“Some men aren’t looking for anything logical like money. They can’t be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn” – Alfred Pennyworth. In the article “The Thematic Paradigm”, Robert Ray describes the postmodernist outlaw hero. Ray says, “the outlaw hero stood for that part of American imagination valuing self–determination and freedom from entanglements…the outlaw heroes represented a flight from maturity…the outlaw hero’s distrust of civilization, typically represented by women and marriage…the outlaw hero’s motto was ‘I don’t know what the law says but I know right from wrong’”. In Christopher Nolan’s film, The Dark Knight the audience observes a dark twist on this ideology in the portrayal …show more content…
There is no such thing as only good and evil, hero and villain. The lines have always been blurred. In the beginning of the climax you see the three other main characters considered good ditch their rules and morals. For example, when Alfred told Bruce Wayne that ‘some men just want to watch the world burn’ he tells the story of the villain they had to catch and how he burned down a forest to do so. After, Batman in a figurative sense ditches his ethical reasoning and burns his forest down when he nearly kills The Joker in the interview room to find Rachel and Harvey and also uses sonar technology to invade the people’s privacy and spy on the entire city of Gotham. Joker also succeeds at proving his point when he kills Harvey’s love Rachel Dawes. “Gotham City’s White Knight” ditches everything he ever stood for; nobility, order, and laws to murder five people and justifying their deaths with the flip of a coin. This alone symbolizes the Joker’s mission to show the civilized people they truly are. At the end of the film, when the people on ferries are contemplating killing the others, the “civilized people” start arguing that the incarcerated men are scum and deserve to be the ones who die. Lastly, the film ends by leaving the audience with the corruption of Harvey Dent leading to the cover up of the incident. All these actions argue that even though the Batman never truly broke his rule and the Joker lost in the end, he actually won, the death of Dent prompted more lies made by the police department, Commissioner Gordon and even Batman
In the movie The Dark Knight, there two heroes, Batman and Harvey Dent, sometimes know as Gotham's white knight. As the movie progresses, Harvey Dent is more of a hero then Batman because of the criminals he arrested. The Joker comes along and wants to control all of Gotham but first he must kill Batman in order to accomplish that. The Joker threatened to kill everybody until Batman reveals who he really is. Later on in the movie, Batman has to choose how to save, Rachel, Bruce Wayne’s (batman) love or Harvey Dent. Batman choosed Harvey Dent and Rachel Died. Although Batman was chosen Harvey tov save, he was too late and Harvey’s right side face burn off. After Harvey Dent recovers, he becomes Two Face, one side of his face is burnt off, his is where he becomes a tragic hero.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot
The Dark Knight (2008), directed by Christopher Nolan, demonstrates the idea of good versus evil. Batman is known as the protagonist, and Joker is known as the ultimate villain. The representation of crime in the film is seen from the actions of both characters. The film essentially depicts the act of deviance meaning, “behaviour that violates social norms, including laws”. In normality the government would have the greatest amount of power, but in the Gotham city, power is complex. There is minimal structure of law and order in Gotham city due to powerful people like Batman and the Joker. Citizens of Gotham city can no longer fight for themselves in a world filled with supernatural powers. Therefore, the only hope that citizens have rest in the hands of Batman. Although Batman attempts to save Gotham city from Joker’s criminal intentions. Batman, however, also plays a role in deviant activity while attempting to catch the Joker. Realistically, Batman violates the moral code due to destructive behaviour, and putting the lives of citizens at harm. He does not care for social norms, nor whether his acts are of legality. He is devoted to combat organized crime with Harvey Dent, a district attorney in Gotham city. Batman is in fact, the definition of crime, he understands but does not abide to individual rights and social contracts which make up the rule of law. In addition, the man behind Batman, Bruce Wayne also portrays a form of deviance by disguising himself as Batman.
The Foundational Documents of the United States are the basis of American government and culture. The documents are used in to keep order in the government and show the beginning of America as a free country. Between The Declaration of Independence, The Bill of Rights, Marbury vs. Madison, Common Sense, and The Federalists Papers, there is a mixture of themes throughout all of the documents. The authors of all of these essays and documents use their words to portray the themes of Unity, Equality, Freedom, Democracy, and Independence.
The Crucible is a play that is about multiple things that happened in the Salem witch trails and how the characters behaviors have affected the whole play. The Crucible takes place in Salem, Massachusetts in 1692. The characters take in plenty of actions and the setting are all symbolic of abstract ideas and issues between all the characters. Although, The Crucible is a play that relates to the witch trails in Salem and the consequences that have occurred with the people in the play. The Crucible also has plenty of violence’s and killing events, there’s other parts of where the characters are just lying to each other and there’s also other parts where they all hide something from someone in the play as in the usual most of them did. The Crucible has a strict religion but others in the play believed in “witchcraft”, as what Abigail accused Elizabeth of doing in the play to escape from her truth to be revealed because Abigail had an affair with the Proctor.
Historically American film have been centered on heroes. In Ray’s “The Thematic Paradigm” he states that heroes as have two preset archetypes with certain characteristics. These two archetypes are the family orientated “official hero” and the loner “outlaw hero.” In Segar’s “Creating the Myth” she states that heroes are made by the steps or events that they go through on their way to becoming a hero. This means that to Seger the heroes do not start out as heroes, but as normal people. However, Ray and Seger suggest different ways in which Americans relate to film heroes, they both agree heroes are popular through common experience and relatability.
Montag went into the metro station and goes to Faber's house with a book. While in the metro, people were saying 'call the guard' or 'the man 's off'. But, he still got to Faber's houses
In the essay “Everything Burns: the Psychology & Philosophy of The Joker” Anthony Nowicke explains to the reader why the Joker is such a popular villain. He explains the philosophical ideas that the Joker himself believes in and also the psychological reason why he is so appealing to people. Nowicke also explains why the Joker is essential to Batman just as Batman is to the Joker.
We have discussed that Batman is ferocious and evil but does display some admirable qualities. He works with the police commissioner Jim Gordon from the first till the last film; he aids the police, although in an anti democratic way, in taking down some of Gotham’s worst criminals. Coupled with this we see Batman’s compassion in many scenes. We see Bruce Wayne in the first film refusing to kill a guilty man, we see Batman not killing the joker in the second film even when he had ample time and opportunities. Lastly the films are all super hero based, the trilogy is about us viewing Batman as the eventual hero, and I personally do view him as the hero but I view him as a flawed hero, a hero whose ways are not always what Gotham wants but what it needs.
Throughout “The Dark Knight” by Christopher Nolan crime and deviance is seen throughout the film. Crime and deviance in The Dark Knight has two faces as society accepts crime for those whose are helping them and at the same time punishes those who are punished. Society in Gotham accepts crime when the Batman commits it to help for the betterment of society; however, crime is not accepted when it is committed by mob bosses, gangs, criminal cops, and most importantly through the joker. The forms of deviancy/crime which are seen throughout the film is the Labeling Approach, Human Rights Approach, and Human Diversity Approach.
In a movie where good and evil are divided by a very thin line, the Dark Knight rises up to fight against injustice and corruption in Gotham City. An action sequel to the original Batman Begins, this installment is a lot darker filled with more explosion, twists, and suspense. For the first time, a comic has been integrated into the issues of the real world. With the help of District Attorney Harvey Dent and Lieutenant Gordon, Batman sets out to dismantle the remaining mob members and clean the streets of Gotham for good. Their success is only short-lived when they encounter the Joker, a mysterious mastermind who is out to prove that nobility cannot hold in a world of anarchy.
The Good and the Bad of Batman (and Every Story Ever Written!) It is [the story], therefore, obviously the product of adolescent male power fantasies and wish–fulfillment. It is also, in this day-and-age, a potentially dangerous narrative that can be easily exploited as propaganda that supports the excesses of American imperialism and global capitalism.
Having artfully explored the origins of the caped crusader in Batman Begins, director Christopher Nolan puts Gotham City under a completely new perspective in The Dark Knight, the thrilling second instalment of his superb reinvention of the superhero franchise.
At that point, according to the Joker, they drop their phony façade and behave like the chaotic, selfish animals that we all are. I submit that his motivation is to conduct social experiments to prove himself correct- that at the core people are controlled by their own selfish needs (while he is only controlled by his own delusion of pretentiousness). He has two men fight to the death with one sharp stick between them. He gives two boatloads of people the detonator to bombs on the other ship. He tells Batman that if he [Batman] wants to catch him [the Joker], that he’s going to have to break his One Rule that was brought up at the end of the first movie—to not kill.
As the third installment in the Batman trilogy, a different tone is used when the hero is introduced in the beginning scene. In the preceding films, the hero has been seen righting wrongs and serving justice by banishing the manipulative, toxic and evil villains Gotham is infested with. In the opening scene of The Dark Knight Rises, Commissioner Gordon delivers a speech to honor the late Harvey Dent, former Gotham mayor, and his major contribution in ridding the city’s criminal activity. Dent was a symbol of hope and restoration from the economic decline Gotham faced and the gang activity that terrorized the streets. Batman 2: The Dark Knight introduced the villainous Joker and his psychotic madness which led to Dent’s own decline when the madman kills Dent’s lover. This sparked Dent’s own madness and list of homicides. Wanting to preserve the hope Dent instilled onto the people and prevent chaos, Batman takes the blame for Dent’s transgression. And so, begins the duality of Batman.