allow readers to receive a small connection of the madness inside of the narrators.

When Edgar Allan Poe wrote “The Black Cat” in 1843, the word “paranoia” was not in existence. The mental illness of paranoia was not given its name until the twentieth century. What the narrator is suffering from would be called paranoia today. The definition of paranoia is psychosis marked by delusions and irrational decisions. This definition could best be described in the nineteenth century as being superstitious and believing that supernatural powers are affecting our decisions. Superstition and being taken over by the supernatural is a recurring metaphor for paranoia in Poe’s story.

n the discussions of Edgar Allen Poe’s “The Raven,” one issue has been the explanation of the bird and it’s presence in the poem. Majority agrees that the feathered creature does have a symbolic meaning of the conscious mind of the speaker in the poem. The agreement usually ends with how we communicate with our selves. Some focus more on who or what a person is talking to with their conscious while others direct their attention to how we can better understand our conscious conversations with our selves.

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

In this poem, the speaker is distraught over the death of his love, Lenore. He tries to ease his pain by distracting himself with a book of poems; “The Forgotten Lore” but is interrupted by "a tapping at [his] chamber door" (5) and finds "darkness there and nothing more." (24) He was visited one night in his bedroom by a raven that only knows the word 'Nevermore.' However, the gentleman is unaware of the bird's limited vocabulary and proceeds to beg and plead with the bird to answer his questions about Lenore and her death, but the bird continues to respond one way. Being so grief stricken over the loss of his love, the narrator takes the bird as a prophet, and is convinced by the end of the poem that he will never again see or hold Lenore-even in the afterlife. Through this poem, Poe uses symbolism, imagery and tone, as well as a variety of poetic elements to enforce his theme of sadness and death of the one he loved.

When we think about horror, we think about death and bad things happening to good people. Horror gives a face to material that generally does not have a face. It gets our blood flowing and you cannot stop thinking about it. When is the next bad thing going to happen? Who is it going to happen to? It allows our minds to be creative and picture what we want. It kind of follows the idea that we are not at the top of the food chain like we always are and most people find that scary. Matthew Lewis does a wonderful job of depicting horror in The Monk.

The Sleeper, by Edgar Allan Poe, was first published in the Poems of 1831; this poem has since been revised from its current version which was printed in 1845. This poem was written during the Romanticism Period. This time period is defined as a time in which poets began to “rebel against the Neoclassical restrictions and dominance of reason as poetic aim. Romantic poetry celebrated the imagination over rationality, passion, and dreams over reason and external reality, and isolated individuality over collective humankind. Romantic poetry looked to celebrate both the supernatural and elevate the commonplace.” (Henriksen) Poe’s imagination prevails in this lyric poem. The speaker of the poem experiences an internal conflict while mourning

As a master of short stories of horror, Edgar Allan Poe is knowledgeable, learned and imaginative. He could skillfully manipulate the words in his literary works to create everything people can think of. The masterful use of the symbols, objects intensify the readers’ nerve as the typical elements of horror in Poe’s short stories, and therefore it is also a feature which makes Poe 's stories different from other writers.